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    Future Histories: What Ada Lovelace, Tom Paine, and the…

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    Almost Nothing. 100 Artists Comment on the Work of Mies van…

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    Entwürfe und Gefüge. William Forsythes choreographische…

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    New Dark Age: Technology and the End of the Future

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    Nightingales in Berlin: Searching for the Perfect Sound

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    The Social Photo: On Photography and Social Media

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    Superusers: Design Technology Specialists and the Future of…

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    John Latham. The N-U Niddrie Heart

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    IDEA 385. Focusing on Locality in Design Practices of the…

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    Artists in the City. SPACE in '68 and beyond

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    Die Stadt als Architektur

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    Screen Culture: A Global History

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    Visualität und Abstraktion. Eine Aktualisierung des Figur-…

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    On the Road to Variable: The Flexible Future of Typography

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    Zombie Anthropophagie: Zur neoliberalen Subjektivität

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    How to Disappear in America

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    Sociality. The Coloring Book of Technology for Social…

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    X-Ray Architecture

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    Haus Stadt Mensch. Über Architektur und Gesellschaft.…

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    This Searing Light, the Sun and Everything Else: Joy…

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    Every So Often a Talking Dog Appears and other essays

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    The Disco Files 1973-78: New York's Underground, Week…

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    Bubbletecture: Inflatable Architecture and Design

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    Reading Graphic Design in Cultural Context

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    Style and Epoch. Issues in Modern Architecture

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    Also-Space, From Hot to Something Else : How Indonesian Art…

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    A Year Without a Winter

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    The City at the End of the Underground

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    Re-reading the Manual of Travelling Exhibitions

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    On Reconciliation / Über Versöhnung

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    Jugend – Pop – Kultur: Eine transnationale Geschichte

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    Sincere by Design: The Architecture of Sou Fujimoto

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    (Mit) Pflanzen kartografieren - Mapping (with) Plants

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    Feminism for the 99%. A Manifesto

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    Urban Warfare. Housing under the Empire of Finance

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    The Good Metropolis: From Urban Formlessness to…

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    Bauhaus Imaginista. Die globale Rezeption bis heute

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    Salento Moderno. An Inventory of Private Houses in Southern…

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    Molecular Feminisms: Biology, Becomings, and Life in the Lab

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    Geospekulationen: Metaphysik für die Erde im Anthropozän

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    Wo Dinge wohnen: Das Phänomen Selfstorage

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    A Billion Black Anthropocenes or None

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    The Second Coming

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    John Latham Films 1960 - 1971

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    An Attempt At A Personal Epistemology

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    Mucus in My Pineal Gland

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    Feminism and Queer in Art Education

We Are DEVO!

With flowerpots on their heads, distinctive post-Kraftwerk imagery and catchy electro-pop riffs, Devo carved an 80s niche setting them apart from the mish-mash of punk, new wave and rock surrounding them. Dellinger interviewed the band members and associates, ransacked their archives to provide illustrations, memorabilia and photographs documenting Devo's entire career and re-evaluate their complete works to provide a survey of the Devo phenomenon.
"This is the band of the future." (DAVID BOWIE, 1977)
"Of all the bands who came from the underground and actually made it in the mainstream, Devo is the most challenging and subversive of all." (KURT COBAIN, 1992)
With staggeringly catchy electro-pop riffs, Devo carved a niche that set them apart from the mish-mash of rock, punk, and new wave that surrounded them in the late 1970s...
Led by Mark Mothersbaugh and Jerry Casale, the overarching philosophical principle that drove them - "De-evolution" -- engendered a theory that mankind, rather than progressing, was actually going backwards.
Their first major label album, produced by Brian Eno in 1977, was light years ahead of its time. With their 1980 album, FREEDOM OF CHOICE, they had honed their pared-down pop to produce the razor-sharp "Girl You Want" and the million-selling smash single "Whip It."
Players in Devo's history range from Neil Young and Joe Walsh to David Bowie and Iggy Pop. In recent years, Devo's songs have been covered by Nirvana, Moby, Rage Against The Machine, and Soundgarden, to name but a few.
The thirst for knowledge about these pop pioneers is huge, but until now, the printed word has eluded Devo. Authors Jade Dellinger and David Giffels have interviewed band members and their associates, ransacked their archives to provide more than 100 illustrations, memorabilia, and rare photographs documenting Devo's entire career, and re-evaluated their complete works to provide an exhaustive survey of the Devo phenomenon ...
"I read a bio of Devo over the weekend. I recommend it. The book focuses heavily on the band's first five years, which is the juicy part of the tale." (David Segal, THE WASHINGTON POST)
"With their weird, home-baked philosophy and robotic rock, Devo were as much an art project as a band. The authors do an admirable job of describing that project's evolution, painting a detailed portrait of the Akron, Ohio scene that produced Devo." (J.D. Considine, BLENDER magazine)
"An extensively researched history of the group, largely drawing on original interview material with principal band members. Devo were an example of art and industry coming together to produce a unique musical hybrid. The authors' balanced history captures this perfectly and urges you to listen to Devo afresh." (Edwin Pouncey, THE WIRE)
"When Devo's concepts and music wormed their way into my consciousness, I realized that this was the new prog; this is the future; this is all that matters. De-evolution became my religion, education, and inspiration. It's high time this amazing story was told." (Robert Pollard, GUIDED BY VOICES)
"This book tells the entire tale: There's the young Mark Mothersbaugh's obsession with his Mr. Potato Head toy, the public's initial incomprehension of the Ohio spudboys, sidekick Booji Boy, Devo's 'Jocko Homo' creed, the improbable success of 'Whip It,' and the band's disintegration." (Fred Mills, MAGNET)
"Aimed at both diehard fans and those who aren't as familiar with the group, this is the first book-length survey of Devo's origins and exploits. It grows into an engaging read from many angles, providing tasty insights, while always managing to keep the group's satirical, political core at the center of the operation." (Alex Reynolds, GROOVES magazine)


Jade Dellinger, David Giffels
We Are DEVO!
Saf Publishing, 2008, 978-0946719761