Direkt zum Inhalt

Warenkorb

  • Wolfgang Fuhrmann, Claus-Steffen…

    Perspektiven der Musikphilosophie

  • Judith Butler

    Marx ökologisch. Pariser Marxlektüren

  • Beate Bartel, Gudrun Gut, Bettina…

    M_Dokumente. Mania D., Malaria!, Matador

  • Matthias Brunner, Maren Harnack,…

    Transformative Partizipation. Strategien für den…

  • Franco “Bifo” Berardi

    The Third Unconscious The Psychosphere in the Viral Age

  • Sara Ahmed

    Complaint!

  • Susan Stewart

    The Ruins Lesson. Meaning and Material in Western Culture

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 245. Fassadenmanifest

  • Shannon Mattern

    A City Is Not a Computer Other Urban Intelligences

  • Leslie Kern

    Feminist City. Claiming Space in a Man-Made World

  • Louise Schouwenberg & Michael…

    The Auto-Ethnographic Turn in Design

  • Yuk Hui

    Art and Cosmotechnics

  • B. Cannon Ivers (ed.)

    250 Things a Landscape Architect Should Know

  • Esther Anatolitis

    Place, Practice, Politics

  • Alexander Steffen

    Vanishing Berlin

  • Philipp Meuser

    Architektur in Afrika. Bautypen und Stadtformen südlich der…

  • Alex Head

    Ricochet. Cultural Epigenetics and the Philosophy of Change

  • Ulrich Gutmair

    The First Days of Berlin. The Sound of Change

  • Edward Tufte

    The Visual Display of Quantitative Information

  • Edward R. Tufte

    Beautiful Evidence

  • Edward R. Tufte

    Visual Explanations. Images and Quantities, Evidence and…

  • McKenzie Wark

    Das Kapital ist tot

  • Bruno Latour

    After Lockdown. A Metamorphosis

  • hg. von Giovanna Zapperi

    Carla Lonzi. Selbstbewusstwerdung. Texte zu Kunst und…

  • Helmut Draxler

    Die Wahrheit der Niederländischen Malerei. Eine Archäologie…

  • Walter Scheiffele, Steffen Schuhmann (…

    Karl Clauss Dietel. Die offene Form

  • Tinatin Gurgenidze (Ed.)

    Eastern Block Stories. Visualising Housing Estates from…

  • Édouard Glissant

    Philosophie der Weltbeziehung. Poesie der Weite

  • Kirsty Bell

    Gezeiten der Stadt. Eine Geschichte Berlins

  • Doris Kleilein, Friederike Meyer (Hrsg.)

    Die Stadt nach Corona

  • Claude Lichtenstein

    Die Schwerkraft von Ideen. Eine Designgeschichte. Band 2

  • Claude Lichtenstein

    Die Schwerkraft von Ideen. Eine Designgeschichte. Band 1

  • Jesko Fezer & Studio…

    (How) do we (want to) work (together) (as (socially engaged…

  • Melissa Canbaz, Künstlerhaus Bremen (Ed…

    Aleana Egan. small field

  • Milos Kosec, Neja Tomsic, Martin…

    Nonument

  • C.L.R. James

    Die Schwarzen Jakobiner. Toussaint Louverture und die…

  • bell hooks

    Feminismus für alle

  • Alfred Weidinger (Hrsg.)

    PROOF OF ART. A short history of NFTs from the beginning of…

  • Florian Schmidt

    Wir holen uns die Stadt zurück. Wie wir uns gegen…

  • Cornelia Saalfrank, Katrin Lewinsky

    TinyBE. Living in a sculpture

  • Lucius Burckhardt

    Der kleinstmögliche Eingriff oder die Rückführung der…

  • Lucius Burckhardt

    Warum ist Landschaft schön? Die Spaziergangswissenschaft

  • Maggie Nelson

    On Freedom

  • Matthew Soules

    Icebergs, Zombies, and the Ultra Thin. Architecture and…

  • Johanna Hoerning, Philipp Misselwitz (…

    Räume in Veränderung – Ein visuelles Lesebuch Ein- und…

  • Bauhaus-Institut für Geschichte und…

    100+. Neue Perspektiven auf die Bauhaus-Rezeption. Mit…

  • Gustavo Ambrosini, Guido Callegari

    Roofscape Design. Regenerating the City upon the City

  • Nicolas Nova, Anaïs Block

    Dr. Smartphone: An Ethnography of Mobile Phone Repair Shops

  • Wolfgang Bachmann, Sandra Hofmeister,…

    Zu Hause. Architektur zum Wohnen im Grünen / At Home…

  • Marietta Kesting, Susanne Witzgall (Hg.)

    Politik der Emotionen / Macht der Affekte

  • Annette Geiger, Bianca Holtschke (Hg.)

    Piktogrammatik. Grafisches Gestalten als Weltwissen und…

  • Justin McGuirk (Hg)

    Charlotte Perriand. The Modern Life: Melancholia and the…

  • Jens Casper, Luise Rellensmann (Hg)

    Das Garagenmanifest

  • Philippe Koch, Andreas Jud, ZHAW…

    Bauen ist Weiterbauen. Lucius Burckhardts…

  • Anette Baldauf, Janine Jembere, Naomi…

    Despite Dispossession. An Activity Book

  • Allen S. Weiss

    Figure against Form. The Dolls of Michel Nedjar

  • Frank B. Wilderson III

    Afropessimismus

  • Andreas Malm

    Der Fortschritt dieses Sturms

  • Kike España

    Die sanfte Stadt

  • Henk Slager (Ed.)

    The Postresearch Condition

  • IKE Institut Konstruktives Entwerfen,…

    Bauteile wiederverwenden. Ein Kompendium zum zirkulären…

  • Manuela Zechner

    Commoning Care & Collective Power. Childcare Commons…

  • W.v. Acker, T. Mical

    Architecture & Ugliness: Anti-Aesthetics and the Ugly…

  • Duncan Bell, Bernardo Zacka (Eds.)

    Political Theory and Architecture

  • Saikaku Toyokawa

    Yoyogi National Gymnasium And Kenzo Tange

  • Annet Dekker (Ed.)

    Curating Digital Art: From Presenting and Collecting…

  • Margherita Palli (Ed.)

    Dizionario Teatrale, Theater Dictionary, Theater Wörterbuch…

  • Ruben Pater

    Caps Lock - How Capitalism Took Hold Of Graphic Design, And…

  • Massimiliano Mollona

    Art/Commons. Anthropology beyond Capitalism

  • Dimitra Kondylatou, David Bergé (Eds.)

    (Forced) Movement. Across the Aegean Archipelago

  • Anselm Franke, Kerstin Stakemeier (Eds.)

    Illiberal Arts

  • Peter Eingartner

    Autobilder. Bleistiftzeichungen von Automobilen im gebauten…

  • Luis Berríos-Negrón

    Breathtaking Greenhouse Parastructures

  • IDEA Magazine

    IDEA 395. Designing the Digital World: Game Experience and…

  • Matthias Sauerbruch, Louisa Hutton (Hg)

    The Turn of the Century. A Reader about Architecture within…

  • Stefano Harney, Fred Moten

    All Incomplete

  • Sabine Hark

    Gemeinschaft der Ungewählten. Umrisse eines politischen…

  • Brad Haylock, Megan Patty (Eds.)

    Art Writing in Crisis

  • Kim Nguyen, Jeanne Gerrity (Eds.)

    Why Are They So Afraid of the Lotus?

  • Shumon Basar, Douglas Coupland, Hans…

    The Extreme Self. Age of You

  • Paul B. Preciado

    Can the Monster Speak? Report to an Academy of…

  • Will McLean, Pete Silver

    Environmental Design Sourcebook. Innovative Ideas for a…

  • Walter D. Mignolo

    The Politics of Decolonial Investigations

  • Rita Gesquière (Hg)

    Degeyter - Architect

  • Daniel Decker

    Not Available. Platten, die nicht erschienen sind

  • Gascia Ouzounian

    Stereophonica. Sound and Space in Science, Technology, and…

  • Sou Fujimoto

    Futurospektive Architektur

  • François Bonnet, Bartolomé Sanson (eds.)

    Spectres 2. Résonances / Resonances

  • Gabi Dolff-Bonekämper

    Der Streitwert der Denkmale. Berliner Texte

  • Simone Bogner, Sylvia Butenschön, Jurek…

    Denkmalwelten und Erbediskurse

  • Jan Knikker

    How to Win Work. The Architect's Guide to Business…

  • Felix Richter

    Das Neue Hoyerswerda. Ideenhaushalt, Aufbau und Diskurs der…

  • Peter Mörtenböck, Helge Mooshammer (Hg)

    Platform Urbanism and its discontents.

  • Ashley Paine, Susan Holden, John…

    Valuing Architecture: Heritage and the Economics of Culture…

  • Dimitra Kondylatou, David Bergé (Eds.)

    The Architect is Absent. Approaching the Cycladic Holiday…

  • Matthew Fuller, Eyal Weizman

    Investigative Aesthetics. Conflicts and Commons in the…

  • Laura Raicovich

    Culture Strike. Art and Museums in an Age of Protest

  • Alison B. Powell

    Undoing Optimization. Civic Action in Smart Cities

The Sympathy of Things

The Sympathy of Things. Ruskin and the Ecology of Design
‘We have to find our way back to beauty,’ writes Lars Spuybroek in the introduction to The Sympathy of Things. In this book Spuybroek argues that we must ‘undo’ the twentieth century – the age of minimalism, abstraction and genocides. This leads him to the aesthetical insight of the nineteenth-century English art critic John Ruskin, from which he distils pointers for our time.
In Ruskin’s work, Lars Spuybroek has discovered a treasure trove of concepts in which the beauty of things is determined by a combination of variation, imperfection and fragility. Through these qualities, things once again earn our sympathy and friendship. A sympathy, Spuybroek argues, that not only occurs between human beings and things but also between things themselves: “Sympathy is what things feel when they shape each other.” Like Ruskin, Spuybroek seeks a world that is dedicated to composition and beauty, where things are governed by what Ruskin called the “law of help.”
Step by step, Spuybroek addresses Ruskin’s five central dual themes: the Gothic and work, ornament and matter, sympathy and abstraction, the picturesque and time, and ecology and design. He wrests these concepts from the Victorian context and compares them with ideas of later aestheticians and philosophers. The Sympathy of Things is the log of an exploratory journey into beauty. Spuybroek writes in a clear, accessible language that is by turns precise, elegant and moving, zooming in on the fascinating details of Gothic architecture, complex African textile patterns and the wallpaper designs of William Morris. The Sympathy of Things will leave no one unaffected. The book is not a mere critique but rather the first fully thought-out, positive aesthetics of a new generation who face the task of sustainably designing the 21st century.
Lars Spuybroek is Professor of Architectural Design and holder of the Thomas Ventulett Distinguished Chair of Architecture at the Georgia Institute of Technology in Atlanta. He is the author of The Architecture of Continuity (2008) and Research & Design: Textile Tectonics (2011).
"We are living through a change in paradigm, in the age of the flexible machine, where the concepts of matter, spirituality and design are under re-negotiation and we need such fearless thought to jolt complacency. If Spuybroek, like Ruskin, does not shake your design and aesthetic concepts, you haven’t understood him.” - Charles Jencks, author of The Language of Post-Modern Architecture
“The Sympathy of Things is a stirring call to action; an amazing reconstruction of the ideas of the Victorian sage John Ruskin; and, above all, a visionary look at the inner life of things. Lars Spuybroek makes the case that aesthetics is first philosophy, and proposes a radical new aesthetics for the digital age .” - Steven Shaviro, DeRoy Professor of English, Wayne State University, Detroit and author of Without Criteria


Lars Spuybroek
The Sympathy of Things
NAi, 2011, 978-90-5662-827-7