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  • Arbeitsgruppe Kunst und Politik (Hg.)

    Kunst Spektakel Revolution Nr. 2

  • Nicholas Mirzoeff

    The Right to Look. A Counterhistory of Visuality

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    The Expendable Reader. Articles on Art, Architecture,…

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    Vertical Thoughts. Morton Feldman and the Visual Arts

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    Dan Graham's New Jersey

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    The Sense of Sound

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    Architects' Journeys. Building, Traveling, Thinking

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    Making Noise. From Babel to the Big Bang and Beyond

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    Der Traum vom Baumhaus. Das Ökohausprojekt von Frei Otto in…

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    Urban Images. Unruly Desires in Film and Architecture

  • James Langdon

    Pugin’s Contrasts Rotated

  • A+T 37

    Strategy Space. Landscape, Urbanism, Strategies

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  • Benjamin Sommerhalder

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    God & Co. Beyond the Bubble

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  • El Croquis 157

    Studio Mumbai 2003-2011

  • Katja Blomberg

    Distinct Ambiguity. Graft

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    Und der Zukunft zuge­wandt. Pots­dam und der gebaute…

  • Ulrike Steglich

    Universum Ackerstrasse. Berliner Geschichten

  • Claire Colomb

    Staging the New Berlin

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    (Re)Staging the Art Museum

  • Terry Richardson

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  • Rosa Ferré

    Red Cavalry: Creation and Power in Soviet Russia Between…

  • Sevgi Ortac

    The Monument Upside Down. The City Walls of Istanbul

  • Sven-Olov Wallenstein


    Nihilism, Art, Technology


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    Freunde von Freunden. Berlin

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    Microplanning. Urban Creative Practices. Sao Paulo

  • Charles Fourier

    The Hierarchies of Cuckoldry and Bankruptcy

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    Martha Wilson Sourcebook

  • Judith Halberstam

    The Queer Art of Failure

  • Grant H. Kester

    The One and the Many. Contemporary Collaborative Art in a…

  • Roman Hillmann

    Die erste Nachkriegsmoderne

  • Laura Oldfield Ford

    Savage Messiah

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    Hummer unter der Bettdecke

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    Saul Bass. A Life in Film & Design

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    BIG Bjarke Ingels Group

  • Mårten Spångberg

    Spangbergianism

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    To Do List Calendar 2012

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    Radical Prototypes. Allan Kaprow and the Invention of…

  • Hal Foster

    The First Pop Age

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    Schweizer Fotobücher 1927 bis heute. Eine andere Geschichte…

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    Cities for People, Not for Profit. Critical Urban Theory…

  • Richard Dyer

    In The Space Of A Song. The Uses of Song in Film

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    Under Blue Cup

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    Moderators of Change. Architektur, die hilft

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    Architecture and Violence

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    Anarchitektur

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    The Story of Post-Modernism

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    Creatives in Japan. Keywords to Know

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    Beyond and Before. Progressive Rock since the 1960s

  • Susanne Neubauer

    Paul Thek Reproduced, 1969 - 1977

  • Yvonne Rainer

    Poems

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    How to Design Websites

  • Nick Land

    Fanged Noumena. Collected Writings 1987-2007

  • Raúl Zibechi

    Territorien des Widerstands. Eine politische Kartografie…

  • Paul De Bruyne, Pascal Gielen

    Community Art: The Politics of Trespassing

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    Project Japan. An Oral History of Metabolism

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    Tower and Slab. Histories of Global Mass Housing

  • Roman Ondák

    Loop

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    A Thousand Eyes. Media Technology, Law, and Aesthetics

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    Die Medien der Architektur

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    Poster Collection 23. In Series

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    Pop Song Piracy. Disobedient Music Distribution Since 1929

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    The Participation Reader

  • Franco "Bifo" Berardi

    After the Future

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    Double or Nothing

  • Molly Jane Quinn, Jenna Talbott

    It's Lonely in the Modern World

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    Lookalikes

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    Kultur und Kritik (Heft 1, Herbst 2012) POP

  • M. Berner, A. Hoffmann, B. Lange

    Sensible Sammlungen. Aus dem anthropologischen Depot

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    Amateur der Weltgeschichte. Historiographische Praktiken im…

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    Touch Me! Das Geheimnis der Oberfläche

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    Visual Storytelling. Inspiring a New Visual Language

  • Christian Marazzi

    Capital and Affects. The Politics of the Language Economy

  • Shannon Jackson

    Social Works. Performing Art, Supporting Publics

  • Hal Foster

    The Art-Architecture Complex

  • Thomas Hirschhorn

    Establishing a Critical Corpus

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    Linke Metropolenpolitik. Erfahrungen und Perspektiven am…

  • Lars Spuybroek

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    Atta (Semiotext(e) / Intervention)

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Practicable. From Participation to Interaction in Contemporary Art

How are we to understand works of art that are realized with the physical involvement of the viewer? A relationship between a work of art and its audience that is rooted in an experience that is both aesthetic and physical? Today, these works often use digital technologies, but artists have created participatory works since the 1950s. In this book, critics, writers, and artists offer diverse perspectives on this kind of "practicable" art that bridges contemplation and use, discussing and documenting a wide variety of works from the last several decades. The contributors consider both works that are technologically mediated and those that are not, as long as they are characterized by a process of reciprocal exchange.
The book offers a historical frame for practicable works, discussing, among other things, the emergence and influence of cybernetics. It examines art movements and tendencies that incorporate participatory strategies; draws on the perspectives of the humanities and sciences; and investigate performance and exhibition. Finally, it presents case studies of key works by artists including and offers interviews with such leading artists and theoreticians as Claire Bishop, Thomas Hirschhorn, Matt Adams of Blast Theory, Seiko Mikami and Bruno Latour. Numerous illustrations of artists and their works accompany the text.
ContributorsMatt Adams (Blast Theory), Jean-Christophe Bailly, Samuel Bianchini, Claire Bishop, Jean-Louis Boissier, Nicolas Bourriaud, Christophe Charles, Valérie Châtelet, Jean-Pierre Cometti, Sarah Cook, Jordan Crandall, Dominique Cunin, Nathalie Delbard, Anna Dezeuze, Diedrich Diederichsen, Christophe Domino, Larisa Dryansky, Glória Ferreira, Jean-Paul Fourmentraux, Gilles Froger, Masaki Fujihata, Jean Gagnon, Katrin Gattinger, Jochen Gerz, Piero Gilardi, Véronique Goudinoux, Usman Haque, Helen Evans and Heiko Hansen (HeHe), Jeppe Hein, Thomas Hirschhorn, Marion Hohlfeldt, Pierre-Damien Huyghe, Judith Ickowicz, Eric Kluitenberg, Janet Kraynak, Bruno Latour, Christophe Leclercq, Frédérik Lesage, Rafael Lozano-Hemmer, Peter Lunenfeld, Lawrence Malstaf, Julie Martin, Seiko Mikami, Dominique Moulon, Hiroko Myokam, Ernesto Neto, Mayumi Okura, Eddie Panier, Françoise Parfait, Simon Penny, Daniel Pinkas, Chantal Pontbriand, Emanuele Quinz, Margit Rosen, Alberto Sánchez Balmisa, Frederik Schikowski, Arnd Schneider, Madeline Schwartzman, Luke Skrebowski, Vanessa Theodoropoulou, Rirkrit Tiravanija, Andrea Urlberger, Erik Verhagen, Franz Erhard Walther, Peter Weibel, Renate Wiehager, Catherine Wood, Giovanna Zapperi, Anne Zeitz, David Zerbib
Edited by Samuel Bianchini and Erik Verhagen with the collaboration of Nathalie Delbard and Larisa Dryansky.


Samuel Bianchini, Erik Verhagen (eds.)
Practicable. From Participation to Interaction in Contemporary Art
MIT Press , 2016, 978-0262034753