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  • Urszula Kozminska, Nacho Ruiz Allen

    Time Matters

  • Anja Kaiser, Rebecca Stephany

    Glossary of Undisciplined Design

  • Ursula K. Le Guin

    Steering the Craft. A Twenty-First-Century Guide to Sailing…

  • Helmut Draxler

    Was tun? Was lassen? Politik als symbolische Form

  • Enzo Traverso

    Gaza im Auge der Geschichte

  • Gene Ray

    After the Holocene. Planetary Politics for Commoners

  • Paolo Cirio

    Climate Tribunal. Fossil Fuels Industry on Trial

  • சிந்துஜன் வரதராஜா (Sinthujan…

    Hierarchien der Solidarität. Hierarchies of Solidarity.

  • Patrick McGraw, Heavy Traffic

    Heavy Traffic Issue V

  • Simon O'Sullivan

    From Magic and Myth-Work to Care and Repair

  • André Tavares

    Architecture Follows Fish. An Amphibious History of the…

  • Daniela Comani

    You Are Mine

  • Friedrich von Borries

    Architektur im Anthropozän. Eine spekulative Archäologie

  • Editor: Sascha Bauer, Authors: Sascha…

    The Joinery Compendium. Learning from Traditional…

  • Sara Ahmed

    Feminist Killjoy. Das Handbuch für die feministische…

  • Lisa Luksch, Andres Lepik (ed.)

    Reading Visual Investigations. Between Advocacy, Journalism…

  • George MacBeth

    e-flux Index #3

  • Kateryna Malaia, Philipp Meuser

    Mass Housing in Ukraine. Building Typologies and Catalogue…

  • Kirsten Wagner (Hg.)

    Theorien des Wohnens. Eine Kommentierte Anthologie

  • Susanne Schmid, Dietmar Eberle, Margit…

    Eine Geschichte des gemeinschaftlichen Wohnens. Modelle des…

  • Yuk Hui

    Machine and Sovereignty. For a Planetary Thinking

  • Irene Fantappiè, Francesco Giusti,…

    Rethinking Lyric Communities

  • Nicolas Linnert (ed.)

    Hervé Guibert. Suzanne and Louise

  • Giorgi Vachnadze

    Christian Eschatology of Artificial Intelligence: Pastoral…

  • 0nty & OnMyComputer (Eds.)

    Dialogues on CoreCore & the Contemporary Online Avant-…

  • Nicholas E. Powers (ed.)

    Where does a body begin? Biology's function in…

  • Alessandro Sbordoni

    Semiotics of the End: Essays on Capitalism and the…

  • Jill Johnston, Clare Croft (ed.)

    The Essential Jill Johnston Reader

  • Anna-Sophie Springer, Raul Walch (eds.)

    Owned by Others: A Map to Possession Island

  • Canadian Centre for Architecture

    AP 205 Amancio Williams: Readings of the Archive

  • Clothilde Morette, Victoria Aresheva (…

    Science/Fiction. A Non-History of Plants

  • Ulrich Heinke

    Ulrich Heinke. Schlot

  • Franziska Bollerey

    Eselsohren. Journal of Art, Architecture and Urbanism. Vol…

  • Richard Sennett

    Democracy and Urban Form

  • Hilde Strobl, Peter Cachola Schmal,…

    Einfach Grün - Greening the City

  • Niekolaas Johannes Lekkerkerk, Eva…

    Worlding Ecologies. Art, Science and Activism Towards…

  • Yuk Hui

    Post-Europe

  • Cédric Durand

    How Silicon Valley Unleashed Techno-Feudalism

  • Gabu Heindl, Drehli Robnik

    Nonsolution. Zur Politik der aktiven Nichtlösung im Planen…

  • Ignacio Farías, Felix Marlow, Rebecca…

    Zaudern ums Gemeinwohl. Produktive Missverständnisse in der…

  • Ian Erickson, Tomi Laja

    Disc Journal. Issue 3.0 "Enchantment"

  • Estelle Hoy, edited by Antonia Carrara

    Estelle Hoy. saké blue. Selected Writings

  • Nick Mauss, Edited by Antonia Carrara…

    Nick Mauss. Dispersed Events. Selected Writings

  • Clémence Imbert

    Manifestes 7. Why History Matters to Graphic Design

  • dérive

    dérive N° 97, Energie (Okt-Dez 2024).

  • Christina Landbrecht

    Künstlerische Forschung. Potenziale, Probleme, Perspektiven

  • bell hooks

    Kritisch denken lernen. Erkenntnisse aus der Praxis

  • Raafat Majzoub (ed.)

    Beyond Ruins. Reimagining Modernism

  • Holm-Uwe Burgemann (Hg.)

    Neue Erschöpfungsgeschichten

  • Anne Kockelkorn, Susanne Schindler,…

    Cooperative Conditions. A Primer on Architecture, Finance…

  • Anne Lacaton, Jean-Philippe Vassal

    Lacaton & Vassal. It's Nice Today: On Climate,…

  • Guido Neubeck, Professur für Entwerfen…

    Schulbaukörper

  • Bianca Felcori (Ed.)

    Forgotten Architecture. An Archive of Overshadowed Projects

  • Marouane Bakhti

    How to Leave the World

  • Jan Steinbach, Justine Stella Knuchel (…

    Hold The Sound. Notes On Auditories

  • Ijlal Muzaffar

    Modernism's Magic Hat - Architecture and the Illusion…

  • Paloma Checa-Gismero

    Biennial Boom. Making Contemporary Art Global

  • Sarah Blacker, Emily Brownell, Anindita…

    The Planning Moment. Colonial and Postcolonial Histories

  • Andreas Reckwitz

    Verlust. Ein Grundproblem der Moderne

  • Eva Illouz

    Explosive Moderne

  • ETH-Studio Jan De Vylder (Hg)

    Towards Transformation: The 33.3 % Attitude. Zurich

  • Magdalena Taube, Krystian Woznicki

    kin city. Urbane Ökologien, Infrastrukturen des Lebens und…

  • Guillermo Rubio Boronat, Javier Villar…

    Kengo Kuma. Arquitectura Urbana 2006--2024. TC Cuadernos…

  • Pierre-Héli Monot, David Bebnowski,…

    Activist Writing. History, Politics, Rhetoric (Mono 02)

  • Annie Bourneuf

    Im Rücken des Engels der Geschichte

  • Kathrin Wildner, metroZones

    metroZine #1. Reading the Map. Anleitung zum Kartenlesen

  • Christian Hanussek, metroZones

    metroZine #2. Die Tapete als Parergon – und Methode

  • Anne Huffschmid, metroZones

    metroZine #3. Das Atmen der Bilder. Schwarze Löcher und…

  • Derek Pardue, Ailbhe Kenny, Katie Young…

    Sonic Signatures. Music, Migration and the City at Night

  • Ian Trowell

    Throbbing Gristle. An Endless Discontent

  • Sandra Hofmeister

    Bauen im Bestand. Wohnen / Building in Existing Contexts.…

  • Jon Dowling

    Monogram Logo. Trademarks & Symbols

  • Domen Ograjensek

    Restricting Flight Surreptitious Assembly. The Diagrammatic…

  • Steffen Köhn, Nestor Siré

    Handmade Networks

  • Daphne Dragona, Domenico Quaranta (eds.)

    The Postscriptum Anthology (2010 - 2023). Essays on Art,…

  • Valentina Tanni

    Exit Reality. Vaporwave, Backrooms, Weirdcore, and Other…

  • Rafael Schacter

    Monumental Graffiti. Tracing Public Art and Resistance in…

  • Fernanda Canales

    My House, Your City. Privacy in a Shared World

  • Thomas Durisch

    Peter Zumthor 1985-2013. Bauten und Projekte

  • VOLUPTAS ETHZ, Chair Charbonnet/Heiz (…

    Elegies. Laments for an architectural project

  • Robert Jan van Pelt

    The Barrack. 1572-1914. Chapters in the History of…

  • Aaron Forrest, Yasmin Vobis, Brett…

    Heterogeneous Constructions. Studies in Mixed Material…

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 257. Umbau. Maßstäbe der Transformation

  • Marin Kosut

    Art Monster. On the Possibility of New York

  • Michael Taussig

    And the Garden is You. Essays on Fieldwork, Writingwork,…

  • Gavin Steingo

    Interspecies Communication. Sound and Music beyond Humanity

  • Kehinde Andrews

    The Psychosis of Whiteness. Surviving the Insanity of a…

  • Cache

    Shadow of the Tree. Cache 03

  • Robert Leucht

    Der Ingenieur. Grammatik eines Hoffnungsträgers

  • Eyal Weizman, Ines Weizman

    Vorher und Nachher. Die Architektur der Katastrophe

  • Stefan Wolski

    Die Berliner Reklame Gesellschaft.

  • Steven Shaviro

    Fluid Futures. Science Fiction and Potentiality

  • Franco Berardi

    Quit Everything. Interpreting Depression

  • Deborah Enzmann

    Emojization. Visual Communication with Emojis

  • Adam Kraft

    Key Notes on the Unruly City. Social, Material, and Spatial…

  • Boaz Levin, C/O Berlin Foundation,…

    Träum Weiter - Berlin, die 90er

  • Alison Bashford, Emily M. Kern, Adam…

    New Earth Histories. Geo-Cosmologies and the Making of the…

  • Timothy Morton

    Hell. In Search of a Christian Ecology

Film as a Subversive Art

A classic returns. The original edition of Amos Vogel's seminal book, Film as a Subversive Art was first published in 1974, and has been out of print since 1987. According to Vogel--founder of Cinema 16, North America's legendary film society--the book details the "accelerating worldwide trend toward a more liberated cinema, in which subjects and forms hitherto considered unthinkable or forbidden are boldly explored." So ahead of his time was Vogel that the ideas that he penned some 30 years ago are still relevant today, and readily accessible in this classic volume. Accompanied by over 300 rare film stills, Film as a Subversive Art analyzes how aesthetic, sexual, and ideological subversives use one of the most powerful art forms of our day to exchange or manipulate our conscious and unconscious, demystify visual taboos, destroy dated cinematic forms, and undermine existing value systems and institutions. This subversion of form, as well as of content, is placed within the context of the contemporary world view of science, philosophy, and modern art, and is illuminated by a detailed examination of over 500 films, including many banned, rarely seen, or never released works. I think that it must be the most exciting and comprehensive book I've seen on avant-garde, underground, and exceptional commercial film. The still pictures are so well chosen that their effect is cumulative and powerful. --Norman Mailer By Amos Vogel. Foreword by Scott MacDonald.
The Bible of Underground Film
12 of 12 people found the following review helpful:
5.0 out of 5 stars The Bible of Underground Film, April 12, 2006 By directions "neuralbuddhist" (Space Time Foam)
I've had this book half of my life and am still working on seeing all of the films. That said some of the films reviewed in it have dated badly (even Jean Luc Godard has dismissed his Maoist films which never show today). In addition, some of the countercultural (aka hippie) terminology such as "consciousness 3" will leave modern readers scratching their heads. That said it is an essential discussion of films that break film conventions, whether it be through the language of film, political subversion (suddenly relevant again) or sexual politics. The one positive note is that at the end of the book the author states in bold, "But the real question remains: how to reach the masses 'out there' with five heavy cans of 35 mm film and nowhere to show them". The answer is that through video and especially dvd films mentioned in this book that were impossible to find are suddenly resurfacing and being re-evaluated. Though some films are best shelved (I pity anyone who watches all 8 hours of Andy Warhol's "Empire" just to say that they saw it), others especially from world cinema such as the Iranian film "The Cow" and the Senegal made film "The Money Order (Mandabi)" show film makers who now have recieved acclaim. Though some reviewers wanted an update of this book I think that it was written and speaks for a certain point in time, before the co-option of underground films into indie films, when foreign films were still ahead of the times, before garbage like Jackass broke almost all visual taboos while actually taking film a giant leap backward and before the vcr, when hunting down experimental films showing in theaters or libraries was a religion onto itself.
http://www.amazon.com/Film-Subversive-Art-Amos-Vogel/dp/0394732073
http://www.filmzentrale.com/rezis/filmasasubervisearttg.htm


Amos Vogel
Film as a Subversive Art
d.a.p., 2005, 9781933045276