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  • Gwen Allen

    The Magazine (Documents of Contemporary Art)

  • Steven Shaviro

    Discognition

  • Helen Armstrong

    Digital Design Theory

  • Gerald Raunig

    Dividuum. Machinic Capitalism and Molecular Revolution

  • Mario Gooden

    Dark Space. Architecture, Representation, Black Identity

  • Mike Watson

    Towards a Conceptual Militancy

  • Guttmann, Kaiser, Mazanek, diachron (…

    Jan Turnovsky: The Weltanschauung as an Ersatz Gestalt.…

  • Rebecca Roke

    Nanotecture: Tiny Built Things

  • M. del Junco, M. Toledo (Eds.)

    Max Bill

  • Peter Pál Pelbart

    Cartography of Exhaustion. Nihilism Inside Out

  • Salomon Frausto

    Scenes from the Good Life. Nine investigations into the…

  • Annette Gilbert (Ed.)

    Publishing as Artistic Practice

  • Daniel M. Abramson

    Obsolescence. An Architectural History

  • Isabelle Graw, Ewa Lajer-Burcharth (Eds…

    Painting beyond Itself. The Medium in the Post-medium…

  • Liam Gillick

    Industry and Intelligence

  • Robert Stalla (Hg.)

    Bauen mit Künstlern: Architekt Peter Ottmann

  • Georg Diez/Christopher Roth

    80*81: What Happened?

  • Keith Evan Green

    Architectural Robotics. Ecosystems of Bits, Bytes, and…

  • S. De Bondt, F. Muggeridge

    The Form of the Book Book

  • K. Busch, B. Meltzer, T. von Oppeln (Hg)

    Ausstellen: Zur Kritik der Wirksamkeit in den Künsten

  • Fiona McGovern

    Die Kunst zu zeigen: Künstlerische Ausstellungsdisplays bei…

  • Hu Fang

    Sou Fujimoto. Towards a Non-Intentional Space. About Sou…

  • Nicholas Felton, Sven Ehmann, Robert…

    Photoviz. Visuailzing Information Through Photography

  • Rudolf Fischer, Wolf Tegethoff (Hg.)

    Modern wohnen. Möbeldesign und Wohnkultur der Moderne

  • W. Cobbing, R. Cooper (Eds.)

    Boooook: The Life and Work of Bob Cobbing

  • Robert Klanten, Sofia Borges (Eds.)

    The Tale Of Tomorrow. Utopian Architecture in the Modernist…

  • Ray Lucas

    Research Methods for Architecture

  • Giorgio Agamben

    The Use of Bodies

  • Mathilde Villeneuve, Virginie Bobin (…

    Republications

  • Andreas Seltzer

    Der Sendermann / The Transmitter Man

  • Lada Umstätter (Hg)

    Le Corbusier und die Macht der Fotografie

  • Tilman Baumgärtel (Hg)

    Pirate Essays. A Reader on International Media Piracy

  • Paul B. Preciado

    TESTO JUNKIE: Sex, Drogen und Biopolitik in der Ära der…

  • Guendalina Salimei

    Luigi Moretti. Terme Bonifacio VIII Fiuggi 1963 - 1969

  • Henri Lefebvre

    Das Recht auf Stadt

  • Gijs Wallis de Vries

    Archescape. On the tracks of Piranesi

  • Christopher Beanland

    Concrete Concept. Brutalist Buildings Around the World

  • Stephen Willats

    Vision and Reality

  • Anja Schwanhäußer (ed)

    Sensing the City. A Companion to Urban Anthropology

  • Jeannette Kuo, Frank Barkow (Eds.)

    Space of Production. Projects and Essays on Rationality,…

  • Claudia Molitor

    Sonorama: Listening to the view from the train

  • David Keenan

    England's Hidden Reverse. Coil, Current 93, Nurse with…

  • Nils Aschenbeck

    Reformarchitektur. Die Konstituierung der Ästhetik der…

  • Christian Schittich (Hg.)

    Best of Detail: Beton / Concrete

  • August Sarnitz, Inge Scholz-Strasser (…

    Private Utopia: Cultural Setting of the Interior in the…

  • René Zechlin (Hg.)

    Wie leben? Zukunftsbilder von Malewitch bis Fujimoto

  • Loretta Lees, Hyun Bang Shin, Ernesto…

    Planetary Gentrification

  • Srećko Horvat

    The Radicality of Love

  • Busch, Klanten, Hellige (Hg.)

    The Age of Collage Vol. 2: Contemporary Collage in Modern…

  • André Tavares

    The Anatomy of the Architectural Book

  • Susanne Leeb

    Die Kunst der Anderen. "Weltkunst" und die…

  • Heike Jenss (Ed.)

    Fashion Studies. Research Methods, Sites and Practices

  • Maud Meyzaud (Hg.)

    Arme Gemeinschaft. Die Moderne Rousseaus

  • Félix Guattari

    Schriften zur Kunst

  • Jesko Fezer & Studio…

    Öffentliche Gestaltungsberatung. Public Design Support 2011…

  • Gerald Raunig, Ulf Wuggenig

    Kritik der Kreativität

  • Walter Scheiffele

    Das leichte Haus. Utopie und Realität der Membranarchitektur

  • Nora Amin

    Migrating the Feminine

  • An Architektur

    An Architektur 11-13: Theorie und Praxis der Kartografie

  • An Architektur

    An Architektur 10

  • An Architektur

    An Architektur 01-03

  • An Architektur

    An Architektur 04-09: Krieg und die Produktion von Raum

  • Shinkenchiku 2014:11

    Japan Architects 1945 - 2010. Extra Edition

  • Stuart Walton

    In The Realm of the Senses. A Materialist Theory of Seeing…

  • Felicity D. Scott (Autor), Nikolaus…

    Disorientation: Bernard Rudofsky in the Empire of Signs.…

  • Markus Krajewski, Christian Werner

    Bauformen des Gewissens. Über Fassaden deutscher…

  • Stefano Harney, Fred Moten

    Die Undercommons. Flüchtige Planung und schwarzes Studium

  • Cord Riechelmann, Brigitte Oetker (Eds.)

    Toward an Aesthetics of Living Beings / Zu einer Ästhetik…

  • Badura, Dubach, Haarmann, Mersch et al.

    Künstlerische Forschung. Ein Handbuch

  • Marc Kushner

    Die Zukunft der Architektur in 100 Bauwerken

  • Siegfried Zielinski (Hg.)

    Flusseriana: An Intellectual Toolbox

  • Owen Hatherley

    The Ministry of Nostalgia. Consuming Austerity

  • A. Baur, M. Weber (Hg.)

    Better than de Kooning

  • Jörg Heiser

    Doppelleben. Kunst und Popmusik

  • John Roberts

    Die Notwendigkeit von Irrtümern

  • C. Thun-Hohenstein (Ed.)

    Josef Frank. Against Design

  • Friedrich Kittler (Autor), Tania Hron,…

    Baggersee. Frühe Schriften aus dem Nachlass

  • Liz Farrelly, Joanna Weddell

    Design Objects and the Museum

  • Leigh Phillips

    Austerity Ecology & the Collapse-porn Addicts. A…

  • IDEA Magazine

    IDEA 373. Post Independent Magazine

  • Armen Avanessian, Suhail Malik

    Genealogies of Speculation. Materialism and Subjectivity…

  • Duncan McLaren, Julian Agyeman

    Sharing Cities. A Case for Truly Smart and Sustainable…

  • Danny Aldred, Emmanuelle Waeckerle (Eds…

    Code-X. Paper, Ink, Pixel and Screen

  • Alexandra Manske

    Kapitalistische Geister in der Kultur- und…

  • Wolfgang, Zerwas, Ansheim (Hg.)

    Transformation Design. Perspectives on a New Design Attitude

  • Karl Riha, Jörgen Schäfer (Hg.)

    DADA total. Manifeste, Aktionen, Texte, Bilder

  • Luca Molinari (Ed.)

    Architecture. Movements and Trends from the 19th Century to…

  • Franco "Bifo" Berardi

    And. Phenomenology of the End

  • Lauren Cornell, Ed Halter (Eds.)

    Mass Effect. Art and the Internet in the Twenty-First…

  • Helmut Schmid, Seibundo Shinkosha

    Typography Today. Revised Edition

  • Hartmut Geerken, Chris Trent

    Omniverse – Sun Ra

  • Angela McRobbie

    Be Creative. Making a Living in the New Culture Industries

  • Thomas Großbölting, Rüdiger Schmidt

    Gedachte Stadt - Gebaute Stadt: Urbanität in der deutsch-…

  • Graham Harman

    Vierfaches Objekt

  • Carsten Ruhl, Chris Dähne (Hg)

    Architektur ausstellen. Zur mobilen Anordnung des Immobilen

  • Rob Pruitt

    Rob Pruitt. Rob Pruitt's Ebay Flea Market. Year 1

  • MacArthur, Plaat, Gosseye, Wilson (Eds.)

    Hot Modernism. Queensland Architecture 1945 - 1975

  • J. M. Warmburg, C. Shmidt (Eds.)

    The Construction of Climate in Modern Architectural Culture…

Book Worm

The spirits of books are fascinating, they spread their fragrance far and wide, and good contents are like words singing and dancing in the books.It s hard differentiate books with good qualities in front of voluminous of books. However, graphic designers have more concern about books than readers do: they pay close attention to the design of books, to paper selection, to binding craftsmanship, to the printing technique, to the packaging etc., they are even concerned with procedures like folding, stacking, cropping, cutting, pressing, gilding, framing, extending and tearing. Sometimes they forget the original idea of a good book when they focused too much on these techniques. A good content is necessary for a good book, while a good design reinforces the contents of the book, however no matter how good the design is it s not possible to improve the quality of bad contents and save the book. Book Worm has seek for 56 graphic designers all around the world introducing their innovative and fine book designs. Through their extraordinary works they showed their individual understanding of books : not letting design to overwhelm the features behind the contents; it also proves the designers understandings and confidences to printing skills; fine selections to the textures of paper, warmth and color; their concerns with binding details. The dimension of Book Worm is 17x28cm, experimentally folded with 6 holes-pierced and manual binding with thread, took a long time with quality hand craftsmanships. Book Worm is eventually on shelf for all readers.
The Designers are: 2xgoldstein (Germany), 3group (Poland), Abbasi, Majid (Iran), Ahn, Sang-Soo (Korea), Andersen M Studio (UK), Atelier Poisson (Switzerland), Atelier Reinhard Gassner (Austria), Au, Benny (Kong Kong), Balius, Andreu (Spain), Bouvet, Michel (France), Brechbühl, Erich (Switzerland), Chan, Alan (Hong Kong), Chen, Bob (China), Change is good (France), Cheong, Kuokwai (Macau,China), Chihara, Kuoh (Japan), Choi, Sandy (Hong Kong), CoDesign Ltd (Hong Kong), COUP (Netherlands), de designpolitie (Netherlends), dogdesign (Finland), Faydherbe/De Vringer (Netherlands), Ferrer, Isidro (Spain), Föllmer, Christina (Germany), Fons Hickman m23 (Germany), General Working Group (USA), Guang, Yu (China), hesign (Germany/China), Hi (Switzerland), Huang, Yang (China), John Morgan Studio (UK), Kakinokihara, Masahiro (Japan), Kan, Tai-Keung (Hong Kong), Meshki, Saed (Iran), Milkxhake (Hong Kong), Mirko Illic Corp (USA), Müller, Lars (Switzerland), Park, Kum-jun (Korea), Pixelgarten (Germany), Sagmeister, Stefan (USA), Sakamoto, Siho (Japan), Sonnabend, Catrin (Germany), Sonner Vallée & Partner (Germany), Studio Alfalfa (USA), Studio Boot (Netherlands), St. Pierre et Miquellon (UK), Stripe SF (USA), Sugisaki,Shinnoske (Japan), Superbüro (Switzerland), Tommy Li Design (Hong Kong), Tsukamoto, Akihiko (Japan), Xiao Mage & Chengzi (China), Wang, Xu (China), Wang, Zhi Hong (Taiwan), Welcome to.as (Switzerland)


Jianping He (Hg.)
Book Worm
Hesign, 2011, 978-3981054491