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  • Sabine Hansmann, Finn Geipel (Hg.)

    Raummaschine: Exploring the Manifold Spaces

  • Peter Donhauser

    Musikmaschinen: Die Geschichte der Elektromusik

  • Amanda Boetzkes

    Plastic Capitalism. Contemporary Art and the Drive to Waste

  • Stefanie Graefe

    Resilienz im Krisenkapitalismus: Wider das Lob der…

  • Daniel Johnston

    Where are the ducks when you need them?

  • Daniel Birnbaum, Sven-Olov Wallenstein

    Spacing Philosophy: Lyotard and the Idea of the Exhibition

  • Roland Meyer

    Operative Porträts. Eine Bildgeschichte der…

  • A. Juppien, R. Zemp

    Vokabular des Zwischenraums: Gestaltungsmöglichkeiten von…

  • Paul O'Neill, Simon Sheikh, Lucy…

    Curating after the Global: Roadmaps for the Present

  • Maya Vinitsky (Ed.)

    Solar Guerrilla: Constructive Responses to Climate Change

  • Annette Jael Lehmann

    Tacit Knowledge. Feminism / Post Studio (Post Studio /…

  • G. Cachin (Hg.)

    Bobst Graphic. 1972 - 1981

  • H. Bodenschatz, D. Brantz

    Grünfrage und Stadtentwicklung. 100 Jahre Groß-Berlin

  • Christoph Cox

    Sonic Flux: Sound, Art, and Metaphysics

  • Rosi Braidotti, Simone Bignall (eds.)

    Posthuman Ecologies. Complexity and Process after Deleuze

  • T. Garcia, V. Normand (Hg)

    Theater, Garden, Bestiary: A Materialist History of…

  • David Byrne

    Wie Musik wirkt

  • James Bridle

    New Dark Age: Der Sieg der Technologie und das Ende der…

  • Sabine Breitwieser (Ed.)

    E.A.T. - Experiments in Arts and Technology

  • Richard Buckminster Fuller

    R. Buckminster Fuller. Nine Chains to the Moon. An…

  • Ulrike Bernard

    Wuan Wandeln

  • Jenelle Porter

    Less Is a Bore: Maximalist Art & Design

  • Agata Toromanoff

    Impossible Design: Außergewöhnliche Designobjekte der…

  • C. Leonard, L. Khonsary (Hg)

    The Halifax Conference. Oct. 5&6 1970

  • Birgit Rieger, Claudia Wahjudi

    Berlin Interviews. 16 Künstlerinnen und Künstler über eine…

  • Paolo Cirio

    Evidentiary Realism. Investigative, Forensic, Documentary…

  • Robert Kronenburg

    This Must Be The Place: An Architectural History of Popular…

  • Oliver Marchart

    Conflictual Aesthetics: Artistic Activism and the Public…

  • Jürgen Hasse, Sara F. Levin

    Betäubte Orte: Erkundungen im Verdeckten

  • Alexandra Klei

    Wie das Bauhaus nach Tel Aviv kam: Re-Konstruktion einer…

  • Sarah Banet-Weiser

    Empowered. Popular Feminism and Popular Misogyny

  • Stephen Prina

    As He Remembered It

  • Christoforos Savva

    Untimely, Again

  • Barbagallo, Beuret, Harvie (Hg.)

    Commoning with George Caffentzis and Silvia Federici

  • A Prior #20

    The Research Issue

  • Bernard Stiegler

    The Age of Disruption: Technology and Madness in…

  • Edgar Cabanas, Eva Illouz

    Manufacturing Happy Citizens: How the Science and Industry…

  • C. Profanter, H. Andersen, J. Eckhardt…

    The Middle Matter. Sound as Interstice

  • I. Galuzin, G. Severianova (Eds.)

    The Withdrawal of the Red Army

  • IDEA #381

    Transboundary Design. Perspective of Yoshihisa Tanaka

  • Andres Lepik, Daniel Talesnik (Hg)

    Access for All. São Paulo's Architectural…

  • Isabelle Graw, Christoph Menke (eds.)

    The Value of Critique: Exploring the Interrelations of…

  • Bernhard Denkinger

    Die vergessenen Alternativen. Strukturalismus und…

  • P. Bogner, G. Zillner

    Frederick Kiesler: Face to Face with the Avant-Garde:…

  • Jonathan Hill

    The Architecture of Ruins: Designs on the Past, Present and…

  • L. Giusti, N. Ricciardi (Eds.)

    Museums at the Post-Digital Turn

  • IDEA Magazine

    IDEA 386. Ministry of Graphic Design Fikra Graphic Design…

  • Gregor H. Lersch, Léontine Meijer-van…

    Mischa Kuball. res.o.nant

  • Marco Revelli

    The New Populism: Democracy Stares into the Abyss

  • Jacques Ranciere

    Aisthesis: Scenes from the Aesthetic Regime of Art

  • Gean Moreno

    In the Mind but Not from There. Real Abstraction and…

  • Saskia de Wit

    Hidden Landscapes. The metropolitan garden as a multi-…

  • Tchoban Foundation

    Deutsche Filmarchitektur 1918–1933 – German Film…

  • Natascha Süder Happelmann

    Ankersentrum (surviving in the ruinous ruin)

  • HeK (House of Elecronics Basel)

    Entangled Realities: Living with Artificial Intelligence /…

  • Alain Ehrenberg

    Die Mechanik der Leidenschaften: Gehirn, Verhalten,…

  • Rosi Braidotti

    Posthuman Knowledge

  • Klaus-Martin Bresgott

    Neue Sakrale Räume: 100 Kirchen der Klassischen Moderne

  • Jochen Volz, Gabi Ngcobo (Eds.)

    We Are Many. Art, the Political and Multiple Truths

  • Fitz, Krasny, Architekturzentrum Wien (…

    Critical Care. Architecture and Urbanism for a Broken Planet

  • Anne Kockelkorn, Nina Zschocke (Hg)

    Productive Universals. Specific Situations: Clinical…

  • Elke Neumann

    Palast der Republik. Utopie, Inspiration, Politikum

  • A+U 441

    Metal Skins

  • Troy Schaum (Ed.)

    Totalization: Speculative Practice in Architectural…

  • F. Serapiao, G. Wisnik

    Infinite Span. 90 Years of Brazilian Architecture

  • Heike Munder (Ed.)

    Producing Futures: A Book on Post-Cyber-Feminisms

  • L. Giusti, N. Ricciardi (Eds.)

    Museums at the Post-Digital Turn

  • Victor Papanek

    Design for the Real World

  • Andreas, Jung, Schmal (Hg.)

    Wohnen für Alle: Bautenkatalog

  • Elizabeth Resnick

    The Social Design Reader

  • Anca Benera, Arnold Estefan

    DEBRISPHERE - Landscape as an Extension of the Military…

  • Fiona McGovern, Megan Francis Sullivan…

    Jill Johnston. The Disintegration of a Critic

  • Byung-Chul Han

    Vom Verschwinden der Rituale: Eine Topologie der Gegenwart

  • Camiel van Winkel

    Archive Species: Bodies, Habits, Practices

  • Ted Hyunhak Yoon

    Decoding Dictatorial Statues

  • Sophie Cure, Aurelien Farina

    Graphic Design Play Book: An Exploration of Visual Thinking

  • Danielle Child

    Working Aesthetics: Labour, Art and Capitalism

  • Katya Garcia-Anton

    Sovereign Words. Indigenous Art, Curation and Criticism

  • Monika Rinck

    Champagner für die Pferde

  • Lorraine Daston

    Against Nature

  • Brigitta Gerber, Ulrich Kriese (Hg)

    Boden behalten - Stadt gestalten

  • Civic City Cahier 4

    Afterlives of Neoliberalism

  • Camila Marambio, Cecilia Vicuña

    Slow Down Fast, A Toda Raja

  • Dominik Landwehr (Hg.)

    Virtual Reality: Edition Digital Culture 6

  • Thor Magnusson

    Sonic Writing: Technologies of Material, Symbolic, and…

  • Biechteler, Käferstein, Hochschule…

    Architekturpädagogiken: Ein Glossar

  • Haenschel, Nelke, Planitzer (Hg.)

    Uncanny Interfaces

  • Jens Balzer

    Pop und Populismus: Über Verantwortung in der Musik

  • Lisa Baker

    Tiny Interiors: Compact Living Spaces

  • Marvin Heiferman

    Seeing Science: How Photography Reveals the Universe

  • Kristen Alvanson

    XYZT

  • Zdenke Badovinac

    Comradeship: Curating, Art, and Politics in Post-Socialist…

  • Juan Serra Lluch

    Color for Architects

  • 2G 78

    Junya Ishigami

  • OASE 102

    Schools & Teachers

  • Geert Lovink

    Sad by Design: On Platform Nihilism

  • Paul Mason

    Klare, lichte Zukunft: Eine radikale Verteidigung des…

  • M. F. Gage (Ed.)

    Aesthetics Equals Politics: New Discourses Across Art,…

We Are DEVO!

With flowerpots on their heads, distinctive post-Kraftwerk imagery and catchy electro-pop riffs, Devo carved an 80s niche setting them apart from the mish-mash of punk, new wave and rock surrounding them. Dellinger interviewed the band members and associates, ransacked their archives to provide illustrations, memorabilia and photographs documenting Devo's entire career and re-evaluate their complete works to provide a survey of the Devo phenomenon.
"This is the band of the future." (DAVID BOWIE, 1977)
"Of all the bands who came from the underground and actually made it in the mainstream, Devo is the most challenging and subversive of all." (KURT COBAIN, 1992)
With staggeringly catchy electro-pop riffs, Devo carved a niche that set them apart from the mish-mash of rock, punk, and new wave that surrounded them in the late 1970s...
Led by Mark Mothersbaugh and Jerry Casale, the overarching philosophical principle that drove them - "De-evolution" -- engendered a theory that mankind, rather than progressing, was actually going backwards.
Their first major label album, produced by Brian Eno in 1977, was light years ahead of its time. With their 1980 album, FREEDOM OF CHOICE, they had honed their pared-down pop to produce the razor-sharp "Girl You Want" and the million-selling smash single "Whip It."
Players in Devo's history range from Neil Young and Joe Walsh to David Bowie and Iggy Pop. In recent years, Devo's songs have been covered by Nirvana, Moby, Rage Against The Machine, and Soundgarden, to name but a few.
The thirst for knowledge about these pop pioneers is huge, but until now, the printed word has eluded Devo. Authors Jade Dellinger and David Giffels have interviewed band members and their associates, ransacked their archives to provide more than 100 illustrations, memorabilia, and rare photographs documenting Devo's entire career, and re-evaluated their complete works to provide an exhaustive survey of the Devo phenomenon ...
"I read a bio of Devo over the weekend. I recommend it. The book focuses heavily on the band's first five years, which is the juicy part of the tale." (David Segal, THE WASHINGTON POST)
"With their weird, home-baked philosophy and robotic rock, Devo were as much an art project as a band. The authors do an admirable job of describing that project's evolution, painting a detailed portrait of the Akron, Ohio scene that produced Devo." (J.D. Considine, BLENDER magazine)
"An extensively researched history of the group, largely drawing on original interview material with principal band members. Devo were an example of art and industry coming together to produce a unique musical hybrid. The authors' balanced history captures this perfectly and urges you to listen to Devo afresh." (Edwin Pouncey, THE WIRE)
"When Devo's concepts and music wormed their way into my consciousness, I realized that this was the new prog; this is the future; this is all that matters. De-evolution became my religion, education, and inspiration. It's high time this amazing story was told." (Robert Pollard, GUIDED BY VOICES)
"This book tells the entire tale: There's the young Mark Mothersbaugh's obsession with his Mr. Potato Head toy, the public's initial incomprehension of the Ohio spudboys, sidekick Booji Boy, Devo's 'Jocko Homo' creed, the improbable success of 'Whip It,' and the band's disintegration." (Fred Mills, MAGNET)
"Aimed at both diehard fans and those who aren't as familiar with the group, this is the first book-length survey of Devo's origins and exploits. It grows into an engaging read from many angles, providing tasty insights, while always managing to keep the group's satirical, political core at the center of the operation." (Alex Reynolds, GROOVES magazine)


Jade Dellinger, David Giffels
We Are DEVO!
Saf Publishing, 2008, 978-0946719761