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  • dérive

    dérive N° 98, Eigentum (Jan-Mar 2025)

  • Viktoria Schabert

    Eileen Gray's Museum

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 258. Urbane Praxis

  • Oxana Gourinovitch

    Raising the Curtain. Operatic Modernism in the Soviet…

  • Alexander Eisenschmidt

    Felix Candela From Mexico City to Chicago. Rise and Fall of…

  • Lydia Kallipoliti

    Histories of Ecological Design. An Unfinished Cyclopedia

  • Anders Engberg-Pedersen

    Martialische Ästhetik

  • Matthias Ballestrem, Katharina Benjamin…

    Constructive Disobedience

  • Sofie De Caigny, Hülya Ertas, Bie…

    As Found. Experiments in Preservation

  • !Mediengruppe Bitnik, Janez Fakin Janša

    (un)real data ☁️ – (🧊)real effects

  • Docomomo International (Ed)

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  • Daniela Hamaui (Ed.)

    Archivio Magazine N°10. The Design Issue

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  • Noemi Biasetton

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    Why I Do What I Do - Global Curators Speak

  • Leopoldina Fortunati, Carla Lonzi

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  • Folke Köbberling

    WOLLBAU. Wolle - Eine unterschätzte Ressource.

  • Melanie Franke (Hg.)

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  • Franz Liebl

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  • Urszula Kozminska, Nacho Ruiz Allen

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  • Helmut Draxler

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  • Enzo Traverso

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  • Paolo Cirio

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  • Patrick McGraw, Heavy Traffic

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  • Simon O'Sullivan

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  • André Tavares

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  • Daniela Comani

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    Architektur im Anthropozän. Eine spekulative Archäologie

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  • Sara Ahmed

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  • Lisa Luksch, Andres Lepik (ed.)

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  • George MacBeth

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  • Kateryna Malaia, Philipp Meuser

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  • Kirsten Wagner (Hg.)

    Theorien des Wohnens. Eine Kommentierte Anthologie

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  • Yuk Hui

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  • Nicolas Linnert (ed.)

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  • Giorgi Vachnadze

    Christian Eschatology of Artificial Intelligence: Pastoral…

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  • Nicholas E. Powers (ed.)

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  • Alessandro Sbordoni

    Semiotics of the End: Essays on Capitalism and the…

  • Jill Johnston, Clare Croft (ed.)

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  • Anna-Sophie Springer, Raul Walch (eds.)

    Owned by Others: A Map to Possession Island

  • Canadian Centre for Architecture

    AP 205 Amancio Williams: Readings of the Archive

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    Science/Fiction. A Non-History of Plants

  • Ulrich Heinke

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  • Franziska Bollerey

    Eselsohren. Journal of Art, Architecture and Urbanism. Vol…

  • Richard Sennett

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    Einfach Grün - Greening the City

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  • Yuk Hui

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  • Cédric Durand

    How Silicon Valley Unleashed Techno-Feudalism

  • Gabu Heindl, Drehli Robnik

    Nonsolution. Zur Politik der aktiven Nichtlösung im Planen…

  • Ignacio Farías, Felix Marlow, Rebecca…

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  • Ian Erickson, Tomi Laja

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  • Estelle Hoy, edited by Antonia Carrara

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  • Nick Mauss, Edited by Antonia Carrara…

    Nick Mauss. Dispersed Events. Selected Writings

  • Clémence Imbert

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  • dérive

    dérive N° 97, Energie (Okt-Dez 2024).

  • Christina Landbrecht

    Künstlerische Forschung. Potenziale, Probleme, Perspektiven

  • bell hooks

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  • Raafat Majzoub (ed.)

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  • Holm-Uwe Burgemann (Hg.)

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    Cooperative Conditions. A Primer on Architecture, Finance…

  • Anne Lacaton, Jean-Philippe Vassal

    Lacaton & Vassal. It's Nice Today: On Climate,…

  • Guido Neubeck, Professur für Entwerfen…

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  • Bianca Felcori (Ed.)

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  • Marouane Bakhti

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  • Ijlal Muzaffar

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    Activist Writing. History, Politics, Rhetoric (Mono 02)

  • Annie Bourneuf

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  • Kathrin Wildner, metroZones

    metroZine #1. Reading the Map. Anleitung zum Kartenlesen

  • Christian Hanussek, metroZones

    metroZine #2. Die Tapete als Parergon – und Methode

  • Anne Huffschmid, metroZones

    metroZine #3. Das Atmen der Bilder. Schwarze Löcher und…

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    Sonic Signatures. Music, Migration and the City at Night

  • Ian Trowell

    Throbbing Gristle. An Endless Discontent

  • Sandra Hofmeister

    Bauen im Bestand. Wohnen / Building in Existing Contexts.…

  • Jon Dowling

    Monogram Logo. Trademarks & Symbols

  • Domen Ograjensek

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  • Steffen Köhn, Nestor Siré

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Painting - The Implicit Horizon

Painting - The Implicit Horizon documents a symposium which took place at the Jan van Eyck Academie in Maastricht, the Netherlands. The book presents essays and transcripts of discussions between European and American artists, art historians, and critics who have looked at some of the ways painting has been conceived of in the eras after Conceptual Art. Addressing ideas of production and consumption, critiques of the end of art, issues of age, accomplishment, and the myth of the painter, the book posits that painting, as a working practice as well as a historical referent, serves as an implicit horizon or limit condition for other media. "Jimson lives in a ramshackle houseboat on the Thames river, where he reminisces about the days when the state collected his paintings, hides from the police (who pursue him for his minor infractions and debts) and schemes about how to extract money from various wealthy patrons. That is, his struggles are conceptual, material and financial and always involve a race against time and an acknowledgement of his own limitations even in light of his successes. After a series of roguish scrapes, he finally receives a retrospective at Tate Britain: a triumph that does little to alleviate his destitution. But the film's dénouement comes when Jimson paints a "monument to England": a giant mural representing "The last Judgment" on the side of a bombed-out church aided by a cadre of voluntary art student assistants who he keeps remunerated in cups of coffee. The film ends when Jimson - threatened by council developers looking to capitalize on the land - voluntarily bulldozes his mural in advance of the city bureaucrats and sails off down the Thames in search of a new horizon: perhaps another, larger wall (or a further expansion of painting as such)." With: Carol Armstrong, Warren Carter, Helmut Draxler, Kerstin Stakemeier, Elisabeth Lebovici, Esther Leslie, Avigail Moss, Ulrike Müller, Dierk Schmidt, and Amy Sillman.
vergriffen, Neuauflage vorraussichtlich 2014


Avigail Moss, Kerstin Stakemeier (Hg.)
Painting - The Implicit Horizon
Jan van Eyck Academie, 2012, 9789072076618