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  • Claire Doherty (Hg.)

    Situation. Documents of Contemporary Art

  • Michel Foucault

    Geometrie des Verfahrens. Schriften zur Methode

  • Jacques Ranciere

    Aesthetics and Its Discontents

  • James Hennessey, Victor Papanek

    Nomadic Furniture. D-I-Y Projects that are Lightweight

  • Claire Fontaine

    Vivre, vaincre

  • Wolfram Pichler, Ralph Ubl (Hg.)

    Topologie. Falten, Knoten, Netze, Stülpungen in Kunst und…

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    The BLDG BLOG Book

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    Henri Lefebvre. State, Space, World. Selected Essays

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    Reading Capital

  • Bernd Stiegler

    Montagen des Realen. Photographie als Reflexionsmedium und…

  • John Robb

    The North Will Rise Again. Manchester Music City 1976-1996

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    Klaus Weber. Secession

  • Hans Ulrich Obrist

    A Brief History of Curating

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    IDEA 332. How does graphic design CHANGE?

  • Jean-Luc Godard, Youssef Ishaghpour

    Archäologie des Kinos, Gedächtnis des Jahrhunderts

  • Arkitip No. 0048

    Ryan McGinness

  • Rahel Lämmler, Michael Wagner

    Ulrich Müther. Schalenbauten in Mecklenburg-Vorpommern

  • Martina Löw

    Soziologie der Städte

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    Urban Transformations

  • Ralph Heidenreich, Stefan Heidenreich

    Mehr Geld

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    The Big Archive. Art From Bureaucracy

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    Jungfrau

  • Grada Kilomba

    Plantation Memories. Episodes of Everyday Racism

  • Hadas A. Steiner

    Beyond Archigram. The Structure of Circulation

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    KugelbauVisionen. Kulturgeschichte einer Bauform von der…

  • An Architektur

    An Architektur 22: GAMMA Grid, 1953. Das Ende des CIAM und…

  • Felix Guattari

    The Three Ecologies

  • An Architektur

    An Architektur 19-21: Community Design. Involvement and…

  • Antonio Negri

    The Porcelain Workshop. For a New Grammar of Politics

  • Christoph Schaub, Michael Schindhelm

    Bird's Nest (DVD, 87 min.). Jacques Herzog und Pierre…

  • Felicity D. Scott

    Architecture or Techno-Utopia. Politics after Modernism

  • Birgit Schneider

    Textiles Prozessieren

  • Bruno Latour

    Wir sind nie modern gewesen. Versuch einer Symmetrischen…

  • Georges Canguilhem

    Wissenschaft, Technik, Leben. Beiträge zur historischen…

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    Henri Lefebvre. Key Writings

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    Ulrike Ottinger. Eine Autobiografie

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    Die Träger und die Menschen. Das Ende des Massenwohnungsbau…

  • Liz Kotz

    Words to Be Looked at. Language in 1960s Art

  • Guy Debord

    Comments on the Society of the Spectacle

  • Michel de Certeau

    Kunst des Handelns

  • Jacques Ranciere

    Ist Kunst widerständig?

  • Alain Badiou

    Wofür steht der Name Sarkozy?

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    Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen.

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    Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert?

  • Henri Lefebvre

    Writings on Cities

  • Henri Lefebvre

    The Production of Space

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    Big Bang Beijing. Urban Change in Beijing

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    Housing by People. Towards Autonomy in Building…

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    Rogue Economics. Capitalism's New Reality

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    AD 174. Vol. 75. Nr. 2. Samantha Hardingham. The 1970'…

  • An Architektur

    An Architektur 18: Camp for Oppositional Architecture:…

  • An Architektur

    An Architektur 16-17

  • An Architektur

    An Architektur 15 / FFM 11: Europäische…

  • An Architektur

    An Architektur 14: Camp for Oppositional Architecture

  • An Architektur

    An Architektur 11-13: Theorie und Praxis der Kartografie

  • An Architektur

    An Architektur 10: Gemeinschaftsräume

  • An Architektur

    An Architektur 04-09: Krieg und die Produktion von Raum

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    IDEA 296. Books <preposition> graphic design

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    IDEA 293. Stanley Donwood / Vacances. DD-DDD / Dimensions…

  • An Architektur

    An Architektur 01-03

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    Gutschein / Voucher

Why You Can Build it Like That. Modern Architecture Explained

In this original and engaging study of iconic and iconoclastic modern architecture from the unusual to the truly avant-garde, John Zukowsky examines the design and purpose of 100 modern buildings and the reaction they provoked when they were built.
From the work of such world-renowned architects as Ludwig Mies van der Rohe, Frank Gehry and Zaha Hadid to the maverick creations of Bruce Goff, Shin Takamatsu and Shigeru Ban, extraordinary buildings are part of our everyday lives – but some buildings provoke strong reactions. ‘Not in my backyard’ is a phrase often heard in the discussion of architecture, but what is it about these buildings that is so controversial?
This fascinating study selects 100 iconoclastic buildings that pushed the boundaries of the acceptable when they were built, but have since become revered. It unravels the complex stories behind their construction, placing each building in its cultural context and discussing why it was created and what influence it has had on architectural design.
You’ll discover why some architects choose to prioritize function over aesthetic appeal – or vice-versa – and why others appear to challenge every accepted architectural value. You’ll also learn how many buildings were influenced by global events such as the Space Race, and how others were made possible by timely technological innovation.
John Zukowsky is an architectural and design historian with more than forty years’ experience working in large and small museums, some of which are historic landmarks. As curator of architecture at the Art Institute of Chicago, he organized a number of award-winning exhibitions and wrote accompanying books. Since then, he has held several executive positions at institutions in Chicago, New York and Ohio. Zukowsky earned an MA and PhD in art and architectural history from Binghamton University in New York and has been the recipient of honours from the American Institute of Architects and the republics of Austria and France.


John Zukowsky
Why You Can Build it Like That. Modern Architecture Explained
Thames & Hudson, 2015, 9780500291788