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  • Quang Truong

    Composite Architecture. Building and Design with Carbon…

  • Yvonne Rainer

    Revisions. Essays by Apollo Musagète, Yvonne Rainer, and…

  • Geert Lovink, Andreas Treske (Hg)

    Video Vortex Reader III: Inside the YouTube Decade. INC…

  • Andrés Jaque / Office for Political…

    Superpowers of Scale

  • Christopher Dell

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  • Sandra Schäfer

    Moments of Rupture. Spaces, Militancy & Film

  • Linda Lackner

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    Come Closer: The Biennale Reader

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  • Hilde Heynen

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    Critique: The Stakes of Form

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    A Companion to Contemporary Documentary Film

  • Enver Hirsch & Philipp Meuser

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    Free Love Paid Love. Expressions of Affection in Mykonos

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    The Sleeping Hermaphrodite. Waking up from a Lethargic…

  • Michel Serres

    Branches. A Philosophy of Time, Event and Advent

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    Digital Life

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    A History of Solitude

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    The Metabolic Museum

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    Culture Sensitive Design. A Guide to Culture in Practice

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    Lehrstunde der Nachtigall - Gilbert and George, Walther,…

  • Jill Richards

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  • Krystian Woznicki

    Undeclared Movements

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    The New Craft School

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    Adriaan Beukers, Ed van Hinte

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    How To Build An Indian House. The Mumbai Example

  • Frank Wilderson III

    Afropessimism

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    Construction Site for Possible Worlds

  • Sianne Ngai

    Theory of the Gimmick. Aesthetic Judgment and Capitalist…

  • Sarah Atkinson, Helen W. Kennedy (Hg)

    Live Cinema. Cultures, Economies, Aesthetics

  • Craig Staff

    Retroactivity and Contemporary Art

  • Andrew Filmer and Juliet Rufford (ed)

    Performing Architectures. Projects, Practices, Pedagogies

  • Heinz Hirdina (Autor), Achim Trebeß /…

    Figur und Grund. Entwurfshaltungen im Design von William…

  • Simon Kretz

    The Cosmos of Design. Exploring the Designer’s Mind

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    Ultrablack of Music

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    I Will Draw a Map of What You Never See

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    The World as Project: A Political Theory of Design

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    Futurity Report

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    Yvonne Rainer. Work 1961-73

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    What the Fire Sees. A Divided Reader

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  • Touré F. Reed

    Toward Freedom. The Case Against Race Reductionism

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    An Artificial Revolution. On Power, Politics and AI

  • Valentin Groebner

    Ferienmüde. Als das Reisen nicht mehr geholfen hat

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    Die Corona-Gesellschaft. Analysen zur Lage und Perspektiven…

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    Friedrich Kiesler 1890-1965: Inside the Endless House

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    Rights of Future Generations. Conditions

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    The Gentrification Debates A Reader

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    People Without History. India's Muslim Ghettos

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    Cities and Race. America's New Black Ghettos

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    Unpacking my Library. The Autobiography of Teddy

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    The Trouble with Value. Art and Its Modes of Valuation

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    Dirty Theory: Troubling Architecture

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    Queer Ancient Ways. A Decolonial Exploration

  • Dietmar Dath

    Niegeschichte. Science Fiction als Kunst- und Denkmaschine

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    Space is the Place. Current Reflections on Art and…

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    Carolee Schneemann: Uncollected Texts

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    The Media Manifesto

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    Dia-Logos: Ramon Llull's Method of Thought and…

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    Bored, Lonely, Angry, Stupid: Changing Feelings about…

  • Peter Ortner

    The Essence of Berlin-Tegel. Taking Stock of an Airport…

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    Uncooperative Contemporaries: Art Exhibitions in Shanghai c…

  • IDEA Magazine

    IDEA 390. writtenafterwards. Material Bindings. The Savage…

  • Jane Bennett

    Influx & Efflux. Writing up with Walt Whitman

  • Slavoj Žižek

    Der Exzess der Leere. Ökonomisch-philosophosche Notizen zu…

  • Jörg Kreienbrock

    Sich im Weltall orientieren. Philosophieren im Kosmos 1950…

  • Stéphane Mallarmé

    The Book

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    Conservation Revolution. Radical Ideas for Saving Nature…

  • Erin Y. Huang

    Urban Horror: Neoliberal Post-Socialism and the Limits of…

  • Christian Huck

    Digitalschatten. Das Netz und die Dinge

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    Palliativgesellschaft. Schmerz heute

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    Postwachstumsgeographien. Raumbezüge diverser und…

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    Bauhaus – Shanghai – Stalinallee – Ha-Neu. Der Lebensweg…

  • Alexandra Martini

    Inspired by Method: Creative tools for the design process

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    Visual Coexistence. Informationdesign and Typography in the…

  • Brandon LaBelle

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    Saturation. Race, Art, and the Circulation of Value

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    Think Tank Aesthetics. Midcentury Modernism, the Cold War,…

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    The Saddest Thing Is That I Have Had To Use Words. A…

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    Critical Code Studies

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    Atelier E.B: Passer-By

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    The Carrier Bag Theory of Fiction

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    Luis Camnitzer. One Number Is Worth One Word

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    Technocrats of the Imagination. Art, Technology, and the…

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    Cloud Ethics. Algorithms and the Attributes of Ourselves…

  • David Grubbs

    The Voice in the Headphones

The Sympathy of Things

The Sympathy of Things. Ruskin and the Ecology of Design
‘We have to find our way back to beauty,’ writes Lars Spuybroek in the introduction to The Sympathy of Things. In this book Spuybroek argues that we must ‘undo’ the twentieth century – the age of minimalism, abstraction and genocides. This leads him to the aesthetical insight of the nineteenth-century English art critic John Ruskin, from which he distils pointers for our time.
In Ruskin’s work, Lars Spuybroek has discovered a treasure trove of concepts in which the beauty of things is determined by a combination of variation, imperfection and fragility. Through these qualities, things once again earn our sympathy and friendship. A sympathy, Spuybroek argues, that not only occurs between human beings and things but also between things themselves: “Sympathy is what things feel when they shape each other.” Like Ruskin, Spuybroek seeks a world that is dedicated to composition and beauty, where things are governed by what Ruskin called the “law of help.”
Step by step, Spuybroek addresses Ruskin’s five central dual themes: the Gothic and work, ornament and matter, sympathy and abstraction, the picturesque and time, and ecology and design. He wrests these concepts from the Victorian context and compares them with ideas of later aestheticians and philosophers. The Sympathy of Things is the log of an exploratory journey into beauty. Spuybroek writes in a clear, accessible language that is by turns precise, elegant and moving, zooming in on the fascinating details of Gothic architecture, complex African textile patterns and the wallpaper designs of William Morris. The Sympathy of Things will leave no one unaffected. The book is not a mere critique but rather the first fully thought-out, positive aesthetics of a new generation who face the task of sustainably designing the 21st century.
Lars Spuybroek is Professor of Architectural Design and holder of the Thomas Ventulett Distinguished Chair of Architecture at the Georgia Institute of Technology in Atlanta. He is the author of The Architecture of Continuity (2008) and Research & Design: Textile Tectonics (2011).
"We are living through a change in paradigm, in the age of the flexible machine, where the concepts of matter, spirituality and design are under re-negotiation and we need such fearless thought to jolt complacency. If Spuybroek, like Ruskin, does not shake your design and aesthetic concepts, you haven’t understood him.” - Charles Jencks, author of The Language of Post-Modern Architecture
“The Sympathy of Things is a stirring call to action; an amazing reconstruction of the ideas of the Victorian sage John Ruskin; and, above all, a visionary look at the inner life of things. Lars Spuybroek makes the case that aesthetics is first philosophy, and proposes a radical new aesthetics for the digital age .” - Steven Shaviro, DeRoy Professor of English, Wayne State University, Detroit and author of Without Criteria


Lars Spuybroek
The Sympathy of Things
NAi, 2011, 978-90-5662-827-7