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  • Ingeborg Bloem & Klaus Kempenaars

    Branded Protest. The Power of Branding and its Influence on…

  • Wiel Arets

    Un-Conscious-City

  • Achille Mbembe

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  • Daniel López-Pérez

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    RuPaul's Drag Race and Philosophy. Sissy That Thought

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    The Glossary of Cognitive Activism (For a not so distant…

  • Crimson Historians & Urbanists

    City of Comings and Goings

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    The Museum Is Not Enough

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  • M. Kries, T. Cunz (Hg)

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  • Lukas Feireiss

    Radical Cut-Up: Nothing Is Original

  • Chanon Goodwin (Ed.)

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  • David Toop

    Inflamed Invisible: Collected Writings on Art and Sound,…

  • Tom Bieling (Ed.)

    Design (&) Activism: Perspectives on Design as Activism…

  • Material Matters 04

    Paper: Creative interpretations of common materials

  • Kate Franklin, Caroline Till

    Radical Matter: Rethinking Materials for a Sustainable…

  • Owen Hatherley, Christopher Herwig

    Soviet Metro Stations

  • Amt für Hochbauten der Stadt Zürich

    Pavillon Le Corbusier Zürich: Restaurierung eines…

  • Peter Adam

    Eileen Gray: Her Life and Work

  • Diedrich Diederichsen, Anselm Franke (…

    Liebe und Ethnologie: die koloniale Dialektik der…

  • Eyal Weizman

    Forensic Architecture: Violence at the Threshold of…

  • Jens Müller (Ed.)

    West-Berlin Grafik-Design. Gestaltung hinter dem Eisernen…

  • Dimitry Kochenov

    Citizenship (Essential Knowledge Series)

  • Jason Oddy

    Revolution Will Be Stopped Halfway: Oscar Niemeyer in…

  • Alessandro Zambelli

    Scandalous Space - Between architecture and archaeology

  • Holly Buck

    After Geoengineering: Climate Tragedy, Repair, and…

  • Junya Ishigami

    Serpentine Pavilion 2019

  • Jesús Vassallo

    Epics in the Everyday: Photography, Architecture, and the…

  • A. Gigon, M. Guyer (Hg.)

    Bürogebäude

  • Mckenzie Wark

    Capital Is Dead: Is This Something Worse?

  • Susanne Hefti & Damjan Kokalevski

    Skopje Walkie Talkie

  • K. Grimstad, S. Rennie (Hg)

    The New Woman's Survival Catalog: A Woman-Made Book

  • Fink, Graff, Rostek, Wagner (Hg.)

    Architects on Architects

  • Natasha Lennard

    Being Numerous. Essays on Non-Fascist Life

  • Graphic #44

    Berlin Issue

  • Peter Weibel (Hg.)

    Sound Art: Sound as a Medium of Art

  • Walter Scheiffele

    Ostmoderne-Westmoderne

  • Samuel Greengard

    Virtual Reality

  • Ion Grigorescu

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  • Guy Standing

    Plunder of the Commons: A Manifesto for Sharing Public…

  • Sofia Bempeza

    Geschichte(n) des Kunststreiks

  • Vilém Flusser

    Vom Stand der Dinge. Eine kleine Philosophie des Design

  • Jane Hall

    Breaking Ground: Architecture by Women

  • Jason Bahbak Mohaghegh

    Omnicide: Mania, Fatality, and the Future-in-Delirium

  • Chantal Akerman

    My Mother Laughs

  • Stiftung Buchkunst

    Die Schönsten Deutschen Bücher 2019: The Best German Book…

  • Franco "Bifo" Berardi

    Die Seele bei der Arbeit: Von der Entfremdung zur Autonomie

  • Judith Butler

    Rücksichtslose Kritik. Körper, Rede, Aufstand

  • Alexandra Hopf, Regine Steenbock

    Vogue. M29 Special.09/2019 September

  • J. Dowling, C. Leterme

    From Latin America

  • Extinction Rebellion

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  • Matthias Schmelzer, Andrea Vetter

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  • M. Rothenberger, T. Weber (Hg)

    Nico – Wie kann die Luft so schwer sein an einem Tag an dem…

  • Marcel Hénaff

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  • Francesco Garutti

    Our Happy Life. Architecture and Well-Being in the Age of…

  • Kenya Hara

    Designing Japan. A Future Built on Aesthetics

  • T. Rieniets, C. Kämmerer

    Architektur der 1950er bis 1970er Jahre im Ruhrgebiet: Als…

  • Janwillem Schrofer (Ed.)

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  • Giorgio Agamben

    Creation and Anarchy: The Work of Art and the Religion of…

  • Danae Io, Callum Copley (Ed.)

    Schemas of Uncertainty

  • Lucy Cotter

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  • Sabine Hansmann, Finn Geipel (Hg.)

    Raummaschine: Exploring the Manifold Spaces

  • Peter Donhauser

    Musikmaschinen: Die Geschichte der Elektromusik

  • Amanda Boetzkes

    Plastic Capitalism. Contemporary Art and the Drive to Waste

  • Stefanie Graefe

    Resilienz im Krisenkapitalismus: Wider das Lob der…

  • Daniel Johnston

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  • Daniel Birnbaum, Sven-Olov Wallenstein

    Spacing Philosophy: Lyotard and the Idea of the Exhibition

  • Roland Meyer

    Operative Porträts. Eine Bildgeschichte der…

  • A. Juppien, R. Zemp

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  • Paul O'Neill, Simon Sheikh, Lucy…

    Curating after the Global: Roadmaps for the Present

  • Maya Vinitsky (Ed.)

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  • Annette Jael Lehmann

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  • G. Cachin (Hg.)

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  • H. Bodenschatz, D. Brantz

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  • Christoph Cox

    Sonic Flux: Sound, Art, and Metaphysics

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    Posthuman Ecologies. Complexity and Process after Deleuze

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  • James Bridle

    New Dark Age: Der Sieg der Technologie und das Ende der…

  • Sabine Breitwieser (Ed.)

    E.A.T. - Experiments in Arts and Technology

  • Richard Buckminster Fuller

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  • Ulrike Bernard

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  • C. Leonard, L. Khonsary (Hg)

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  • Robert Kronenburg

    This Must Be The Place: An Architectural History of Popular…

  • Oliver Marchart

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  • Jürgen Hasse, Sara F. Levin

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  • Sarah Banet-Weiser

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  • Stephen Prina

    As He Remembered It

  • Christoforos Savva

    Untimely, Again

SMAREAZY 001 12"EASTER, Champagne 121212 / Children for Atmopshere, Don't Dub Your Hands Away.

The first Release of the new Smareazy label, a Smaragd Bar spin off.
Smareazy 001 features current Smaragd personnel Stine Omar, Max Boss (http://easterjesus.com/) (of Easter, Cyan Kid) and Andy Grier (of Thieves Like US with his new outfit Children For Atmosphere):
A. Easter · Champagne 121212
Written and performed by Stine omar and Max Boss, taken from the Album
“The Softest Hard” (RTN045), Raminton 2012
B. Don‘t Dub Your Hands Away · Children For Atmosphere
Written and performed by Andy No Andy and Salsa Stick, Mixed with Milo, Previously unreleased
SMRZ 001, 12” Vinyl, 45 RPM
Cover Photography: Kristin Loschert
Design: Till Sperrle
Mastering: Helmut Erler, Dubplates & Mastering
Versand: Deutschland 4 Euro und EU 8 Euro, Welt: Auf Anfrage!
Shipping: Germany 4 Euro, EU 8 Euro, World: Please ask!
Possibly it is the smallest and sparsest bar in Berlin. Formerly a narrow passage way, it keeps the drinking crowd in its shady space. Smaragd, a name and a sign inherited from previous owners, comes with an original tune, something one could call an anti-religious Gong, the sound a popping cork makes when hitting a single hi-hat fixed below the ceiling. This gesture belongs to the unscripted ceremony. Musicians sell the drinks. Artists and writers select the records. Momus once sang standing on the window sill. When working behind the bar, Stine Omar and Max Boss, the two members of EASTER and Andy Grier of Children for Atmosphere bust the caps once in a while. So the bartenders build the line up of the first release on SMAREAZY. At the same time everybody is friends, acquaintances, neighbours and customers. Maybe this record is sound and image of a face to face social network? A micro economy of its own kind? A small world where talking, listening and drinking go hand in hand. So the record carries the equanimous 'hymn' of Smaragd, a mindful celebration: "Champagne 121212" by EASTER. A song performed in their unique tone and articulation. It's spoken, though it's a song, it's about a cheerful drink, though it's melancholic music, it's an old habit, though young people perform it, it's representing the rich, though it is the privileged poor who pour it down. In a way Smaragd invented its own logic of music compilation, which derives from coincidences. What does the music sound like exactly? A side and B side epitomized the musical aesthetic of Berlin post-Techno and generic Start-up hustle. There remains more to say about these beautiful and vague atmospheres. The record SMAREAZY 001 is the beginning of a new label. More releases will follow. (Vera Tollmann)


Stine Omar, Max Boss, Andy Grier
SMAREAZY 001 12"EASTER, Champagne 121212 / Children for Atmopshere, Don't Dub Your Hands Away.
Smareazy, 2013, SMRZ 001