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  • Paul B. Preciado

    An Apartment on Uranus

  • Fredi Fischli, Niels Olsen (Ed.)

    Cloud '68 Paper Voice. Smiljan Radic's Collection…

  • Khayaat Fakier, Diana Mulinari, Nora…

    Marxist-Feminist Theories and Struggles Today. Essential…

  • Kollektiv Quotidien

    Lefebvre for Activists [dt./engl.]

  • Siegfried Zielinski

    Variations on Media Thinking

  • Marcus White, Nano Langenheim

    The Death of Urbanism. Transitions through the stages of…

  • Sezgin Boynik, Taneli Viitahuhta (Ed.)

    Free Jazz Communism. Archie Shepp-Bill Dixon Quartet at the…

  • Clara Bouveresse

    Women at Work / Femmes a l'oeuvre / Femmes a l'…

  • Anne Massey

    Interior Design Since 1900 (World of Art)

  • Finn Brunton

    Digital Cash: The Unknown History of the Anarchists,…

  • Andrea Bajani

    The Barolo Chapel. The last eclipse of the millennium. The…

  • Joost Meuwissen

    Zur Architektur des Wohnens

  • S. Gau, K. Schlieben (Hg)

    Work to do!: Selbstorganisation in prekären…

  • Uliana Bychenkova, Nika Kudinova,…

    Znak. Ukrainian Trademarks 1960 — 1980

  • Wolfgang Tillmans

    Today Is The First Day

  • Mark Fisher

    k-punk: Ausgewählte Schriften 2004-2016

  • Goshka Macuga, Simon Moretti

    The Enigma of Hour. 100 Years of Psychoanalytic Thought

  • Owen Hopkins

    Postmodern Architecture: Less is a Bore

  • Ray Lucas

    Anthropology for Architects. Social Relations and the Built…

  • Michael Bull

    Sirens. The Study of Sound

  • Dominik Bartmanski, Ian Woodward

    Labels. Making Independent Music

  • Jens Hoffmann

    In the Meantime: Speculations on Art, Curating, and…

  • Laure Prouvost

    GDM: Grand Dad's Visitor Center

  • John Cage

    Diary: How to Improve the World (You Will Only Make Matters…

  • Nina Canell & Robin Watkins (eds.)

    Vegetable Teratology Colouring Book

  • Kumiko Inui

    Inui Architects

  • U. Borinski, R.P. Gorbach

    Lesbar: Typografie in der Wissensvermittlung

  • Claude Lefort

    Dante's Modernity. An Introduction to The Monarchia

  • Sharon Lockhart

    Pine Flat. (Afterall Series One Work)

  • Pascal Johanssom (Ed.)

    Handmade in Germany: Manufaktur 4.0

  • Andreas Nentwich, Christine Schnapp

    Modern in alle Ewigkeit: Eine Reise zu den schönsten…

  • David Reinfurt

    A New Program for Graphic Design

  • Sophie J. Williamson (Ed.)

    Translation (Documents of Contemporary Art)

  • Zamp Kelp

    Luftschlosser: Ein Blick auf Haus-Rucker-Co / Post-Haus-…

  • M. Seidel, G. Steixner (Hg)

    Society now! Architektur. Projekte und Positionen 2009 -…

  • Moisés Puente (Hg)

    2G 80. Fala Atelier

  • Ocean Vuong

    Night Sky With Exit Wounds

  • Viction Workshop (Ed.)

    Botanical Inspiration: Nature in Art and Illustration

  • Florentine Nadolni (Hg.)

    Alltag formen!: Bauhaus-Moderne in der DDR

  • Karl Gerstner

    Designing Programmes: Programme as Typeface, Typography,…

  • Maarten Van Den Driessche (Ed.)

    Robbrecht en Daem: An Architectural Anthology

  • C. Blanchfield, F. Lotfi-Jam

    Modern Management Methods - Architecture, Historical Value…

  • Shirin Sabahi

    Pocket Folklore

  • Heindl, Klein, Linortner (Eds)

    Building Critique: Architecture and its Discontents

  • Alona Rodeh, Kunstpalais

    The Third Dimension. A Journey from Past Reality to Future…

  • Rike Felka

    Biomorphe Architekturen

  • Cooking Sections

    The Empire Remains Shop

  • Alonso, Palmarola (eds.)

    Flying Panels: How Concrete Panels Changed the World

  • Laura Sobral

    Doing it Together. Cooperation Tools for the City Co-…

  • M. Hieslmair, M. Zinganel (Hg)

    Stop and Go. Nodes of Transformation and Transition

  • Rike Frank, Beatrice von Bismarck

    Of(f) Our Times: Curatorial Anachronics

  • Sara Ahmed

    What's the Use? On the Uses of Use

  • Graham Harman

    Art and Objects

  • Benjamin Bratton

    The Terraforming

  • Michael Hieslmair, Michael Zinganel (…

    Stop and Go. Nodes of Transformation and Transition

  • Ana Vujanovic, Livia Piazza (Ed.)

    A Live Gathering: Performance and Politics in Contemporary…

  • edu-factory

    Alle Macht der selbstorganisierten Wissensproduktion

  • Alona Rodeh

    FIRE: Safe & Sound

  • Vision 5

    Artists Photographs

  • Hilma Af Klint

    Visionary

  • Allan Kaprow

    How To Make A Happening CD

  • Ruth Sonderegger

    Polyphone Ästhetik: Eine kritische Situierung

  • Philipp Oswalt

    Marke Bauhaus 1919-2019: Der Sieg der ikonischen Form über…

  • Marie-Pier Boucher, Stefan Helmreich,…

    Being Material

  • Tom Rice

    Films for the Colonies. Cinema and the Preservation of the…

  • Jürgen Habermas

    Auch eine Geschichte der Philosophie. Bd 1: Die okzidentale…

  • Constance DeJong, Andrew Lampert (Ed.)

    Tony Conrad. Writings

  • Silvio Lorusso

    ENTREPRECARIAT. everyone is an entrepreneur nobody is safe

  • Maria Lind

    Seven Years. The Rematerialisation of Art from 2011 to 2017

  • Benjamin H.Bratton

    The New Normal

  • G. Raunig

    Maschinen Fabriken Industrien

  • Lukas Feireiss (Ed.)

    The Radical Cut-Up Reader: No Single Narrative

  • Juliane Streich (Hg.)

    These Girls. Ein Streifzug durch die feministische…

  • Chris O'Leary

    Ashes to Ashes. The Songs of David Bowie, 1976-2016

  • Edit DeAk, Walter Robinson (eds.)

    Art-Rite

  • Alice Gorman

    Dr Space Junk vs The Universe. Archaeology and the Future

  • Ekaterina Degot, David Riff, Katalin…

    Volksfronten / Popular Fronts. Art and Populism in an Era…

  • Rene Boer, Marina Otero Verzier, Katia…

    Architecture of Appropriation. On Squatting as Spatial…

  • Susan Ferguson

    Women and Work. Feminism, Labour, and Social Reproduction

  • John Cage (Laura Kuhn, Ed.)

    Love, Icebox. Letters from John Cage to Merce Cunningham

  • Julia Eckhardt

    Eliane Radigue. Intermediary Spaces. Espaces Intermediaires

  • Adolph Stiller, Aneta Bulant-Kamenova (…

    Stefka Georgieva: Architektin der 1960er Jahre in Bulgarien

  • Carola Platzek (Hg.)

    Teachings of the Garden

  • raumlaborberlin (Hg.)

    Floating University Berlin 2018. An illustrated report

  • Christian Maurel / Peter Rehberg

    Für den Arsch / Energie ohne Macht. Christian Maurels…

  • Ursula Prokop

    Jacques and Jacqueline Groag, Architect and Designer: Two…

  • Christoph Liepach

    Gera Ostmodern

  • Agnès Gayraud

    Dialectic of Pop

  • Alina Popa

    Alina Popa. Square of Will in Square of Love. Texts, Notes…

  • Timothy Morton

    Ökologisch sein

  • Saskia Sassen, David Harvey, Arjun…

    Urbaner Protest. Revolte in der neoliberalen Stadt

  • Georges Bataille

    Der Fluch der Ökonomie

  • Alfia Nakipbekova (Ed.)

    Exploring Xenakis. Performance, Practice, Philosophy

  • Alexander Wilson

    Aesthesis and Perceptronium. On the Entanglement of…

  • Seraji, Devabhaktuni, Lu (Eds.)

    From Crisis to Crisis: Debates on Why Architecture Criticsm…

  • Momus

    Herr F

  • Robert Conrad

    Vergessene Orte in Berlin und Brandenburg

  • 2G / # 79

    Studio Muoto (Paris)

Unpublished

Publications—both physical and digital—receive a constant stream of press releases, project updates, and photographs from architects yearning for the validation of having their work published. But still, the vast majority of buildings go unexamined by the critical press. How many times have we seen the same signature project reviewed? How many worthy unknown projects must, by extension, never receive an appraisal?
There are any number of factors to account for this. It seems undeniable, for example, that certain building typologies and regions remain underrep- resented in the mainstream architectural press, and it is perhaps too easy to imagine that this stems from a widespread editorial bias. It would be a mistake to discount the impact of logistics, however. The constraints of time, staff sizes, travel costs, image rights, formatting and layout requirements, and access to information simply cannot be ignored by publishers, editors, and writers. Equally important is the imperative to sell, or at least pay heed to the perceived interests of the readership. Sometimes a building falls by the wayside due to mere coincidence—another project was just published with the same exterior material, the press release came in on the day an editor was out sick, the photographer only took landscape-oriented images, the PDF was corrupted.
At a moment when new forms of publication are emerging and disrupting traditional models—and the definition of what it even means for a building to "be published" is an open question—it is time to analyze what is being pub- lished, why it's being published, and to examine what is being left out of the conversation.
Contributors
Michael Kimmelman, Paul Goldberger, Suzanne Stephens, Cathleen McGuigan, Michael Abrahamson, Matthias Altwicker, AJ Artemel, David Basulto, Aleksandr Bierig, Shumi Bose, Can Vu Bui, John Cantwell, Evan Chakroff, Justine Clark, Aran Coakley, Archie Lee Coates IV, Greg Corso, Keith Eggener, Jeffrey Franklin, Sean Gaffney, Matt Hall, Sallie Hambright-Belue and Robert Silance, J. Brantley Hightower, Yat-Sing Ha, Julia van den Hout, Eric J. Jenkins, Jayne Kelley, Yat-Shun Kei, Diana E. E. Kleiner, Stephanie Lee, Thomas Lozada, Kyle May, Craig McCormack, William Menking, Daniel Patrick Morrison, Dietrich Neumann, Andreas Papadantonakis, Trevor Patt, Jacob Reidel, Sam Roche, Nick Safley, Morten Scholz, Rachel Meade Smith, Brent Sturlaugson, Supersterz, Emilia Terragni, Andrew Torres, Tiago Trigo, Danny Wills, Arthur Wortmann, and Alex Yuen.


Clog
Unpublished
Clog, 2013, 978-0-983-8204-7-5