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  • Claire Doherty (Hg.)

    Situation. Documents of Contemporary Art

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    Geometrie des Verfahrens. Schriften zur Methode

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    Aesthetics and Its Discontents

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    Nomadic Furniture. D-I-Y Projects that are Lightweight

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    Vivre, vaincre

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    Topologie. Falten, Knoten, Netze, Stülpungen in Kunst und…

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    The BLDG BLOG Book

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    Henri Lefebvre. State, Space, World. Selected Essays

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    Reading Capital

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    Montagen des Realen. Photographie als Reflexionsmedium und…

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    The North Will Rise Again. Manchester Music City 1976-1996

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    IDEA 332. How does graphic design CHANGE?

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    Beyond Archigram. The Structure of Circulation

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    The Porcelain Workshop. For a New Grammar of Politics

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    Architecture or Techno-Utopia. Politics after Modernism

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    Wir sind nie modern gewesen. Versuch einer Symmetrischen…

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    Words to Be Looked at. Language in 1960s Art

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    Ist Kunst widerständig?

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    Wofür steht der Name Sarkozy?

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    Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert?

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    The Production of Space

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    Rogue Economics. Capitalism's New Reality

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    An Architektur 14: Camp for Oppositional Architecture

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Xenogenesis. The Otolith Group (Anjalika Sagar, Kodwo Eshun)

Presenting all bodies of work contained in the Xenogenesis exhibition, this publication includes many materials and graphics from The Otolith Group’s (Anjalika Sagar and Kodwo Eshun) broader practice, including performance, lecture and research material. The outcome of over four years of collaboration, research and conversation, the publication is not a chronological exhibition catalogue or retrospective but a cross-section of their work which includes substantial contributions from the artists themselves, in the form of writing and direct engagement with its production.
The publication also brings together important thinkers, scholars, art historians and writers from disparate fields, who know and have worked with the group, as well as those who are writing from a contemporary perspective. They include Dr. Denise Ferreira da Silva, Annie Fletcher, Anselm Franke, Shanay Jhaveri, George E. Lewis, Mahan Moalemi, Fred Moten, Grant Watson, Vivian Ziherl and the late Mark Fisher each of whom reflect on a particular aspect of the Group’s practice with supplementary materials such as archival images, documented conversations, early lecture performances as well as other accompanying texts and examinations of their research sites.
Xenogenesis is an extensive and comprehensive polyphonic exploration of the work of The Otolith Group. Edited by The Otolith Group with Megs Morley and designed by Luca Frei, Xenogenesis has been published by IMMA and Archive Books, with the generous support of their international partners Buxton Contemporary, Haus der Kulteren der Welt (HKW), Institute of Contemporary Art, Virginia, Sharjah Art Foundation, Southern Alberta Art Gallery and Van Abbemuseum.


The Otolith Group, Megs Morley (Hg)
Xenogenesis. The Otolith Group (Anjalika Sagar, Kodwo Eshun)
Archive Books, 2021, 978-3-948212-33-9