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  • Jason McBride

    Eat Your Mind. The Radical Life and Work of Kathy Acker

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  • Luis Manuel Garcia-Mispireta

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  • Arnold Aronson

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  • Flavien Menu (Ed.)

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  • Matteo Pasquinelli

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  • Angelika Burtscher, Daniele Lupo

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  • Anna Unterstab

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  • Silvio Lorusso

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  • OASE Journal for Architecture #116

  • Lena Enne

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  • Ruth Duma-Coman

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  • Andrew Berardini

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  • Lukas Feireiss, Florian Hadler (Hg)

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  • IDEA Magazine

    IDEA 404. Co-creation between AI and US

  • Johanna Mehl, Carolin Höfler (Eds)

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  • Talja Blokland

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  • Deirdre Loughridge

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  • Gary Zhexi Zhang

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  • Ina Wudtke

    Black Studium. A Tribute to Fasia Jansen, Hilarius Gilges…

  • Małgorzata Bartosik

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  • Lorraine Daston

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  • Bernadette Krejs

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  • Myria Georgiou

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  • Francesca Ferrando

    The Art of Being Posthuman: Who Are We in the 21st Century?

  • Felix Dreesen, Stephan Thierbach

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  • Anthony Brand

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  • Marcelo López-Dinardi

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  • Edna Bonhomme, Alice Spawls (Eds)

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  • Philipp Oswalt

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  • Samuel Clowes Huneke

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  • Megan Francis Sullivan

    Megan Francis Sullivan. Oral History of Exhibitions

  • Bruno Munari

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  • Simone Jung, Steffi Hobuß, Sven Kramer

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  • Ben Schwartz (ed)

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  • Rick Poynor

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  • Katharina Sussek, Jens Müller

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  • Jens Müller (Hg)

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  • Roger Behrens, Jonas Engelmann, Frank…

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  • Jonathan Cary

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  • Monica Ponce De Leon (Ed.)

    Lina Bo Bardi. Material Ideologies

  • Ghislaine Leung

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  • Samia Henni (Hg)

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  • Rizvana Bradley

    Anteaesthetics. Black Aesthesis and the Critique of Form

  • Nerea Calvillo

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  • George Papam, David Bergé (Eds.)

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  • Mark Manders

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  • Peter Mörtenböck, Helge Mooshammer

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  • Jakob Claus, Petra Löffler (Eds.)

    Records of Disaster. Media Infrastructures and Climate…

  • George Brugmans

    Down To Earth. Designing For The Endgame

  • Eric Frijters, Matthijs Ponte (Eds.)

    The City as a System. Metabolic Design for New Urban Forms…

  • Hans-Christian Dany, Valérie Knoll

    No Dandy, No Fun. Looking Good as Things Fall Apart

  • Hemma Schmutz (Hg.)

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  • McKenzie Wark

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  • Cordula Daus & Charlotta Ruth

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  • Maurin Dietrich, Fiona Alison Duncan

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    Rechtspopulismen der Gegenwart. Kulturwissenschaftliche…

  • Behnaz Farahi, Nail Leach (eds.)

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  • Natasha Stagg

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  • Alison Place (Ed)

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  • Slanted

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  • Graeme Thomson & Silvia Maglioni

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  • Gabriela Burkhalter (Hg)

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  • Fabian Hörmann (Ed.)

    The Real Deal. Post-Fossil Construction for Game Changers

  • Elizabeth A. Povinelli

    Geontologien. Requiem auf den Spätliberalismus

  • Simon Baier, Markus Klammer (Hg.)

    Aesthetics of Equivalence. Art in Capitalism

  • Anke Haarmann, Alice Lagaay, Tom…

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  • bell hooks

    Die Welt verändern lernen. Bildung als Praxis der Freiheit

  • Regina Bittner (Editor), JJ Adibrata,…

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  • Regina Bittner, Katja Klaus, Catherine…

    The New Designer - Design as a Profession

Rosalind Nashashibi

(…) You can go into a situation knowing that you’re interested and even knowing why you’re interested, but it’s the filmmaking that gets you closer to the parts of your knowledge that are inaccessible or not yet accessible. The way I used to make films was to look at places that attracted me – places that intimidated me or excited me or places I liked – and then film in order to really look at them. Now I try to get a bit closer to knowing, to constructing something. I’m already one step further when I start than I used to be. I’d like to put those two ways of working together. Still, it’s really only about trying to find out why I’m going back to this place or situation in the first place. (…)
THE CAST
ROSALIND ……………………………….. Rosalind Nashashibi1
THE EGOIST ……………………………….. Raimundas Malašauskas2
THE BLIND MAN ……………………………….. Laure Prouvost3
TANGO ……………………………….. Emma Davie4
1. Rosalind Nashashibi is a London-born artist based in Liverpool. She makes 16mm films and other things. She often works collaboratively with artist Lucy Skaer, and teaches part time at Liverpool John Moores University.
2. Raimundas Malašauskas’s was born in Vilnius, curates world-wide, and writes occasionally.
3. Laure Prouvost is an artist born in France, now living and working in London, who creates multi-media environments that often invoke loose narratives centred around a single event. Her work has been shown at Tate Britain, ICA (London), Serpentine Gallery, and the Sculpture Centre (New York). She is the recipient of the 2011 Max Mara Art Prize for Women.
4. Emma Davie is a documentary filmmaker and Programme Director of Film & Television at Edinburgh College of Art, University of Edinburgh.


Drawing Room Confessions Issue #6
Rosalind Nashashibi
DRC, 2012, 978-88-67490-04-2