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  • HfG-Archiv Museum Ulm, Katharina Kurz,…

    Nicht mein Ding − Gender im Design

  • Clog

    Clog 17. Cannabis

  • Frédéric Gros

    Disobey! A Philosophy of Resistance

  • Hal Foster

    What Comes after Farce?

  • Tim Bergfelder, Erica Carter, Deniz…

    The German Cinema Book (second edition)

  • Dieuwertje Hehewerth

    Salticidae Icius - a Research on Independent Art Spaces and…

  • Sruti Bala

    The gestures of participatory art

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    Intersektionalität. Von der Antidiskriminierung zur…

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    Psychogeografie

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    Architektur auf gemeinsamem Boden. Positionen und Modelle…

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    Operative Mapping. Maps as Design Tools

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    Jenseits unserer Haut. Körper als umkämpfter Ort im…

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    Creativity Exercises. Emancipatory Pedagogies in Art and…

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    Institution as Praxis

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    The Manifesto Handbook. 95 Theses on an Incendiary Form

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    Goethe in the Skyways

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    Cedric Price Works 1958 - 2003. A Forward-Minded…

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    Universalenzyklopädie der menschlichen Klugheit

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    Join the Future. Bleep Techno and the Birth of British Bass…

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    Allegories of the End of Capitalism. Six Films on the…

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    Hans Gugelot: Die Architektur des Design

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    How I Became One of the Invisible (New Edition)

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    Behind the Screen. Content Moderation in the Shadows of…

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    Snowden’s Box. Trust in the Age of Surveillance

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    Real-Time Realist #2: Typefaces don't care, Typefaces…

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    Designästhetik. Theorie und soziale Praxis

  • Yasha Levine

    Surveillance Valley. The Secret Military History of the…

  • Sandra Umathum, Jan Deck (Hg)

    Postdramaturgien

  • Natasha Stagg

    Sleeveless. Fashion, Image, Media, New York 2011-2019

  • Kübra Gümüsay

    Sprache und Sein

  • Christine Schranz

    Augmented Spaces and Maps. Das Design von kartenbasierten…

  • IDEA Magazine

    IDEA 389. Feminist Moments: Thoughts on graphic design…

  • Patrick Cowley

    Mechanical Fantasy Box: The Homoerotic Journal of Patrick…

  • Ted Gioia

    Music - A Subversive History

  • Ernst Hubeli

    Die neue Krise der Städte

  • Mike Davis, Jon Wiener

    Set the Night on Fire - L.A. in the Sixties

  • Marietta Kesting, Maria Muhle, Jenny…

    Hybride Ökologien

  • Pablo Sendra, Richard Sennett

    Designing Disorder. Experiments and Disruptions in the City

  • Annette Michelson, Kenneth White (Eds.)

    October Files 24: Michael Snow

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    Ruth Wolf-Rehfeldt: Introverse Arrangements

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    Beyond Plant Blindness : Seeing the Importance of Plants…

  • George F.

    Good Times in Dystopia

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    Materials and Meaning in Architecture

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    GRAV : Groupe de Recherche d'Art Visuel "…

  • Marilyn Chase

    Everything She Touched. The Life of Ruth Asawa

  • Robert B. Pippin

    Filmed Thought. Cinema as Reflective Form

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    Paris Calligrammes. Eine Erinnerungslandschaft von Ulrike…

  • Jennifer Clark

    Uneven Innovation. The Work of Smart Cities

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    Demokratisierung der Postdemokratie. Städtische soziale…

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    Whose Tradition? Discourses on the Built Environment

  • Sally Stein

    Migrant Mother, Migrant Gender

  • Jörg Johnen

    Marmor für alle. Zur Kunst im öffentlichen Raum in Berlin

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    How We Die Is How We Live Only More So

  • Ben Kafka

    The Demon of Writing. Powers and Failures of Paperwork

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    Snøhetta: Architektur Und Baudetails / Architecture and…

  • Steffen Damm, Lukas Drevenstedt

    Clubkultur. Dimensionen eines urbanen Phänomens

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    Harun Farocki. Ich habe genug!

  • David Joselit

    Heritage and Debt. Art in Globalization

  • Carrie Noland

    Merce Cunningham. After the Arbitrary

  • Didier Eribon

    Betrachtungen zur Schwulenfrage

  • Susan Jahoda, Caroline Woolard

    Making and Being: Embodiment, Collaboration, and…

  • Bill Gaver, Phoebe Sengers

    The Presence Project. Computer Related Design Research…

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    Statista. Staatskunst am Haus der Statistik

  • Germaine R. Halegoua

    Smart Cities

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    The Pornographic Age

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    Das Grafische Atelier Stankowski + Duschek

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    Scheingleichheit. Drei Essays

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    Hexen. Die unbesiegte Macht der Frauen

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    Females. Everyone is female, and everyone hates it

  • Mareile Pfannebecker, James A. Smith

    Work Want Work. Labour and Desire at the End of Capitalism

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    Theory for the World to Come. Speculative Fiction and…

  • Dan Byrne-Smith

    Science Fiction

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    Immanence and Immersion. On the Acoustic Condition in…

  • Anette Baldauf

    Spaces of Commoning: Artistic Research and the Utopia of…

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    Genesis Breyer P-Orridge. Sacred Intent. Conversations with…

  • Architecten De Vylder Vinck Taillieu

    Variete / Architecture / Desire

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    Modes of Criticism 5. Design Systems

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    Hacking Urban Furniture. HUF

  • Constantine Verevis

    Flaming Creatures

  • Cornelius Cardew

    Stockhausen Serves Imperialism

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    Glitterworlds. The Future Politics of a Ubiquitous Thing

  • McKenzie Wark

    Reverse Cowgirl

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    Ways of Knowing Cities

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    Althusser and Art

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    Kapital und Ideologie

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    Visuelle Zeitgestaltung

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    All Data Are Local. Thinking Critically in a Data-Driven…

  • Eileen Myles

    Chelsea Girls

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    Ed Atkins

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    Philosophie des Designs

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    Kapitalismus. Ein Gespräch über kritische Theorie

  • Silvia Federici

    Beyond The Periphery Of The Skin. Rethinking, Remaking,…

  • João Carmo Simões

    Gulbenkian. Photography by André Cepeda

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    Home Stories. 100 Jahre 20 visionäre Interieurs

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    Die Welt wieder verzaubern. Feminismus, Marxismus &…

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    The Materials Book

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    Planet Earth: 21st Century

  • Judith Butler

    The Force of Non-Violence. An Ethico-Political Blind

Toward Fewer Images. The Work of Alexander Kluge

The first English-language monograph devoted to the full oeuvre of Alexander Kluge, the prolific German filmmaker, television producer, digital entrepreneur, author, thinker, and public intellectual.
Alexander Kluge (born 1932) is a German filmmaker, author, television producer, theorist, and digital entrepreneur. Since 1960, he has made fourteen feature films and twenty short films and has written more than thirty books—including three with Marxist philosopher Oskar Negt. His television production company has released more than 3,000 features, in which Kluge converses with real or fictional experts or creates thematic montages. He also maintains a website on which he reassembles segments from his film and television work. To call Kluge “prolific” would be an understatement. This is the first English-language monograph devoted to the full scope of Kluge's work, from his appearance on the cultural scene in the 1960s to his contributions to New German Cinema in the 1970s and early 1980s to his recent collaborations with such artists as Gerhard Richter.
In Toward Fewer Images, Philipp Ekardt offers both close analyses of Kluge's individual works and sustained investigations of his overarching (and perpetual) production. Ekardt discusses Kluge's image theory and practice as developed across different media, and considers how, in relation to this theory, Kluge returns to, varies, expands, and modifies the practice of montage, including its recent manifestations in digital media—noting Kluge's counterintuitive claim that creating montages results in fewer images. Kluge's production, Ekardt argues, allows us to imagine a model of authorship and artistic production that does not rely on an accumulation of individual works over time but rather on a permanent activity of (temporalized) reworking and redifferentiation.


Philipp Ekardt
Toward Fewer Images. The Work of Alexander Kluge
MIT Press, 2018, 9780262037976