Direkt zum Inhalt

Warenkorb

  • Siegfried Ebeling

    Der Raum als Membran

  • Patrick Joseph

    Poet Fool

  • M. Böttger, S. Carsten, L. Engel (Hg)

    Spekulationen Transformationen. Überlegungen zur Zukunft…

  • Charlotte Klonk (Ed.)

    New Laboratories. Historical and Critical Perspectives on…

  • Gwen Allen

    The Magazine (Documents of Contemporary Art)

  • Steven Shaviro

    Discognition

  • Helen Armstrong

    Digital Design Theory

  • Gerald Raunig

    Dividuum. Machinic Capitalism and Molecular Revolution

  • Mario Gooden

    Dark Space. Architecture, Representation, Black Identity

  • Mike Watson

    Towards a Conceptual Militancy

  • Guttmann, Kaiser, Mazanek, diachron (…

    Jan Turnovsky: The Weltanschauung as an Ersatz Gestalt.…

  • Rebecca Roke

    Nanotecture: Tiny Built Things

  • M. del Junco, M. Toledo (Eds.)

    Max Bill

  • Peter Pál Pelbart

    Cartography of Exhaustion. Nihilism Inside Out

  • Salomon Frausto

    Scenes from the Good Life. Nine investigations into the…

  • Annette Gilbert (Ed.)

    Publishing as Artistic Practice

  • Daniel M. Abramson

    Obsolescence. An Architectural History

  • Isabelle Graw, Ewa Lajer-Burcharth (Eds…

    Painting beyond Itself. The Medium in the Post-medium…

  • Liam Gillick

    Industry and Intelligence

  • Robert Stalla (Hg.)

    Bauen mit Künstlern: Architekt Peter Ottmann

  • Georg Diez/Christopher Roth

    80*81: What Happened?

  • Keith Evan Green

    Architectural Robotics. Ecosystems of Bits, Bytes, and…

  • S. De Bondt, F. Muggeridge

    The Form of the Book Book

  • K. Busch, B. Meltzer, T. von Oppeln (Hg)

    Ausstellen: Zur Kritik der Wirksamkeit in den Künsten

  • Fiona McGovern

    Die Kunst zu zeigen: Künstlerische Ausstellungsdisplays bei…

  • Hu Fang

    Sou Fujimoto. Towards a Non-Intentional Space. About Sou…

  • Nicholas Felton, Sven Ehmann, Robert…

    Photoviz. Visuailzing Information Through Photography

  • Rudolf Fischer, Wolf Tegethoff (Hg.)

    Modern wohnen. Möbeldesign und Wohnkultur der Moderne

  • W. Cobbing, R. Cooper (Eds.)

    Boooook: The Life and Work of Bob Cobbing

  • Robert Klanten, Sofia Borges (Eds.)

    The Tale Of Tomorrow. Utopian Architecture in the Modernist…

  • Ray Lucas

    Research Methods for Architecture

  • Giorgio Agamben

    The Use of Bodies

  • Mathilde Villeneuve, Virginie Bobin (…

    Republications

  • Andreas Seltzer

    Der Sendermann / The Transmitter Man

  • Lada Umstätter (Hg)

    Le Corbusier und die Macht der Fotografie

  • Tilman Baumgärtel (Hg)

    Pirate Essays. A Reader on International Media Piracy

  • Paul B. Preciado

    TESTO JUNKIE: Sex, Drogen und Biopolitik in der Ära der…

  • Guendalina Salimei

    Luigi Moretti. Terme Bonifacio VIII Fiuggi 1963 - 1969

  • Henri Lefebvre

    Das Recht auf Stadt

  • Gijs Wallis de Vries

    Archescape. On the tracks of Piranesi

  • Christopher Beanland

    Concrete Concept. Brutalist Buildings Around the World

  • Stephen Willats

    Vision and Reality

  • Anja Schwanhäußer (ed)

    Sensing the City. A Companion to Urban Anthropology

  • Jeannette Kuo, Frank Barkow (Eds.)

    Space of Production. Projects and Essays on Rationality,…

  • Claudia Molitor

    Sonorama: Listening to the view from the train

  • David Keenan

    England's Hidden Reverse. Coil, Current 93, Nurse with…

  • Nils Aschenbeck

    Reformarchitektur. Die Konstituierung der Ästhetik der…

  • Christian Schittich (Hg.)

    Best of Detail: Beton / Concrete

  • August Sarnitz, Inge Scholz-Strasser (…

    Private Utopia: Cultural Setting of the Interior in the…

  • René Zechlin (Hg.)

    Wie leben? Zukunftsbilder von Malewitch bis Fujimoto

  • Loretta Lees, Hyun Bang Shin, Ernesto…

    Planetary Gentrification

  • Srećko Horvat

    The Radicality of Love

  • Busch, Klanten, Hellige (Hg.)

    The Age of Collage Vol. 2: Contemporary Collage in Modern…

  • André Tavares

    The Anatomy of the Architectural Book

  • Susanne Leeb

    Die Kunst der Anderen. "Weltkunst" und die…

  • Heike Jenss (Ed.)

    Fashion Studies. Research Methods, Sites and Practices

  • Maud Meyzaud (Hg.)

    Arme Gemeinschaft. Die Moderne Rousseaus

  • Félix Guattari

    Schriften zur Kunst

  • Jesko Fezer & Studio…

    Öffentliche Gestaltungsberatung. Public Design Support 2011…

  • Gerald Raunig, Ulf Wuggenig

    Kritik der Kreativität

  • Walter Scheiffele

    Das leichte Haus. Utopie und Realität der Membranarchitektur

  • Nora Amin

    Migrating the Feminine

  • An Architektur

    An Architektur 11-13: Theorie und Praxis der Kartografie

  • An Architektur

    An Architektur 10

  • An Architektur

    An Architektur 01-03

  • An Architektur

    An Architektur 04-09: Krieg und die Produktion von Raum

  • Shinkenchiku 2014:11

    Japan Architects 1945 - 2010. Extra Edition

  • Stuart Walton

    In The Realm of the Senses. A Materialist Theory of Seeing…

  • Felicity D. Scott (Autor), Nikolaus…

    Disorientation: Bernard Rudofsky in the Empire of Signs.…

  • Markus Krajewski, Christian Werner

    Bauformen des Gewissens. Über Fassaden deutscher…

  • Stefano Harney, Fred Moten

    Die Undercommons. Flüchtige Planung und schwarzes Studium

  • Cord Riechelmann, Brigitte Oetker (Eds.)

    Toward an Aesthetics of Living Beings / Zu einer Ästhetik…

  • Badura, Dubach, Haarmann, Mersch et al.

    Künstlerische Forschung. Ein Handbuch

  • Marc Kushner

    Die Zukunft der Architektur in 100 Bauwerken

  • Siegfried Zielinski (Hg.)

    Flusseriana: An Intellectual Toolbox

  • Owen Hatherley

    The Ministry of Nostalgia. Consuming Austerity

  • A. Baur, M. Weber (Hg.)

    Better than de Kooning

  • Jörg Heiser

    Doppelleben. Kunst und Popmusik

  • John Roberts

    Die Notwendigkeit von Irrtümern

  • C. Thun-Hohenstein (Ed.)

    Josef Frank. Against Design

  • Friedrich Kittler (Autor), Tania Hron,…

    Baggersee. Frühe Schriften aus dem Nachlass

  • Liz Farrelly, Joanna Weddell

    Design Objects and the Museum

  • Leigh Phillips

    Austerity Ecology & the Collapse-porn Addicts. A…

  • IDEA Magazine

    IDEA 373. Post Independent Magazine

  • Armen Avanessian, Suhail Malik

    Genealogies of Speculation. Materialism and Subjectivity…

  • Duncan McLaren, Julian Agyeman

    Sharing Cities. A Case for Truly Smart and Sustainable…

  • Danny Aldred, Emmanuelle Waeckerle (Eds…

    Code-X. Paper, Ink, Pixel and Screen

  • Alexandra Manske

    Kapitalistische Geister in der Kultur- und…

  • Wolfgang, Zerwas, Ansheim (Hg.)

    Transformation Design. Perspectives on a New Design Attitude

  • Karl Riha, Jörgen Schäfer (Hg.)

    DADA total. Manifeste, Aktionen, Texte, Bilder

  • Luca Molinari (Ed.)

    Architecture. Movements and Trends from the 19th Century to…

  • Franco "Bifo" Berardi

    And. Phenomenology of the End

  • Lauren Cornell, Ed Halter (Eds.)

    Mass Effect. Art and the Internet in the Twenty-First…

  • Helmut Schmid, Seibundo Shinkosha

    Typography Today. Revised Edition

  • Hartmut Geerken, Chris Trent

    Omniverse – Sun Ra

  • Angela McRobbie

    Be Creative. Making a Living in the New Culture Industries

  • Thomas Großbölting, Rüdiger Schmidt

    Gedachte Stadt - Gebaute Stadt: Urbanität in der deutsch-…

  • Graham Harman

    Vierfaches Objekt

Selected Maria Lind Writing

Selections and responses by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr
Working in a number of contexts and capacities has shown Maria Lind to be a curator who, over time, has engaged in a rethinking of the art institution and the formats and methodologies connected with it, taking art itself as a starting point. Following on the various endgames outlined by institutional critique, Lind has forged paths out of hegemonic institutional regimes precisely by identifying other ways of working through them, from both inside and outside.
For Lind, writing is integral to her curatorial work. It is where she accounts for her decisions, explains her intention, justifies her interest, toys with new possibilities and develops new ideas, and recognizes historical precedents. It is where the craft of curating, already pointed out towards a public, finds another channel of articulation.
Selected Maria Lind Writing brings together twenty-two essays selected by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr.
The collection of essays spanning from 1997 to 2010 forms a tapestry of Lind's own interweaving interests, but also of those of a panel of readers invited by Lind to project their own concerns onto her corpus of writing. Essays on individual artists, monographic and group exhibitions, funding structures, new contexts and spatial paradigms, together comprise a rare opportunity to swivel a spotlight on its axis back towards a figure who always tries to aim it at what really matters.
Maria Lind is a curator and writer based in Stockholm. She was the director of the graduate program at the Center for Curatorial Studies, Bard College, 2008 to 2010. She was director of Iaspis in Stockholm 2005 to 2007 and from 2002 to 2004 was the director of Kunstverein München. From 1997 to 2001, Lind was curator at Moderna Museet in Stockholm, where she was responsible for Moderna Museet Projekt. She was co-curator of Manifesta 2 in 1998. Lind has contributed widely to magazines and other publications, as well as to numerous exhibition catalogues. She was the 2009 recipient of the Walter Hopps Award for Curatorial Achievement.
Design by Liam Gillick


Brian Kuan Wood (Hg.)
Selected Maria Lind Writing
Sternberg Press, 2010, 978-1-934105-18-4