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    Thomas Bayrle. All-in-One

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    Äquivalenz der Katastrophen (Nach Fukushima)

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    10 Stories of Collective Housing. Graphical Analysis of…

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    Die Stadt in der Stadt. Berlin: Ein grünes Archipel.

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    Space Matters. Exploring Spatial Theory and Practice Today

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    galerie berlintokyo

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    Weltausstellung 1889. Der Maschinenpalast

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    IDEA 359. Specialized Lectures on Design

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    The Big Book

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    Horror in Architecture

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    Halluzinogene Ordnungen. Einhundert erste Sätze

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    Ravel Ravel Unravel

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    Adaptive Ecologies. Correlatd Systems of Living

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    Stuff matters. The Strange Stories of the Marvellous…

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    Stadtforschung aus Lateinamerika: Neue urbane Szenarien.…

  • Jonathan Crary

    24/7. Late Capitalism and the Ends of Sleep

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    Art as a Thinking Process Visual Forms of Knowledge…

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    The Human Snapshot

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    Geometry Makes me Happy

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    Unlearning the City. Infrastructure in a New Optical Field

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    Self-Organised

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    A Tribute to David Bowie HAUPTSTRASSE The Berlin Years 1976…

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    Gae Aulenti. Objects. Spaces

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    Die ersten Tage von Berlin. Der Sound der Wende

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    Thom Andersen / William E. Jones

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    Branding Terror. The Logotypes & Iconography of…

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    Marcel Broodthaers. Collected Writings

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    The Italian Avant-Garde. 1968–1976 EP Vol. 1

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    Hello World. Where Design Meets Life

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    The Art of Walking. A field guide

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    Konfigurationen. Gebrauchsweisen des Raums

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    30 Years of Being Cut Up

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    Doppelte Ökonomien / Double Bound Economies

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    Reena Spaulings. A Novel by Bernadette Corporation

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    Anywhere or Not at All. The Philosophy of Contemporary Art

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    The Books that Shaped Art History. From Gombrich and…

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    Landschaften. Eine Architekturtheorie in Bildern

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    Sacred Concrete. The Churches of le Corbusier

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    Making Art Global (Part 2). Magiciens de la Terre 1989

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    Dance, Politics & Co-Immunity

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    Anfang Gut, Alles Gut. Actualizations of the Futurist Opera…

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    Jurriaan Schrofer (1926-90). Restless typographer

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    A Primer

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    Cultures of the Curatorial

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    Performance-Oriented Architecture. Rethinking Architectural…

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    Silence and Light

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    Herb Lubalin. American Graphic Designer 1918—81

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    Die Kraft der Kunst

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    Return to the Postcolony

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    Ästhetik x Dispositiv

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    IDEA 357. Architecture in Print: The Development of…

  • Clog

    Brutalism

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    Geo Graphic. A Book for Map Lovers

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    Zettelkästen. Maschinen der Phantasie

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    Architektur immaterieller Arbeit

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    Tell It To My Heart

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    "Der Schnittchenkauf". 2011-2012

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    Realismus Jetzt

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    Educational Turn. Handlungsräume der Kunst- und…

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    Leigh Ledare, et al.

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    Stones Against Diamonds (Architecture Words 12)

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    Drawing

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    The Space of Agonism. Critical Spatial Practice 2

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    Rehearsing Collectivity - Choreography Beyond Dance

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    4,492,040 (Postkartenset)

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    Painting - The Implicit Horizon

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    Closed Cities

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    Metropolisarchitecture and Selected Essays

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    Out of the Absurdity of Life. Globale Musik

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    Search Find Like Share. Perspectives in visual storytelling

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    Subkultur Westberlin 1979–1989 - Freizeit

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    Chris Marker. La Jetee

101 Things to Learn in Art School

What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca’s arrow-pierced Saint Sebastian.
101 Things to Learn in Art School offers advice about the issues artists confront across all artistic media, but this is no simple handbook to making art. It is a guide to understanding art as a description of the world we live in, and it is a guide to using art as a medium for thought. And so this book belongs on the reading list of art students, art teachers, and artists, but it also belongs in the library of everyone who cares about art as a way of understanding life.
Kit White is an artist and Professor of Painting at Pratt Institute, Brooklyn. His work is in the permanent collections of many museums, including the Guggenheim Museum.
Reviews
“This small book, just 6 inches square, excels in presenting ideas that both artists and designers, at all stages of their careers, cannot be reminded of too often.”
—Interior Design
“Kit White’s 101 Things to Learn in Art School is a delight...Anyone who has ever visited an art museum, made art, or read about it could learn something from this little book.”
—Beth Williamson, Cassone
Endorsements
“Everyone craves useful wisdom, right? Especially when they're young, and even more especially if they want to become one of those modern alchemists known as visual artists. Well, here it is: page for impeccably crafted page, the best, most thoughtful and lucid primer available for any young (or old) would-be maker of art.”
—Kurt Andersen, novelist (Heyday, Turn of the Century) and public radio host (Studio 360)
“There is a great myth that somehow rules constrain creativity. With grace and wit, Kit White’s new book dismantles this received idea, and many others along the way. If the cardinal rule of writing is ‘show, don’t tell,’ Kit White has done exactly that—he shows us what art-making is by example as much as through the rich content of this incisive book.”
—Polly Apfelbaum, artist
“Kit White gives us a ‘manual’ in every sense of the word, a lifetime of art-making condensed into 101 cogent maxims that fit in the hand of the aspiring artist.”
—Wendy Steiner, author of The Real Real Thing: The Model in the Mirror of Art


Kit White
101 Things to Learn in Art School
MIT Press, 2011, 9780262016216