Direkt zum Inhalt

Warenkorb

  • Aaron Levy, William Menking

    Four Conversations on the Architecture of Discourse

  • 2G 60

    Lacaton & Vassal. Recent Work

  • Ilka Ruby, Andreas Ruby

    Lacaton & Vassal (2G Books)

  • Max Risselada (Hg.)

    Alison & Peter Smithson. A Critical Anthology

  • Gertrud Lehnert (Hg.)

    Räume der Mode

  • Miriam Bratu Hansen

    Cinema and Experience

  • ETH Studio Basel (Hg.)

    Belgrade. Formal/Informal

  • Michael Biggs, Henrik Karlsson

    Routledge Companion to Research in the Arts

  • Chris Dercon (Hg.)

    Carlo Mollino. Maniera Moderna

  • Walter Benjamin

    Berlin Childhood circa 1900

  • Lida Hujic

    The First to Know. How Hipsters and Mavericks Shape the…

  • Archphoto 2.0

    Radical City 01

  • V. Smith, M. Taussig, I. Garcia (Hg.)

    Juan Downey. The Invisible Architect

  • Arbeitsgruppe Kunst und Politik (Hg.)

    Kunst Spektakel Revolution Nr. 2

  • Nicholas Mirzoeff

    The Right to Look. A Counterhistory of Visuality

  • John McHale

    The Expendable Reader. Articles on Art, Architecture,…

  • Juan Bonet, Sean Kissane (Hg.)

    Vertical Thoughts. Morton Feldman and the Visual Arts

  • Craig Buckley, Mark Wasiuta

    Dan Graham's New Jersey

  • Differences. A Journal of Feminist…

    The Sense of Sound

  • Annette Wehrmann

    Luftschlangentexte

  • Craig Buckley, Pollyanna Rhee

    Architects' Journeys. Building, Traveling, Thinking

  • Hillel Schwartz

    Making Noise. From Babel to the Big Bang and Beyond

  • Eva Moser

    Otl Aicher. Gestalter

  • Elias Redstone (Hg.)

    Archzines

  • Beate Lendt

    Der Traum vom Baumhaus. Das Ökohausprojekt von Frei Otto in…

  • Sean Stewart (Hg.)

    On the Ground. An Illustrated Anecdotal History of the…

  • Artur Zmijewski, Joanna Warsza (Hg.)

    Forget Fear. 7. Berlin Biennale (Reader Dt. & Engl.)

  • Marit Paasche, Synne Bull (Hg.)

    Urban Images. Unruly Desires in Film and Architecture

  • James Langdon

    Pugin’s Contrasts Rotated

  • A+T 37

    Strategy Space. Landscape, Urbanism, Strategies

  • Markus Miessen, Andrea Phillips (Hg.)

    Caring Culture. Art, Architecture and the Politics of Health

  • Benjamin Sommerhalder

    Ghost Knigi

  • Jose Pierre (Hg.)

    Investigating Sex. Surrealist Discussions

  • Museum Ludwig (Hg.)

    Cosima von Bonin. The Lazy Susan Series

  • Francois Dallegret

    God & Co. Beyond the Bubble

  • Brandon LaBelle, Claudia Martinho (Hg.)

    Site of Sound. Of Architecture and the Ear Vol 2

  • El Croquis 157

    Studio Mumbai 2003-2011

  • Katja Blomberg

    Distinct Ambiguity. Graft

  • Metropolar (Hg.)

    Und der Zukunft zuge­wandt. Pots­dam und der gebaute…

  • Ulrike Steglich

    Universum Ackerstrasse. Berliner Geschichten

  • Claire Colomb

    Staging the New Berlin

  • Tone Hansen (Hg.)

    (Re)Staging the Art Museum

  • Terry Richardson

    Mom/Dad

  • Rosa Ferré

    Red Cavalry: Creation and Power in Soviet Russia Between…

  • Sevgi Ortac

    The Monument Upside Down. The City Walls of Istanbul

  • Sven-Olov Wallenstein


    Nihilism, Art, Technology


  • Frederik Frede (Hg.)

    Freunde von Freunden. Berlin

  • Marcos L. Rosa (Hg.)

    Microplanning. Urban Creative Practices. Sao Paulo

  • Charles Fourier

    The Hierarchies of Cuckoldry and Bankruptcy

  • Martha Wilson (Hg.)

    Martha Wilson Sourcebook

  • Judith Halberstam

    The Queer Art of Failure

  • Grant H. Kester

    The One and the Many. Contemporary Collaborative Art in a…

  • Roman Hillmann

    Die erste Nachkriegsmoderne

  • Laura Oldfield Ford

    Savage Messiah

  • L. Cavalcanti , F. Rambert (Hg.)

    Roberto Burle Marx. The Modernity of Landscape

  • Oda Pälmke (Hg.)

    Ganz gut – Quite Good Houses

  • Adolf Loos

    Hummer unter der Bettdecke

  • Jennifer Bass, Pat Kirkham

    Saul Bass. A Life in Film & Design

  • Clog 1

    BIG Bjarke Ingels Group

  • Mårten Spångberg

    Spangbergianism

  • Ryan McGinness

    To Do List Calendar 2012

  • Judith F. Rodenbeck

    Radical Prototypes. Allan Kaprow and the Invention of…

  • Hal Foster

    The First Pop Age

  • Kit White

    101 Things to Learn in Art School

  • Peter Pfrunder (Hg.)

    Schweizer Fotobücher 1927 bis heute. Eine andere Geschichte…

  • N. Brenner, P. Marcuse, M. Mayer (Hg.)

    Cities for People, Not for Profit. Critical Urban Theory…

  • Richard Dyer

    In The Space Of A Song. The Uses of Song in Film

  • Rosalind E. Krauss

    Under Blue Cup

  • Andres Lepik (Hg.)

    Moderators of Change. Architektur, die hilft

  • Bechir Kenzari (Hg.)

    Architecture and Violence

  • Roger Thiel

    Anarchitektur

  • Charles Jencks

    The Story of Post-Modernism

  • Toru Hachiga (Hg.)

    Creatives in Japan. Keywords to Know

  • Paul Hegarty, Martin Halliwell

    Beyond and Before. Progressive Rock since the 1960s

  • Susanne Neubauer

    Paul Thek Reproduced, 1969 - 1977

  • Yvonne Rainer

    Poems

  • Alan Pipes

    How to Design Websites

  • Nick Land

    Fanged Noumena. Collected Writings 1987-2007

  • Raúl Zibechi

    Territorien des Widerstands. Eine politische Kartografie…

  • Paul De Bruyne, Pascal Gielen

    Community Art: The Politics of Trespassing

  • Rem Koolhaas, Hans Ulrich Obrist (Hg.)

    Project Japan. An Oral History of Metabolism

  • Florian Urban

    Tower and Slab. Histories of Global Mass Housing

  • Roman Ondák

    Loop

  • Marit Paasche, Judy Radul (Hg.)

    A Thousand Eyes. Media Technology, Law, and Aesthetics

  • Wolfgang Sonne (Hg.)

    Die Medien der Architektur

  • Museum für Gestaltung Zürich (Hg.)

    Poster Collection 23. In Series

  • Barry Kernfeld

    Pop Song Piracy. Disobedient Music Distribution Since 1929

  • Andrea Cornwall (Hg.)

    The Participation Reader

  • Franco "Bifo" Berardi

    After the Future

  • 51N4E

    Double or Nothing

  • Molly Jane Quinn, Jenna Talbott

    It's Lonely in the Modern World

  • Thomas Meinecke

    Lookalikes

  • Moritz Baßler, Robin Curtis, et al. (Hg…

    Kultur und Kritik (Heft 1, Herbst 2012) POP

  • M. Berner, A. Hoffmann, B. Lange

    Sensible Sammlungen. Aus dem anthropologischen Depot

  • Simon Rothöhler

    Amateur der Weltgeschichte. Historiographische Praktiken im…

  • Gregor Eichinger, Eberhard Tröger

    Touch Me! Das Geheimnis der Oberfläche

  • Gestalten (Hg.)

    Visual Storytelling. Inspiring a New Visual Language

  • Christian Marazzi

    Capital and Affects. The Politics of the Language Economy

Eva Hesse. One More Than One

Eva Hesses Spätwerk fasziniert nicht zuletzt durch ungewöhnliche Materialien. Eva Hesse (1936 1970) ist eine der herausragenden Künstlerinnen des 20. Jahrhunderts. In Hamburg geboren, emigrierte sie 1938 über Holland nach New York. Als Eva Hesse im Alter von nur 34 Jahren an einem Gehirntumor verstarb, hinterließ sie ein faszinierendes und höchst eigenständiges Werk. In der zweiten Hälfte der 1960er-Jahre experimentierte sie mit neuen Materialien, die in der Objektkunst bis dahin noch keine Verwendung gefunden hatten, wie Polyester, Glasfaser und Latex. Hesses Skulpturen, die sich heute in den großen Museen der Welt befinden, verbinden auf einzigartige Weise komplexe und zum Teil konträre Aspekte: hart und weich, fragil und präsent, abstrakt und assoziationsreich. Diese reich bebilderte Publikation konzentriert sich mit Skulpturen und Zeichnungen aus den Jahren von 1966 bis 1970 auf die späte Werkphase der amerikanischen Künstlerin. Ausstellung: Hamburger Kunsthalle 29.11.2013 2.3.2014
Eva Hesse (1936–1970) was one of the foremost women artists of the twentieth century. Her artistic practice combined the seriality and reduction of 1960s Minimalism with emotion, sensuousness and physicality, while the transparency and transience of her unconventional materials also contributed greatly to her unique position in the art world of her day. From November 2013 onward, the Hamburger Kunsthalle is presenting the first solo exhibition of Hesse’s work in her native city. Hesse emigrated with her family via the Netherlands and England to the United States in 1938. They settled in New York City, where she later studied painting at the Cooper Union School of Art from 1954 to 1957, and then continued her studies in the master class of Josef Albers at the Yale School of Art and Architecture from 1957 to 1959. At the invitation of Friedrich Arnhard Scheidt, a German industrialist and art collector, and his wife Isabel, Hesse and her husband Tom Doyle spent a year in Kettwig an der Ruhr during 1964–1965. This period is regarded as a turning point in Hesse’s artistic practice. Drawing inspiration from the materials she found in an abandoned textile factory in Kettwig, she made her first three-dimensional artworks, and when she returned to New York she devoted herself exclusively to sculpture, creating fragile works in unconventional materials such as polyester, fiberglass and latex. Hesse died of a brain tumor in 1970, aged just 34. The exhibition at the Hamburger Kunsthalle focuses on the latter part of the artist’s career, a highly productive period in which she created a substantial number of sculptures and drawings.
Edited by Hubertus Gassner, Brigitte Kölle, Petra Roettig. Text by Renate Petzinger, Tom Doyle, Doug Johns, Brigitte Kölle, Lucy Lippard, Robert Mangold, Sylvia Mangold, Cindy Nemser, Petra Roettig, Franz Erhard Walther.


Gaßner, Kölle, Roettig (Ed.)
Eva Hesse. One More Than One
Hatje Cantz, 2013, 9783775737548