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  • CuratorLab (Ed.)

    Assuming Asymmetries. Conversations on Curating Public Art…

  • Michael Rawson

    The Nature of Tomorrow. A History of the Environmental…

  • András Szántó

    Imagining the Future Museum. 21 Dialogues with Architects

  • Hiuwai Chu, Meagan Down, Nkule Mabaso,…

    CLIMATE. Our Right to Breathe

  • Patricia Ribault

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    Graphic Design Is (...) Not Innocent: Scrutinizing Visual…

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  • Marie-France Rafael

    Passing Images. Art in the Post-Digital Age

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  • Material Cultures

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  • Christian Brox (Brox+1)

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  • Tobias Wallisser, Alexander Rieck

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  • Institute for Postnatural Studies

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  • Rolf Lindner

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    IDEA 399. In the Design Field, Today: Thought and Practice…

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    Drei Zimmer, Küche, Diele, Bad. Eine Wohnung mit Optionen

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    Tresor: True Stories: The Early Years

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  • Philippine Hoegen (Ed.)

    In these circumstances. On collaboration, perfomativity,…

  • Emanuele Coccia

    Das Zuhause. Philosophie eines scheinbar vertrauten Ortes

  • Jeanne Gerrity, Anthony Huberman (Eds.)

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  • Beatrice von Bismarck

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  • Warren Neidich (Ed)

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    The ArchDaily Guide to Good Architecture. The Now and How…

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    Architecture and Development. Israeli Construction in Sub-…

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  • Casey Mack

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    Technopharmacology

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    Practicing Cooperation. Mutual Aid beyond Capitalism

Utopie. Texts and Projects, 1967–1978

The short-lived grouping of architects, sociologists, and urbanists known as Utopie, active in Paris from 1967 to 1978, was the product of several factors: the student protests for the reform of architectural education, the unprecedented expansion and replanning of the Parisian urban fabric carried out by the government of Charles de Gaulle, and the domestication of military and industrial technologies by an emerging consumer society. The group’s collaborative publications included the work of Jean Aubert, Isabelle Auricoste, Jean Baudrillard, Catherine Cot, Charles Goldblum, Jean-Paul Jungmann, Henri Lefebvre, Rene Lourau, Antoine Stinco, and Hubert Tonka. Offering a militant alternative to professional urban planning journals, these writers not only formulated a critique of the technocratic and administrative rule over a disabled and alienated urban society but also projected an ephemeral urban poetics.
With ties to the Ecole Nationale Supérieure des Beaux-Arts (ENSBA) in central Paris and to the sociology department established by Henri Lefebvre at the suburban campus of Nanterre, the group challenged postwar modernization and urban planning and questioned the roles into which architects, sociologists, and urban planners had been cast. Utopie makes the group’s diverse body of theoretical work accessible in English for the first time, offering translations of more than twenty key texts. Designed in a facsimile format that follows the innovative graphic layouts of the journals, pamphlets, posters, and articles produced by Utopie, the volume not only provides the first thorough overview of the group’s activities but also seeks to capture Utopie’s linkage of architectural and urban theory to radical publication strategies.
About the Editors
Craig Buckley teaches at Columbia University’s Graduate School of Architecture Planning and Preservation, where he is also the Director of Print Publications. His writing and criticism have appeared in Grey Room, the Journal of the Society of Architectural Historians, and other publications.
Jean-Louis Violeau is a sociologist and researcher at the Architecture-Culture-Société laboratory of the Ecole d'architecture de Paris-Malaquais in Paris.


Craig Buckley, Jean-Louis Violeau (Hg.)
Utopie. Texts and Projects, 1967–1978
MIT Press, 2011, 978-1-58435-095-8