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    Hg. von Nina Gerlach, Simon Vagts,…

    Zwischen Pixel und Pigment: Malerei in der postdigitalen…

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  • Clare Croft

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    The Witch Studies Reader

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    Charlotte Malterre-Barthes / Eds.:…

    A Moratorium on New Construction. Charlotte Malterre-Barthes

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    Kunst, Spektakel und Revolution No. 9.

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    Henriette Waal, Clemens Driessen (Hg)

    Water Works. Eco-Social Design

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    Planetary Realism. Art Against Apocalypse

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    Nils C. Kumkar

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    Home is Where the Heart Strives

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    Anamarija Batista, Julia Siedle

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    Wanting Something Completely Different: 111 Vignettes of…

  • Rosa Barotsi

    Time and the Everyday in Slow Cinema

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    Radical Health. Cache 04

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  • Matas Petrikas

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    Holly Dicker

    Dance Or Die: A History of Hardcore

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    Stevphen Shukaitis, Joanna Figiel

    The Wages of Dreamwork.

  • Brian Massumi

    Toward a Theory of Fascism for Anti-Fascist Life. A Process…

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    Rasheedah Phillips

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    Andy Crysell

    Selling The Night: When Club Culture Meets Brands,…

  • Paul Gilroy

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    The Educational Web: Reader

  • Redaktion Protocol

    Protocol 15. R.I.P. – remember me

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    Anthony Dunne, Fiona Raby

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    Stephanie Loveless (Ed.)

    A Year of Deep Listening. 365 Text Scores for Pauline…

  • Hal Foster

    Fail Better. Reckonings with Artists and Critics

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    On Architecture and Work. The Political Economy of Space…

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    Errant Sound Reader. Thoughts and Practies from the Berlin…

  • Katía Truijen and Brandon LaBelle (Eds)

    Epistemic Imaginaries. Learning as Festivity

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    Brandon LaBelle

    Poetics of Listening: Inner Life, Social Transformation,…

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    Finance Aesthetics. A Critical Glossary

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    IDEA Magazine

    Idea 410. Shaping Fear: Visualizing Terror and Unease in…

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    IDEA Magazine

    Idea 409. In Search of Beautiful Books: Manuscripts from…

  • Spike

    Spike Art Magazine ISSUE 84 Vulgarity

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    Ricardo Bofill. Visions of Architecture

  • Ben Murphy

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    Justin Patrick Moore

    The Radio Phonics Laboratory. Telecommunications, Speech…

  • Miriam Oesterreich

    Branching Out. Botanical Metaphors and Worlding Art History…

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    Esther Buss

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    Max Turnheim

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    Reading Ecologies: Transforming Publishing in Africa

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    Teri Wehn Damisch: Transatlantic Crossings Between the Arts

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    Pauline Oliveros

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    The Manual of Design Fiction

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    Morgane Billuart

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  • Melanie Isverding, Thomas Düllo,…

    texturen Nr. 9 - Schmucken

You can be a wealthy art collector in the digital age // You can be a Cash-Strapped Art Collector in the Digital Age

This book is a practical guide to collecting contemporary art using the tools available online and on any smartphone or tablet, with a special focus on digital art and the particular advantages and challenges it presents to collectors. The guide is intended for anyone who would like to collect art, regardless of their knowledge of the art market—or their budget.
The volume is divided into three parts: two separate (but related) manuals and a troubleshooting guide for collectors of digital art.  
    The first manual, titled ‘You can be a wealthy art collector in the digital age’, addresses all the basic aspects of collecting contemporary art, from finding a moti- vation to buy art and exploring the art market, to considering quantified analyses of artworks and sharing one’s collection on social media. It also provides insights and advice for collectors of software-based, web-based, and interactive artworks, as well as an analysis of the impact of artificial intelligence and blockchain technologies on art collecting.
    The second manual, titled ‘You can be a cash-strapped collector in the digital age’, turns to the possible ways of collecting contemporary art on a small budget (from $3 to $300) made available nowadays on online stores, app stores, and digital edition marketplaces. It also discusses the basic aspects of collecting, including motivation, searching for art on a budget, and understanding the type of objects on sale. This manual provides an additional focus on art in digital formats, including art apps, digital editions, and digital art frames.  
    The troubleshooting guide offers solutions to common questions and problems faced by collectors of digital art, such as digital editions, software art, interactive installations, and web-based, virtual reality (VR) or augmented reality (AR) artworks.
Each section in the book can be read independently, providing different points of entry to its content. Furthermore, in each section the main text is complemented with graphs and illustrations, as well as insets describing case studies and providing lists with additional references.
The book provides up-to-date, useful information for any kind of collector, as well as guidance on understanding the art world and navigating the art market.
About the author:
Pau Waelder is a curator, writer and researcher. PhD in Information and Knowledge Society by the Universitat Oberta de Catalunya (UOC). He teaches at the UOC, as well as in postgraduate courses at ESDi and NODE Curatorial Studies Online.
He has written extensively about digital art and the art market in magazines, journals, and books. He is also the author of $8,793 Worth of [Art] (Merkske, 2014).


Pau Waelder
You can be a wealthy art collector in the digital age // You can be a Cash-Strapped Art Collector in the Digital Age
Printer Fault Press, 2020, 978-84-09-23382-3
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