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  • Joseph Vogl

    Kapital und Ressentiment. Eine kurze Theorie der Gegenwart

  • Kim Charnley

    Sociopolitical Aesthetics. Art, Crisis and Neoliberalism

  • Sammlung Wemhöner (Hg)

    Hasenheide 13

  • AA62

    AA62. LACATON & VASSAL

  • Ursula Müller, Berlinische Galerie

    Anything goes? Berliner Architekturen der 1980er Jahre

  • IDEA Magazine

    IDEA 393. MANGA bridges the world: The actualities of manga…

  • Joost Grootens

    Blind Maps and Blue Dots. The Blurring of the Producer-User…

  • Urs Stäheli

    Soziologie der Entnetzung

  • Roberto Simanowski

    Das Virus und das Digitale

  • Ole Nymoen, Wolfgang M. Schmitt

    Influencer. Die Ideologie der Werbekörper

  • Rolando Vázquez

    Vistas Of Modernity. Decolonial Aesthesis And The End Of…

  • Jayna Brown

    Black Utopias. Speculative Life and the Music of Other…

  • Ursula Schwitalla (Hg)

    Frauen in der Architektur. Rückblicke, Positionen,…

  • Knut Ebeling, Annette Maechtel, Heimo…

    Never mind the Nineties. Eine Medienarchäologie des…

  • Kathi Hofer

    "Grandma" Prisbrey's Bottle Village

  • Sandra Bartoli, Silvan Linden (Hg.)

    AG8: Berliner Bäume. Eine Bestandsaufnahme

  • Silvia Federici

    Revolution at Point Zero. Hausarbeit, Reproduktion und…

  • Nick Pinkerton

    Goodbye, Dragon Inn

  • Philipp Oswalt with Anthony Fontenot

    Berlin. City Without Form

  • Hans Drexler

    Open Architecture Nachhaltiger Holzbau mit System

  • Joachim Kleinmanns

    Eine Haltung, kein Stil. Das architektonische Werk von Rolf…

  • Keller Easterling

    Medium Design. Knowing How to Work on the World

  • Experimental Jetset

    Experimental Jetset. Superstructures. Notes on Experimental…

  • Andrés Jaque, Marina Otero Verzier,…

    More-than-Human

  • Claudia Mareis, Nina Paim (Hg)

    Design Struggles. Intersecting Histories, Pedagogies, and…

  • Moisés Puente (Hg)

    Kersten Geers. Without Content. 2G Essays

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    2G 81. Brandlhuber+

  • Georges Perec

    Die dunkle Kammer. 124 Träume

  • Kristin Ross

    Luxus für alle. Die politische Gedankenwelt der Pariser…

  • Victor Deupi, Jean-Francois Lejeune

    Cuban Modernism. Mid-Century Architecture 1940–1970

  • András Szántó

    The Future of the Museum

  • Tom Holert

    Politics of Learning, Politics of Space. Architecture and…

  • Eva von Redecker

    Revolution für das Leben. Philosophie der neuen…

  • Nina Prader, John Z. Komurki (Eds.)

    Druck Druck Druck. Print Communities from Berlin and Beyond

  • Herausgegeben:Bundesministerium des…

    70 Jahre Kunst am Bau in Deutschland

  • Philippe Askenazy

    Share the Wealth. How to End Rentier Capitalism

  • Andreas Malm

    How to Blow Up a Pipeline

  • Liam Campling and Alejandro Colás

    Capitalism and the Sea

  • Gerald Raunig

    Ungefüge. Maschinischer Kapitalismus und molekulare…

  • Niki Kubaczek, Monika Mokre (Hg.)

    Die Stadt als Stätte der Solidarität

  • Floris Alkemade, Michiel van Iersel,…

    REWRITING ARCHITECTURE. 10+1 Actions. Tabula Scripta

  • Manuel de la Pena Suarez

    Structuralism and Experimentation in the Architecture of…

  • SPACE10

    The Ideal City. Exploring Urban Futures

  • Anaïs Wiedenhöfer & Lena Wolfart

    Everyday Urban Design 4. Genossenschaftliche…

  • A & P Smithson Hexenhaus-Archiv,…

    Alison & Peter Smithson. Hexenhaus. A House for a Man…

  • Emmanuelle Chiappone-Piriou (Ed.)

    Superstudio Migrazioni

  • Tim Ingold

    Eine kurze Geschichte der Linien

  • Renate Boere

    Beyond Design. Making Socially Relevant Projects Successful

  • Christoph Herndler, Florian Neuner (Hg.)

    Der unfassbare Klang. Notationskonzepte heute

  • Fredric Jameson

    The Benjamin Files

  • Adam Štěch

    Modern Architecture and Interiors

  • Gabrielle Kenndy (Hg)

    In/Search Re/Search. Imagining Scenarios Through Art and…

  • Diedrich Diederichsen, Oier Etxeberria…

    Cybernetics of the Poor

  • Paul Hegarty

    Annihilating Noise

  • John Beck

    Landscape as Weapon. Cultures of Exhaustion and Refusal

  • Axel Sowa, Ela Kacel (eds.)

    Candide. Journal for Architectural Knowledge / No. 12

  • Douglas Spencer

    Critique of Architecture: Essays on Theory, Autonomy, and…

  • Hansuli Matter, Björn Franke (eds.)

    Not at Your Service. Manifestos for Design

  • Brandon LaBelle

    Acoustic Justice: Listening, Performativity, and the Work…

  • Precarity Lab

    Technoprecarious

  • Céline Condorelli

    Céline Condorelli. Zanzibar

  • Annette Maechtel

    Das Temporäre politisch denken. Raumproduktionen im Berlin…

  • Cornelia Sollfrank, Felix Stalder,…

    Aesthetics of the Commons

  • Ariella Masboungi (ed.)

    Berlin. The Genius of Improvisation

  • Mark Wigley

    Konrad Wachsmann’s Television. Post-architectural…

  • Hans-Rudolf Meier

    Spolien. Phänomene der Wiederverwendung in der Architektur

  • Erich Hörl, Nelly Y. Pinkrah, Lotte…

    Critique and the Digital

  • Bradley Quinn

    The Fashion of Architecture

  • Florian Rötzer

    Sein und Wohnen. Philosophische Streifzüge zur Geschichte…

  • Andreas Dornbracht (Hg.)

    Statements V. Veronique Branquinho, Jeremy Scott, Raf…

  • Philipp Stamm

    Schrifttypen – Verstehen Kombinieren Schriftmischung als…

  • Gemma Villegas

    Fanzine GRRRLS. The DIY Revolution in Female Self-Publishing

  • Andreas H. Apelt, Ron Jagers

    Hinter der Stille. Berlin-Prenzlauer Berg 1979-1989

  • Giseke, Löw, Million, Misselwitz,…

    Urban Design Methods

  • Kengo Kuma

    Kengo Kuma. My Life as an Architect in Tokyo

  • Elske Rosenfeld, Suza Husse (Hg.)

    wildes wiederholen. material von unten. Dissidente…

  • Lukas Feireiss, Tatjana Schneider,…

    Living the City. Of Cities, People and Stories

  • Stefan Rettich, Sabine Tastel (Hg.)

    Die Bodenfrage. Klima, Ökonomie, Gemeinwohl

  • Caspar Stracke (Ed.)

    Godard Boomerang. Artists on Godardian Conceptualism

  • Caspar Stracke, Keith Sanborn (Eds.)

    The Current Thing

  • Kai van Eikels

    Synchronisieren. Ein Essay zur Materialität des Kollektiven

  • Johnny Golding, Martin Reinhart, Mattia…

    Data Loam. Sometimes Hard, Usually Soft. On the Future of…

  • Hendrik Weber

    Italic. What gives Typography Its emphasis

  • Tibor Joanelly

    Shinoharistics. An Essay About a House

  • Thomas Moynihan

    X-Risk. How Humanity Discovered Its Own Extinction

  • Bert Rebhandl

    Jean-Luc Godard. Der permanente Revolutionär

  • Heide Schlüpmann

    Raumgeben - der Film dem Kino

  • Antonio Lucci, Esther Schomacher, Jan…

    Italian Theory

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    HaFI 013: Zur Geschichte der Arbeit. Dokument, Material…

  • Rebekka Ladewig, Angelika Seppi

    Milieu Fragmente. Technologische und ästhetische…

  • Bonaventure Soh Bejeng Ndikung

    In a While or Two We Will Find the Tone

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    Lechts und Rinks. Auseinandersetzungen mit dem Design der…

  • Jesko Fezer, Anita Kaspar, Andreas…

    Displaying Political and Cultural Concerns. Kooperative für…

  • IDEA Magazine

    IDEA 392. Type Design Now Experimental Type Designers and…

  • Francois Laruelle

    The Last Humanity. The New Ecological Science

  • Jessica Morgan, Dorothea von Hantelmann…

    Resource Hungry. Our Cultured Landscape and its Ecological…

  • Kathrin Röggla

    Bauernkriegspanorama

  • Andreas Malm

    Wie man eine Pipeline in die Luft jagt. Kämpfen lernen in…

Stefan Kanchev. Logo Book

This is the first detailed study of the work of Bulgarian graphic designer Stefan Kanchev (1915 – 2001), the artist behind more than 2,000 logos. As an artist in a socialist country, he enjoyed a career that no western designer could even dream of, receiving state commissions with astonishing constancy and frequency.
Many large and well-known companies and institutions in Bulgaria adorned themselves with his logos, a large portion of which have withstood the test of time and continue to be used, imprinted on the national consciousness to such a degree that erasing them would be unthinkable.
His life’s work is documented in this book, insofar as it was possible to find the materials today and gather his numerous sketches and drawings. It illustrates why and how Stefan Kanchev has earned himself the reputation of one of the most notable masters of logotype of our time.
“In his work, he was a lone wolf, possessed by his art, but at the table he was a Bohemian.
Eccentric in conversation, he likely seemed endlessly arrogant to some. But he was a genius.
At the time, only an Anton Stankowski, if we stay in Germany, or the American Paul Rand could match his heights. But the Iron Curtain hid him from our eyes! The moment has long since come for us to take heed to that which the West could not see and appreciate for political reasons or due to an inflated sense of self-worth.” Prof. Roland Henss, Germany


Magdalina Stancheva
Stefan Kanchev. Logo Book
Janet 45, 2012, 978 954 491 823 1