Direkt zum Inhalt

Warenkorb

  • Beatriz Colomina, Mark Wigley

    Are We Human? Notes on an Archaeology of Design

  • Carsten Höller, Rosemarie Trockel

    Maisons / Häuser

  • Richard Shone, John-Paul Stonard (Eds.)

    The Books that Shaped Art History: From Gombrich and…

  • Rafi Segal

    Space Packed: The Architecture of Alfred Neumann

  • Cornelia Escher

    Zukunft entwerfen: Architektonische Konzepte des GEAM (…

  • Elena Filipovic

    The Artist as Curator - An Anthology

  • Patrick Eiden-Offe

    Die Poesie der Klasse: Romantischer Antikapitalismus und…

  • Steffen Mau

    Das metrische Wir: Über die Quantifizierung des Sozialen

  • A+U 407

    Housing in the City - New York, London, Paris

  • A+U 416

    Fashioning Spaces

  • M. Timonen, J. Wikström (Eds.)

    Objects of Feminism. Art Theoretical Writings from the…

  • J.R. Carpenter

    The Gathering Cloud

  • Maurizio Lazzarato (Autor), Stefan…

    Marcel Duchamp und die Verweigerung der Arbeit

  • T. J. Demos

    Against the Anthropocene. Visual Culture and Environment…

  • Meike Schalk, Thérèse Kristiansson,…

    Feminist Futures of Spatial Practice. Materialisms,…

  • KAI 10 | Arthena Foundation, Julia…

    Less is a Bore, Reflections on Memphis

  • Alice Twemlow

    Sifting the Trash. A History of Design Criticism

  • Nikolai Roskamm

    Die unbesetzte Stadt: Postfundamentalistisches Denken und…

  • Maya Vinitsky (Ed.)

    3.5 Square Meters: Constructive Responses to Natural…

  • Kenneth Goldsmith

    Uncreative Writing: Sprachmanagement im digitalen Zeitalter

  • M. Tupitsyn, V. Tupitsyn, D. Morris (…

    Anti-Shows. APTART 1982–84.: Exhibition Histories Vol. 8

  • Dominique Perrault

    Groundscapes. Other Topographies

  • Annika Frye

    Design und Improvisation: Produkte, Prozesse und Methoden

  • Stephanie Taylor

    Kong Boos

  • Städttebau-Institut Universität…

    Grüne Infrastruktur – von Grau zu Grün

  • Serge Guilbaut, John O'Brian (Eds.)

    Breathless Days, 1959-1960

  • Smiljan Radic

    Bestiary

  • Kader Attia

    RepaiR

  • Aaron Betsky

    Making it Modern: The History of Modernism in Architecture…

  • Andrew Goodhouse (Ed.)

    When Is the Digital in Architecture?

  • Adam Greenfield

    Radical Technologies. The Design of Everyday Life

  • Mark Crinson

    Rebuilding Babel. Modern Architecture and Internationalsim

  • AbdouMaliq Simone, Edgar Pieterse

    New Urban Worlds. Inhabiting Dissonant Times

  • Kersten Geers, David Van Severen, Joris…

    OFFICE Kersten Geers David Van Severen — Volumes 1, 2…

  • Mateo Kries, Andreas Ruby, Ilka Ruby (…

    Together! Die Neue Architektur der Gemeinschaft

  • Bruno Latour

    Kampf um Gaia: Acht Vorträge über das neue Klimaregime

  • Alice Grahame, Taran Wilkhu

    Walters Way and Segal Close: The Architect Walter Segal and…

  • Isabelle Stengers

    In Catastrophic Times. Resisting the Coming Barbarism

  • Wim Nijenhuis

    The Riddle of the Real City or the Dark Knowledge of…

  • Svetlana Boym

    The Off-Modern

  • Franco 'Bifo' Berardi

    Futurability. The Age of Impotence and the Horizon of…

  • Aurin, Thomas Hegemann, Carl Witt,…

    Volksbühne am Rosa-Luxemburg-Platz 1992-2017

  • Iñaki Ábalos

    The good life: A guided visit to the houses of modernity

  • Stephen J. Phillips

    Elastic Architecture: Frederick Kiesler and Design Research…

  • Marie-Luise Angerer

    Affektökologie. Intensive Milieus und zufällige Begegnungen

  • Harmony Korine

    Devils and Babies

  • Vanessa Weber

    Everyday Urban Design 2. Überqueren, Unterqueren,…

  • Sebastian Bührig

    Everyday Urban Design 1. Wohnen an der Kotti D'Azur

  • R. Bittner, A. Reese, K. Szymczak

    Desk in Exile. A Bauhaus Object Traversing Different…

  • McKenzie Wark

    General Intellects. Twenty-Five Thinkers for the Twenty-…

  • Noah Regenass, Markus Ritter (Hg.)

    Lucius Burckhardt. Landschaftstheoretische Aquarelle und…

  • Cosey Fanni Tutti

    Art Sex Music

  • Albena Yaneva

    Five Ways to Make Architecture Political. An Introduction…

  • Parasite 2.0

    Primitive Future Office

  • Anke Fesel, Chris Keller (Hg.)

    Berlin Heartbeats: Stories from the wild years, 1990–…

  • Drei Farben House

    Fluency Fabrics

  • Vrachliotis, Kleinmanns, Kunz, Kurz (Hg…

    Frei Otto. Denken in Modellen

  • Christopher Long

    Adolf Loos on Trial

  • Brillembourg, Kalagas, Klumpner,…

    Reactivate Athens

  • Etienne Turpin, Anna-Sophie Springer (…

    The Word for World is Still Forest

  • S. Mohebbi, R. Estevez (Hg)

    Hotel Theory Reader

  • U. Kleefisch-Jobst, P. Köddermann, K.…

    Alle wollen wohnen: Gerecht. Sozial. Bezahlbar

  • Moyra Davey

    Les Goddesses/Hemlock Forest

  • Alain Badiou

    The True Life

  • A. Stech, S. Fuls, R. Klanten (Hg)

    Inside Utopia: Visionary Interiors and Futuristic Homes

  • Hannah Black, Juliana Huxtable

    Life. A Novel

  • Robert Barry

    The Music of the Future

  • Clare Lyster

    Learning from Logistics. How Networks Change our Cities

  • Aaron Betsky

    Architecture Matters

  • Sönke Gau

    Institutionskritik als Methode. Hegemonie und Kritik im…

  • David A. Hanks, Friedrich Meschede (Hg.)

    Partners in Design: Alfred H. Barr Jr. und Philip Johnson.…

  • Alain Badiou/Pierre Bourdieu/Judith…

    Was ist ein Volk?

  • Annette Michelson

    On the Eve of the Future. Selected Writings on Film

  • James Voorhies

    Beyond Objecthood. The Exhibition as a Critical Form since…

  • Alexander Vasudevan

    The Autonomous City: A History of Urban Squatting

  • Kris Paulsen

    Here/There. Telepresence, Touch, and Art at the Interface

  • Gerd de Bruyn

    Theorie der modernen Architektur. Programmatische Texte

  • Sven Lütticken

    Cultural Revolution: Aesthetic Practice after Autonomy

  • Martin Herbert

    Tell Them I Said No

  • Deutscher Werkbund (Hg.)

    Taut baut: Geschichten zur Architektur von Max Taut

  • Maria Hlavajova, Simon Sheikh (Eds.)

    Former West: Art and the Contemporary after 1989

  • Jane Rendell

    The Architecture of Psychoanalysis. Spaces of Transition

  • Sissi Tax

    the looks, not the books (allaphbed '19)

  • Arnt Cobbers

    Breuer

  • Mercedes Bunz, Birgit M. Kaiser,…

    Symptoms of the Planetary Condition: A Critical Vocabulary

  • Sarah Burkhalter, Laurence Schmidlin (…

    Spacescapes Dance & Drawing

  • Marcus Verhagen

    Flows and Counterflows. Globalisation in Contemporary Art

  • Andreas & Ilka Ruby

    Infrastructure Space

  • Charlotte Ashby

    Modernism in Scandinavia: Art, Architecture and Design

  • Kim Feser, Matthias Pasdzierny (Hg.)

    Techno Studies. Ästhetik und Geschichte elektronischer…

  • Alessandro Biamonti

    Archiflop. Gescheiterte Visionen. Die spektakulärsten…

  • Berliner Hefte zu Geschichte und…

    Marx-Engels-Forum - Ja!

  • Yvonne P. Doderer

    Glänzende Städte. Geschlechter- und andere Verhältnisse in…

  • Europan 13

    The Adaptable City 2: Ergebnisse /Results

  • Erik Kessels

    Fast Pefrekt. Die Kunst, hemmungslos zu scheitern. Wie aus…

  • C. Perren, S. B. Lovett (Eds.)

    Expanded Architecture. Temporal Spatial Practices

  • M. Holm, K. Kjeldsen, M. Kallehauge (…

    Wang Shu. Amateur Architecture Studio

  • Irene Albers, Anselm Franke (Hg.)

    Nach dem Animismus

Lovely Language. Words Divide Images Unite

The world speaks in about 7000 tongues, and countless dialects. For centuries, people have tried to overcome this tower of Babel. For instance by propagating one language or by making a new language, such as Esperanto. But the language which today is best understood world-wide does not consist of words, but of images. A universal visual language was the ideal of two Modernists: the social scientist and philosopher Otto Neurath (1882-1945) and graphic designer Gerd Arntz (1900-1988). In Vienna, from the 1920s onward, they developed more than 4000 icons, which together formed Isotype: a visual language in which important information on society, politics, economy and industry could be summarized, also for those who could not read well. Thus Neurath's motto: 'words (which not everyone can read) divide, images (which can be understood by all) unite.' Nowadays, the whole world communicates in images. But with its dissemination, this lovely language for all spawns more and more dialects. Visual language has grown up; everyone understands its basics, but individuals vary on it to write their own visual poetry.
'Lovely Language' features work by a.o.: Otl Aicher, Gerd Arntz, Lars Arrhenius, Ruedi Baur, Gert & Derk Dumbar, Fabrica, Mieke Gerritzen, Nigel Holmes, Susan Kare, Max Kisman, Pippo Lionni , Koert van Mensvoort, Paul Mijksenaar, Otto Neurath, Charles Sandison, Andreas Siekmann, Erik Spiekermann. This book aims at providing material for the discussion about visual communication tomorrow. Are the generic guidelines of Otto Neurath and Gerd Arntz still valid? Or have they become embedded into a visual language that by now goes well beyond their project? And what is the future role of designers and communicators in using and expanding this language?


Ed Annink, Max Bruinsma
Lovely Language. Words Divide Images Unite
Veenman, 2008, 978-9086901272