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  • Claire Doherty (Hg.)

    Situation. Documents of Contemporary Art

  • Michel Foucault

    Geometrie des Verfahrens. Schriften zur Methode

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    Aesthetics and Its Discontents

  • James Hennessey, Victor Papanek

    Nomadic Furniture. D-I-Y Projects that are Lightweight

  • Claire Fontaine

    Vivre, vaincre

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    Topologie. Falten, Knoten, Netze, Stülpungen in Kunst und…

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    The BLDG BLOG Book

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    Henri Lefebvre. State, Space, World. Selected Essays

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    Reading Capital

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    Montagen des Realen. Photographie als Reflexionsmedium und…

  • John Robb

    The North Will Rise Again. Manchester Music City 1976-1996

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    Klaus Weber. Secession

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    A Brief History of Curating

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    IDEA 332. How does graphic design CHANGE?

  • Jean-Luc Godard, Youssef Ishaghpour

    Archäologie des Kinos, Gedächtnis des Jahrhunderts

  • Arkitip No. 0048

    Ryan McGinness

  • Rahel Lämmler, Michael Wagner

    Ulrich Müther. Schalenbauten in Mecklenburg-Vorpommern

  • Martina Löw

    Soziologie der Städte

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    Urban Transformations

  • Ralph Heidenreich, Stefan Heidenreich

    Mehr Geld

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    The Big Archive. Art From Bureaucracy

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    Jungfrau

  • Grada Kilomba

    Plantation Memories. Episodes of Everyday Racism

  • Hadas A. Steiner

    Beyond Archigram. The Structure of Circulation

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    KugelbauVisionen. Kulturgeschichte einer Bauform von der…

  • An Architektur

    An Architektur 22: GAMMA Grid, 1953. Das Ende des CIAM und…

  • Felix Guattari

    The Three Ecologies

  • An Architektur

    An Architektur 19-21: Community Design. Involvement and…

  • Antonio Negri

    The Porcelain Workshop. For a New Grammar of Politics

  • Christoph Schaub, Michael Schindhelm

    Bird's Nest (DVD, 87 min.). Jacques Herzog und Pierre…

  • Felicity D. Scott

    Architecture or Techno-Utopia. Politics after Modernism

  • Birgit Schneider

    Textiles Prozessieren

  • Bruno Latour

    Wir sind nie modern gewesen. Versuch einer Symmetrischen…

  • Georges Canguilhem

    Wissenschaft, Technik, Leben. Beiträge zur historischen…

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    Henri Lefebvre. Key Writings

  • Laurence A. Rickels

    Ulrike Ottinger. Eine Autobiografie

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    Die Träger und die Menschen. Das Ende des Massenwohnungsbau…

  • Liz Kotz

    Words to Be Looked at. Language in 1960s Art

  • Guy Debord

    Comments on the Society of the Spectacle

  • Michel de Certeau

    Kunst des Handelns

  • Jacques Ranciere

    Ist Kunst widerständig?

  • Alain Badiou

    Wofür steht der Name Sarkozy?

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    Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen.

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    Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert?

  • Henri Lefebvre

    Writings on Cities

  • Henri Lefebvre

    The Production of Space

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    Big Bang Beijing. Urban Change in Beijing

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    Housing by People. Towards Autonomy in Building…

  • Loretta Napoleoni

    Rogue Economics. Capitalism's New Reality

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    AD 174. Vol. 75. Nr. 2. Samantha Hardingham. The 1970'…

  • An Architektur

    An Architektur 18: Camp for Oppositional Architecture:…

  • An Architektur

    An Architektur 16-17

  • An Architektur

    An Architektur 15 / FFM 11: Europäische…

  • An Architektur

    An Architektur 14: Camp for Oppositional Architecture

  • An Architektur

    An Architektur 11-13: Theorie und Praxis der Kartografie

  • An Architektur

    An Architektur 10: Gemeinschaftsräume

  • An Architektur

    An Architektur 04-09: Krieg und die Produktion von Raum

  • IDEA Magazine

    IDEA 296. Books <preposition> graphic design

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    IDEA 293. Stanley Donwood / Vacances. DD-DDD / Dimensions…

  • An Architektur

    An Architektur 01-03

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    Gutschein / Voucher

Establishing a Critical Corpus

Published on the occasion of his exhibition at the Swiss Pavilion of the 2011 Venice Biennale, "Establishing a Critical Corpus" is the first theoretical book to extensively examine the practice and artworks of Thomas Hirschhorn, one of today's leading international Swiss artists. Born in 1957, and living and working in Paris since 1984, Thomas Hirschhorn is the author of a large body of work (site-specific installations, films, drawings, etc), immediately recognizable for its political conscience and its formal vocabulary. His work elicits debate, analysis, and a profound discussion of artistic and social issues.
"Establishing a Critical Corpus" is thus a charged and intense "textbook," providing texts and topics "to think about": Hirschhorn's work in general, a specific part of his work, one of his pieces, issues that extend beyond his work, and so on. These fully illustrated texts constitute the core of the book. As the artist says: "This publication asserts and gives form to one of my goals: 'Establishing a Critical Corpus.' A 'textbook' is what people are interested in: a critical and sovereign approach to art, to an artwork of today, and—in this case—to my artwork."
To establish this dense critical corpus, six authors from different fields and backgrounds were invited to contribute to the publication. They are Claire Bishop, Professor of Art History at CUNY Graduate Center; Sebastian Egenhofer, Professor of Art History at the University of Basel; Hal Foster, Professor of Art History and Archaeology at Princeton University; Manuel Joseph, a poet based in Paris; Yasmil Raymond, Curator at Dia Art Foundation, New York; and Marcus Steinweg, a philosopher based in Berlin. They give a remarkable insight into the uncompromising art and aesthetics that Thomas Hirschhorn has been building consistently for 25 years.
The book is published with the Swiss Federal Office of Culture on the occasion of the Swiss participation at the 54th Venice Biennale 2011.
http://www.jrp-ringier.com/pages/index.php?id_r=4&id_t&id_p=15&id_b=2056


Thomas Hirschhorn
Establishing a Critical Corpus
JRP-Ringier, 2011, 978-3-03764-185-9