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    Anything goes? Berliner Architekturen der 1980er Jahre

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    IDEA 393. MANGA bridges the world: The actualities of manga…

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    Blind Maps and Blue Dots. The Blurring of the Producer-User…

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    Soziologie der Entnetzung

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    Never mind the Nineties. Eine Medienarchäologie des…

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    Cuban Modernism. Mid-Century Architecture 1940–1970

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    The Future of the Museum

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    Politics of Learning, Politics of Space. Architecture and…

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    Revolution für das Leben. Philosophie der neuen…

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    Share the Wealth. How to End Rentier Capitalism

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    Superstudio Migrazioni

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    Eine kurze Geschichte der Linien

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    Beyond Design. Making Socially Relevant Projects Successful

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    The Benjamin Files

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    Cybernetics of the Poor

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    Annihilating Noise

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    Landscape as Weapon. Cultures of Exhaustion and Refusal

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    Candide. Journal for Architectural Knowledge / No. 12

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    Critique of Architecture: Essays on Theory, Autonomy, and…

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    Not at Your Service. Manifestos for Design

  • Brandon LaBelle

    Acoustic Justice: Listening, Performativity, and the Work…

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    Technoprecarious

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    Céline Condorelli. Zanzibar

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    Das Temporäre politisch denken. Raumproduktionen im Berlin…

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    Aesthetics of the Commons

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    Spolien. Phänomene der Wiederverwendung in der Architektur

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    Critique and the Digital

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    The Fashion of Architecture

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    Kengo Kuma. My Life as an Architect in Tokyo

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    Living the City. Of Cities, People and Stories

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    Synchronisieren. Ein Essay zur Materialität des Kollektiven

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    Italic. What gives Typography Its emphasis

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    X-Risk. How Humanity Discovered Its Own Extinction

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    Jean-Luc Godard. Der permanente Revolutionär

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    Italian Theory

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    Die technologische Singularität

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    Curatorial Thing (Cultures of the Curatorial 4)

Sonic Agency. Sound and Emergent Forms of Resistance

A timely exploration of whether sound and listening can be the basis of political change.
In a world dominated by the visual, could contemporary resistances be auditory? This timely and important book from Goldsmiths Press highlights sound's invisible, disruptive, and affective qualities and asks whether the unseen nature of sound can support a political transformation. In Sonic Agency, Brandon LaBelle sets out to engage contemporary social and political crises by way of sonic thought and imagination. He divides sound's functions into four figures of resistance -- the invisible, the overheard, the itinerant, and the weak -- and argues for their role in creating alternative "unlikely publics" in which to foster mutuality and dissent. He highlights existing sonic cultures and social initiatives that utilize or deploy sound and listening to address conflict, and points to their work as models for a wider movement. He considers issues of disappearance and hidden culture, nonviolence and noise, creole poetics, and networked life, aiming to unsettle traditional notions of the "space of appearance" as the condition for political action and survival.
By examining the experience of listening and being heard, LaBelle illuminates a path from the fringes toward hope, citizenship, and vibrancy. In a current climate that has left many feeling they have lost their voices, it may be sound itself that restores it to them.


Brandon LaBelle
Sonic Agency. Sound and Emergent Forms of Resistance
Goldsmiths Press, 2018, 9781912685950