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  • Anne Massey

    Interior Design Since 1900 (World of Art)

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    Digital Cash: The Unknown History of the Anarchists,…

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    The Barolo Chapel. The last eclipse of the millennium. The…

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    The Enigma of Hour. 100 Years of Psychoanalytic Thought

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    Sirens. The Study of Sound

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    Lesbar: Typografie in der Wissensvermittlung

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    Modern in alle Ewigkeit: Eine Reise zu den schönsten…

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    A New Program for Graphic Design

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    2G 80. Fala Atelier

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    Night Sky With Exit Wounds

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    Alltag formen!: Bauhaus-Moderne in der DDR

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    Designing Programmes: Programme as Typeface, Typography,…

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    Robbrecht en Daem: An Architectural Anthology

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    Pocket Folklore

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    Building Critique: Architecture and its Discontents

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    The Third Dimension. A Journey from Past Reality to Future…

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    Biomorphe Architekturen

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    The Empire Remains Shop

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    Flying Panels: How Concrete Panels Changed the World

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    Doing it Together. Cooperation Tools for the City Co-…

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    Stop and Go. Nodes of Transformation and Transition

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    Of(f) Our Times: Curatorial Anachronics

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    What's the Use? On the Uses of Use

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    Art and Objects

  • Benjamin Bratton

    The Terraforming

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    Stop and Go. Nodes of Transformation and Transition

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    A Live Gathering: Performance and Politics in Contemporary…

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    Polyphone Ästhetik: Eine kritische Situierung

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    Marke Bauhaus 1919-2019: Der Sieg der ikonischen Form über…

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    Tony Conrad. Writings

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    ENTREPRECARIAT. everyone is an entrepreneur nobody is safe

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    Seven Years. The Rematerialisation of Art from 2011 to 2017

  • Benjamin H.Bratton

    The New Normal

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    Maschinen Fabriken Industrien

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    The Radical Cut-Up Reader: No Single Narrative

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    Ashes to Ashes. The Songs of David Bowie, 1976-2016

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    Art-Rite

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    Dr Space Junk vs The Universe. Archaeology and the Future

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    Love, Icebox. Letters from John Cage to Merce Cunningham

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    Stefka Georgieva: Architektin der 1960er Jahre in Bulgarien

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    Teachings of the Garden

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    Floating University Berlin 2018. An illustrated report

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    Jacques and Jacqueline Groag, Architect and Designer: Two…

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    Dialectic of Pop

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    Alina Popa. Square of Will in Square of Love. Texts, Notes…

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    Urbaner Protest. Revolte in der neoliberalen Stadt

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    Der Fluch der Ökonomie

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    Exploring Xenakis. Performance, Practice, Philosophy

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    From Crisis to Crisis: Debates on Why Architecture Criticsm…

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    ...and Other Such Stories: 2019 Chicago Architecture…

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    Charlotte Perriand: Inventing A New World

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    Quirino De Giorgio. An Architect's Legacy

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    Mycelium

The Terraforming

The Terraforming is the comprehensive project to fundamentally transform Earth's cities, technologies, and ecosystems to ensure that the planet will be capable of supporting Earth-like life. Artificiality, astronomy, and automation form the basis of that alternative planetarity.
This short book was written in July 2019. It is is an opening brief and manifesto for The Terraforming urban design research programme at the Strelka Institute in Moscow. It is a narrowly targeted polemic against dominant modes of planetarity and a rejoinder to inadequacies seen in how critical philosophy and design seeks to confront them.
The title refers both to the terraforming that has taken place in recent centuries in the form of urbanisation, and to the terraforming that must now be planned and conducted as the planetary design initiative of the next centuries if true catastrophes are to be prevented. The term 'terraforming' usually refers to transforming the ecosystems of other planets or moons to make them capable of supporting Earth-like life, but the looming ecological consequences of what is called the Anthropocene suggest that in the decades to come, we will need to terraform Earth if it is to remain a viable host for Earth-like life.
Planetarity itself comes into focus through orbiting imagining and terrestrial modeling technologies (satellites, sensors, servers in sync) that have made it possible to measure climate change with any confidence. We will explore a renewed Copernican turn, and how the technologically mediated shift away from anthropocentric perspectives is crucially necessary in both theory and practice. The Copernican turn is also a trauma, as Freud once suggested, but this is one that demands more agency, not less.
The implications of the shift are perhaps counterintuitive. Instead of reviving ideas of 'nature,' we will reclaim 'the artificial'—not as in 'fake,' but rather 'designed'—as a foundation which links the mitigation of anthropogenic climate change to the geopolitics of automation. For this, urban-scale automation is seen as part of an expanded landscape of information, agency, labor, and energy that is part of a living ecology, not a substitute for one. As such, the focus of urban design research shifts toward the governance of infrastructures that operate on much longer timescales than our cultural narratives.


Benjamin Bratton
The Terraforming
Strelka, 2019, 9785907163010