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  • Susanne Pfeffer, Beatrix Ruf, Nicolaus…

    Annette Kelm

  • John Stezaker

    The 3rd Person Archive

  • Eva Egermann, Anna Pritz (Hg.)

    School Works. Beiträge zu vermittelnder, künstlerischer und…

  • Faitiche/Jan Jelinek (Hg.)

    Die Gesellschaft zur Emanzipation des Samples presents:…

  • Georg Spehr (Hg.)

    Funktionale Klänge. Hörbare Daten, klingende Geräte und…

  • Francesca Gavin

    Creative Space. Urban Homes of Artists and Innovators

  • Alison Oddey, Christine White

    Modes of Spectating

  • Alex S. Vitale

    City of Disorder. How the Quality of Life Campaign…

  • Alain De Botton

    The Pleasures and Sorrows of Work

  • Kunstmuseum Basel, Lenbachhaus München…

    Tom Burr

  • Bernd Stiegler

    Montagen des Realen. Photographie als Reflexionsmedium und…

  • Michaela Ott, Harald Strauß (Hg.)

    Ästhetik + Politik. Neuaufteilungen des Sinnlichen in der…

  • Terry Wilson

    Tamla Motown. The Stories Behind The UK Singles

  • John Robb

    The North Will Rise Again. Manchester Music City 1976-1996

  • Iain Morland (Hg.)

    Journal of Lesbian and Gay Studies. Intersex and After.…

  • Wladimir Velminski (Hg.)

    Leonhard Euler. Die Geburt der Graphentheorie

  • Katarina Bonnevier

    Behind Straight Curtains. Towards a Queer Feminist Theory…

  • Mark Borthwick

    Not in Fashion

  • Jonas Mekas

    To Petrarca

  • Peter Halley

    Ryan McGuinness Works. Paintings, Sculptures, Sketches,…

  • Catherine David, Georges Khalil, Bernd…

    Di/Visions. Kultur und Politik des Nahen Ostens

  • Sarah Chaplin, Alexandra Stara (Hg.)

    Curating Architecture and the City

  • Laurie Anderson

    Nothing in My Pockets

  • Paolo Cherchi Usai, David Francis,…

    Film Curatorship. Archives, Museums, and the Digital…

  • Emilio Prini

    Fermi in Dogana, Ancienne Douane 4.11.1995 - 14.1.1996

  • J. Armleder, G. Metzger, P. Pirotte, u.…

    Voids. A Retrospective

  • Elisabeth Sussman

    William Eggleston. Democratic Camera. Photographs and Video…

  • Peter J. Schneemann, Wolfgang Brückle (…

    Kunstausbildung. Aneignung und Vermittlung künstlerischer…

  • Sayaka Ishi (Hg.)

    Logo a Lot

  • Kouichi Yabuuchi (Hg.)

    Neon Addict. The Fluorescent Color Book

  • Claude Schnaidt

    Anders gesagt. Schriften 1950-2001

  • Sangeeta Ray

    Gayatri Chakravorty Spivak. In Other Words

  • Sophie Wolfrum, Winfried Nerdinger (Hg.)

    Multiple City. Stadtkonzepte 1908 I 2008

  • Elisabeth Blum, Peter Neitzke

    Dubai. Stadt aus dem Nichts. Ein Zwischenbericht über die…

  • A. Bangma, D.M. Donoghue, L. Issa, K.…

    Resonant Bodies, Voices, Memories

  • Justine Frank, Roee Rosen

    Sweet Sweat

  • R. Klanten, H. Hellige (Hg.)

    Naïve. Modernism and Folklore in Contemporary Graphic Design

  • Stephen Walker

    Gordon Matta-Clark. Art, Architecture and the Attack on…

  • Sven-Olov Wallenstein

    Biopolitics and the Emergence of Modern Architecture

  • Jules Romains

    Donogoo Tonka or the Miracles of Science. A Cinematographic…

  • David Leatherbarrow

    Architecture Oriented Otherwise

  • Loretta Lorance

    Becoming Bucky Fuller

  • Karin Bijsterveld

    Mechanical Sound. Technology, Culture, and Public Problems…

  • Andrew Losowsky (Hg.)

    We Make Magazines. Inside the Independents

  • Jörg Koopmann (Hg.)

    Cat Seen (bwab #1)

  • Charlie Hailey

    Camps. A Guide to 21st-Century Space

  • Marina Sorbello, Antje Weitzel (Hg.)

    Cairoscape. Images, Imagination and Imaginary of a…

  • Carsten Nicolai

    Grid Index

  • Nato Thompson (Hg.)

    Experimental Geography. Radical Approaches to Landscape,…

  • Mourad Boutros et al.

    Talking about Arabic (Dot-Font)

  • MoMu (Hg.)

    Maison Martin Margiela 20. The Exhibition

  • Jens Müller, Karen Weiland, Dt.…

    Film Kunst Grafik. Ein Buch zur neuen deutschen Filmgrafik…

  • Tom Avermaete, Klaske Havik, Hans…

    Architectural Positions. Architecture, Modernity and the…

  • Gail Pearce, Cahal McLaughlin (Hg.)

    Truth or Dare. Art or Documentary

  • Hans-Christian Dany, Martin Ebner,…

    Starship - The Early Years 1998 - 2001

  • Alain Badiou

    Conditions

  • Jeremy Till

    Architecture Depends

  • Olmes Carretti

    Vier5. Best Company

  • Andrea Bellini (Hg.)

    Collecting Contemporary Art

  • Alex Farquharson, Clemens Krümmel,…

    Klaus Weber. Secession

  • Stan Douglas, Christopher Eamon (Hg.)

    Art of Projection

  • Mariana Castillo Deball

    Kaleidoscopic Eye

  • Annette Stahmer (Hg.)

    Parole #1. The Body of the Voice / Stimmkörper (inkl. CD)

  • Richard J. Williams

    Brazil. Modern Architectures in History

  • Horst Bredekamp, Birgit Schneider, Vera…

    Das technische Bild. Kompendium für eine Stilgeschichte…

  • Berlin Haushoch Magazin Nr. 3

    Charlottenburg

  • R. Klanten, L. Feireiss (Hg.)

    Beyond Architecture. Imaginative Buildings and Fictional…

  • Hans Ulrich Obrist

    A Brief History of Curating

  • R. Klanten, L. Feireiss (Hg.)

    Spacecraft 2. More Fleeting Architecture and Hideouts

  • Aaron Rose (Hg.)

    Mike Mills. Graphics Films

  • Oliver Elser, Michael Pieper,…

    Wohnmodelle. Experiment und Alltag

  • Beatrice von Bismarck, Therese Kaufmann…

    Nach Bourdieu. Visualität, Kunst und Politik

  • Nikolaj Miljutin

    Sozgorod. Faksimile der Erstausgabe von 1930

  • A. Deuber-Mankowsky, C. Holzhey, A.…

    Der Einsatz des Lebens

  • David J. Gibson

    The Wayfinding Handbook. Information Design for Public…

  • George E. Lewis

    A Power Stronger Than Itself. The AACM and American…

  • Nicholas Fox Weber

    Le Corbusier. A Life

  • Cesare Casarino, Antonio Negri

    In Praise of the Common. A Conversation on Philosophy and…

  • Dominikus Müller, Kito Nedo

    Das Beste aus 2007

  • R. Klanten, S. Ehmann, M. Hübner (Hg.)

    Tangible. High Touch Visuals

  • Gabu Heindl (Hg.)

    Arbeit Zeit Raum. Bilder und Bauten der Arbeit im…

  • Lina Dokuzovic, Eduard Freudmann, Peter…

    Intersections. At the Crossroads of the Production of…

  • Christiane Paul (Hg.)

    New Media in the White Cube and Beyond. Curatorial Models…

  • Hedi El Kholti, Paul Gellman (Hg.)

    Animal Shelter. Art, Sex & Literature, Issue 1

  • John C. Welchman (Hg.)

    Institutional Critique and After. SoCCAS Symposium Volume…

  • Guy Debord

    Correspondence. The Foundation of the Situationist…

  • Gabrielle Brainard, Rustam Mehta,…

    Perspecta 41. Grand Tour. The Yale Architectural Journal

  • Daniel Birnbaum, Anders Olsson

    As a Weasel Sucks Eggs. An Essay on Melancholy and…

  • Schoonderbeek, Geers, Patteeuw,…

    OASE 75. 25 years of critical Reflection on Architecture

  • Matteo Pasquinelli

    Animal Spirits. A Bestiary of the Commons

  • Anthony Vidler (Hg.)

    Architecture Between Spectacle and Use

  • IDEA Magazine

    IDEA 332. How does graphic design CHANGE?

  • Bogh, Grunnet, Hansen, Henriksen,…

    SUM Nr. 5

  • Pauline Boudry, Renate Lorenz

    Normal Work

  • Jessica Morgan (Hg.)

    Th 2058. Dominique Gonzalez-Foerster

  • Jean-Luc Godard, Youssef Ishaghpour

    Archäologie des Kinos, Gedächtnis des Jahrhunderts

  • Arkitip No. 0048

    Ryan McGinness

  • Victor Papanek

    Design für die reale Welt. Anleitungen für eine humane…

We Are DEVO!

With flowerpots on their heads, distinctive post-Kraftwerk imagery and catchy electro-pop riffs, Devo carved an 80s niche setting them apart from the mish-mash of punk, new wave and rock surrounding them. Dellinger interviewed the band members and associates, ransacked their archives to provide illustrations, memorabilia and photographs documenting Devo's entire career and re-evaluate their complete works to provide a survey of the Devo phenomenon.
"This is the band of the future." (DAVID BOWIE, 1977)
"Of all the bands who came from the underground and actually made it in the mainstream, Devo is the most challenging and subversive of all." (KURT COBAIN, 1992)
With staggeringly catchy electro-pop riffs, Devo carved a niche that set them apart from the mish-mash of rock, punk, and new wave that surrounded them in the late 1970s...
Led by Mark Mothersbaugh and Jerry Casale, the overarching philosophical principle that drove them - "De-evolution" -- engendered a theory that mankind, rather than progressing, was actually going backwards.
Their first major label album, produced by Brian Eno in 1977, was light years ahead of its time. With their 1980 album, FREEDOM OF CHOICE, they had honed their pared-down pop to produce the razor-sharp "Girl You Want" and the million-selling smash single "Whip It."
Players in Devo's history range from Neil Young and Joe Walsh to David Bowie and Iggy Pop. In recent years, Devo's songs have been covered by Nirvana, Moby, Rage Against The Machine, and Soundgarden, to name but a few.
The thirst for knowledge about these pop pioneers is huge, but until now, the printed word has eluded Devo. Authors Jade Dellinger and David Giffels have interviewed band members and their associates, ransacked their archives to provide more than 100 illustrations, memorabilia, and rare photographs documenting Devo's entire career, and re-evaluated their complete works to provide an exhaustive survey of the Devo phenomenon ...
"I read a bio of Devo over the weekend. I recommend it. The book focuses heavily on the band's first five years, which is the juicy part of the tale." (David Segal, THE WASHINGTON POST)
"With their weird, home-baked philosophy and robotic rock, Devo were as much an art project as a band. The authors do an admirable job of describing that project's evolution, painting a detailed portrait of the Akron, Ohio scene that produced Devo." (J.D. Considine, BLENDER magazine)
"An extensively researched history of the group, largely drawing on original interview material with principal band members. Devo were an example of art and industry coming together to produce a unique musical hybrid. The authors' balanced history captures this perfectly and urges you to listen to Devo afresh." (Edwin Pouncey, THE WIRE)
"When Devo's concepts and music wormed their way into my consciousness, I realized that this was the new prog; this is the future; this is all that matters. De-evolution became my religion, education, and inspiration. It's high time this amazing story was told." (Robert Pollard, GUIDED BY VOICES)
"This book tells the entire tale: There's the young Mark Mothersbaugh's obsession with his Mr. Potato Head toy, the public's initial incomprehension of the Ohio spudboys, sidekick Booji Boy, Devo's 'Jocko Homo' creed, the improbable success of 'Whip It,' and the band's disintegration." (Fred Mills, MAGNET)
"Aimed at both diehard fans and those who aren't as familiar with the group, this is the first book-length survey of Devo's origins and exploits. It grows into an engaging read from many angles, providing tasty insights, while always managing to keep the group's satirical, political core at the center of the operation." (Alex Reynolds, GROOVES magazine)


Jade Dellinger, David Giffels
We Are DEVO!
Saf Publishing, 2008, 978-0946719761