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  • Amanda-Li Kollberg, Siri Lee Lindskrog

    Notes on Book Design: by Formal Setting

  • Anh-Linh Ngo

    ARCH+ 263. Stadtnatur / Urban Nature

  • Wolfgang Ullrich

    Memokratie. Soziale Medien und autoritäre Bildpolitik

  • Ilka Becker

    Mykoästhetik. Pilze, Kunst und Kino

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  • Sekou Cooke

    Black Architect

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    The Word for World is Water. World-Building and Creative…

  • Ferda Kolatan

    Misfits & Hybrids. Architectural Artifacts for the 21st…

  • Olaf Nicolai, Maraina Pende

    Olaf Nicolai, Mariana Pende. Dance Deluxe

  • Tiphaine Abenia, Louis Destombes,…

    Clara No. 11: The Ethics of Detailing

  • Volker M. Heins

    Sichere Häfen. Städte als Zuflucht

  • Krystina Castella

    Designing for Kids. Creating for Playing, Learning and…

  • Hans Teerds

    Space Is Politics. A Manifesto on Architecture

  • Felix Torkar

    Brutalist Berlin. An Architect's Guide to Brutalist…

  • Santiago Bogani, Igo Kommers Wender,…

    SHIFT. Architecture in Times of Radical Change

  • Michelle Christensen, Florian Conradi,…

    Re/Embodied Data. Ambiguities of Knowing

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  • Samantha Parsley

    Minor Keys. Gender, Inequality and Work In Electronic Music

  • Olga Goriunova

    Ideal Subjects. The Abstract People of AI

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    Susan Leigh Foster

    Knowing as Moving. Perception, Memory, and Place.

  • Joshua Comaroff

    Spectropolis. The Enchantment of Capital in Singapore

  • Olga Touloumi

    Assembly by Design. The United Nations and Its Global…

  • Lisa Lagova, Manon Fraser (eds.)

    Pure Fiction

  • Eva geulen, Carlos Sooerhase (Hg)

    Zeitschrift für Ideengeschichte Heft XX/1 Frühjahr 2026.…

  • Alexander Eisenschmidt

    At Home with the Collective. A Report from the Future of…

  • Heike Grebin (Ed.)

    Play the System. Parametric Approaches in Graphic Design

  • Uta Brandes, Tom Bieling, Michelle…

    Nutzen statt Besitzen. Michael Erlhoff Revisited

  • Sarah Horn

    Trans*Werden. Queere Zeitlichkeiten und Transitionen in…

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    Andrew Santa Lucia, Daniel Jonas Roche

    Antifascist Architecture. A Genealogy of Antifascist…

  • Freek Persyn, Seppe De Blust, Ilka Ruby

    51N4E. Negotiating Infrastructure

  • Jamie Taylor

    Studio Electrophonique. The Sheffield Space Age, from the…

  • Bruno Munari

    Bruno Munari. Design and Visual Communication

  • Irénée Scalbert

    Totems: Selected Essays on Architecture

  • Katja Klaus (Hg.)

    Experiment: Learning Communities. (Schools of Departure No…

  • Regina Bittner, Katja Klaus, Philipp…

    Pedagogies of Machine Learning. (Schools of Departure No 4)

  • Anna-Verena Nosthoff

    Kybernetik und Kritik. Eine Theorie digitaler…

  • Quinn Slobodian, Ben Tarnoff

    Muskismus. Aufstieg und Herrschaft eines Technoking

  • Marc Siegel (Hrsg.), Jack Smith

    What's Underground About Marshmallows? Texts by and…

  • Taavi Hallimäe, Neeme Lopp (Eds.)

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    Penshirubiru. Collective housing in Japan taken to its…

  • Baukunst

    In a way, it is also more primitive. Baukunst on technology…

  • Pier Vittorio Aureli

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  • Leander Nowack (Ed.)

    Territorial Control. Case Studies on European Borders

  • Edward W. Said

    Representations of the Intellectual

  • Geert Lovink

    Die Brutalität der Plattform. Von der radikalen Kritik zum…

  • Sung Hong Kim

    Seoul Urban Architecture. Rising from the Crushing Bowl

  • Paul Virilio

    Paul Virilio. Bunker Archaeology

  • Fatima-Zahra Lakrissa

    Turning Frozen Yesterdays into Fluid Now... Or how to…

  • Spike

    Spike Art Magazine Issue 86 Salad Days

  • Benze De Ream

    The Blue Flower Syndrome. Multithread 01. Benze de Ream

  • Nora O'Murchú, Janez Fakin Janša

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    Kenneth Hujer

    »All das passierte in diesem irrsinnigen Milieu Frankfurt…

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  • Valentina Tanni

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    MD72. Door Slamming Festival (2007 - 2018)

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    Exocapitalism. Economies with absolutely no limits

  • Diedrich Diederichsen, hg. von Carolin…

    Ästhetik im Planetarischen Zeitalter

  • Christoph Liepach (Hg)

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    Eline Benjaminsen, Dayna Casey

    Collapsed Mythologies. A Geofinancial Atlas

  • Christoph Liepach, Irina Schultheiß (Hg)

    In Lusan geht die Sonne auf

  • Elena Malzew, Lisa Klosterkötter (Ed.)

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  • Birgitta Heid

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  • dérive

    dérive N° 102, Spekulation (Jan - Mar 2026)

  • Michael Klipphahn-Karge

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  • Kayoung Kim, Lisa Marie Zander, Marius…

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  • Jiyoung Yoon, Kirenia Martinez Acosta

    Invisible Tapestry Vol. 2.

  • TAT.

    TAT.1 - Wand / Wall

  • Ita Dreyfus

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  • Christoph Liepach (Hg)

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    Melissa Bruntlett, Chris Bruntlett

    Women Changing Cities. Global stories of urban…

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    Caspar Henderson

    A Book of Noises. Notes on the Auraculous

  • Louis Möckel

    Sonic Footprints. Ecology of Technophony

  • Sarah Robinson

    Architecture of Resonance. From Objects to Interactions

  • Anna Pollmann, Christopher Möllmann (Hg)

    Schlüsselbegriffe gesellschaftlichen Zusammenhalts. Ein…

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    Nick Newman

    Protest Architecture. Structures of civil resistance

  • Bailey Bestul

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    Nick Srnicek

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  • Judith Siegmund

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  • Arch+

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    Checkpoint 300. Colonial Space in Palestine

  • Katharina Weinstock

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    Values and Surfaces. Art, Economy, Architecture

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  • IDEA Magazine

    Idea 412. Tomoyuki Arima: Design Evolving from Relationships

Ways of Curating

Curation is the art of choosing. In Ways of Curating, Hans Ulrich Obrist suggests that curation is finding ever-wider application because of a feature of modern life impossible to ignore: the incredible proliferation of ideas, information, images and products. The result is a shift from the importance of merely procuring objects to their selection. Obrist traces curation from its pioneers in the first museums into the modern day. He considers his own activities as a curator, alongside examples of curation at work in the sciences, architecture and business. The result is a book about smart thinking and the importance of how we choose our ideas.
Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture.
Moving from meetings with the artists who have inspired him (including Gerhard Richter and Gilbert and George) to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev and Walter Hopps, skipping between exhibitions (his own and others), continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.


Hans Ulrich Obrist
Ways of Curating
Allen Lane, 2014, 9781846144011
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