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  • Miki Hirabayashi

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    Broadcasting Buildings. Architecture on the Wireless, 1927-…

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    re.act.feminism. A Performing Archive

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    Material Innovation. Architecture

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    The Right to Brand

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    An Ecosystem of Excess

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    Akram Zaatari. Film as a Form of Writing

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    Touching and Imagining. An Introduction to Tactile Art

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    Farbige Lichträume. Manifestationen einer Veränderung des…

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    Die Trauben auf deinem Bauch bilden ein Muster

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    Too Much World. The Films of Hito Steyerl

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    Eco-Aesthetics. Art, Literature and Architecture in a…

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    Subtraction. Keller Easterling. Critical Spatial Practice 4

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    Komplexe Wahrnehmung und moderner Städtebau. Paul Hofer,…

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    The Past is the Present; It's the Future Too

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  • Katharina Roters

    Hungarian Cubes. Subversive Ornamente im Sozialismus

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    Stadt Selber Machen. Ein Handbuch

  • Michael Fried

    Warum Photographie als Kunst so bedeutend ist wie nie zuvor

  • Henri Lefèbvre

    Die Revolution der Städte. La Revolution urbaine

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    Theorie und Gestaltung im Zweiten Maschinenzeitalter

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    Le Corbusier. Béton Brut und der unbeschreibliche Raum (…

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    From a Nation Torn. Decolonizing Art and Representation in…

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    Birds of Paradise. Costume as Cinematic Spectacle

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    Architecture. A Historical Perspective

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    Das Urbane. Wohnen. Leben. Produzieren

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    Lina Bo Bardi. The Theory of Architectural Practice

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    My House, My Paradise. The Construction of the Ideal…

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    The Wes Anderson Collection

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    On Architecture. Melvin Charney, a Critical Anthology

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    Heteropolis

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    Peter Zumthor. 1985–2013

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    Ohne Mich

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    La Défense. Métro, boulot, dodo

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    Why Architects Still Draw

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    Forensis. The Architecture of Public Truth

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    Lina Bo Bardi

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    Le Corbusier et la question du brutalisme. LC au J1

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    Always the Same Faces. Aus dem Alltag philippinischer…

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    Berlin Art Scene

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    TEXT Gespräche

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    They Can't Represent Us! Reinventing Democracy from…

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    A School for Design Fiction

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    Wissenschaftssprache digital. Die Zukunft von gestern

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    B is for Bauhaus. An A-Z of the Modern World

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    The New Urban Question

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    Anke Westermann. Atlas

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    Der Gang der Dinge. Welche Zukunft haben photographische…

  • Emil Ruder

    Fundamentals

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    The Architecture of the Screen

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    Mietenwahnsinn

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    Kill Your Darlings

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    Records By Artists. 1958-1990

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    Der Schatten des Fotografen

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    Big Sign - Little Building

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    The Uncertainty Principle

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    Reclaim Berlin. Soziale Kämpfe in der neoliberalen Stadt

  • Cathy Lane, Angus Carlyle

    In the Field. The Art of Field Recording

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    Über Pop-Musik

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    Arts-Based Research

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    Lacan. In Spite Of Everything

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    Neue Baukunst. Architektur der Moderne in Bild und Buch

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    Editions 1985-2012

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    Letters from Utopia

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    Das Versprechen der Kunst

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    Damage Control. Art and Destruction Since 1950

Architecture Oriented Otherwise

So much writing about architecture tends to evaluate it on the basis of its intentions: how closely it corresponds to the artistic will of the designer, the technical skills of the builder, or whether it reflects the spirit of the place and time in which it was built, making it not much more than the willful (or even subconscious) assemblage of objects that result from design and construction techniques. Renowned writer and thinker David Leatherbarrow, in this groundbreaking new book, argues for a richer and more profound, but also simpler, way of thinking about architecture, namely on the basis of how it performs. Not simply how it functions, but how it acts, "its manner of existing in the world", including its effects on the observers and inhabitants of a building as well as on the landscape that situates it. In the process, Leatherbarrow transforms our way of discussing buildings from a passive technical or programmatic assessment to a highly active and engaged examination of the lives and performances, intended and otherwise, of buildings.
Drawing on an encyclopedic reading of contemporary philosophy, as well as from the work of architects whose work he admires, including Peter Zumthor, Renzo Piano, Le Corbusier, and Frank Lloyd Wright, Leatherbarrow challenges us to fundamentally reconsider the way we think about buildings and ask architects to think about their buildings in a vastly wider context, opening up the possibility of creating works that are richer in meaning, quality, and life. In asking for and presenting a sea change in the way of thinking about buildings and their design, Architecture Oriented Otherwise is required reading for anybody who makes or cares about architecture.
David Leatherbarrow is professor of architecture and chairman of the PhD program at the University of Pennsylvania, where he has taught architectural design, history, and theory since 1984 and was departmental chair between 1992 and 1998. He has published a number of books and more than seventy scholarly articles in architectural journals.


David Leatherbarrow
Architecture Oriented Otherwise
Princeton Architectural Press, 2009, 978-1568988115