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  • Juan Bonet, Sean Kissane (Hg.)

    Vertical Thoughts. Morton Feldman and the Visual Arts

  • Craig Buckley, Mark Wasiuta

    Dan Graham's New Jersey

  • Differences. A Journal of Feminist…

    The Sense of Sound

  • Annette Wehrmann

    Luftschlangentexte

  • Craig Buckley, Pollyanna Rhee

    Architects' Journeys. Building, Traveling, Thinking

  • Hillel Schwartz

    Making Noise. From Babel to the Big Bang and Beyond

  • Eva Moser

    Otl Aicher. Gestalter

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    Archzines

  • Beate Lendt

    Der Traum vom Baumhaus. Das Ökohausprojekt von Frei Otto in…

  • Sean Stewart (Hg.)

    On the Ground. An Illustrated Anecdotal History of the…

  • Artur Zmijewski, Joanna Warsza (Hg.)

    Forget Fear. 7. Berlin Biennale (Reader Dt. & Engl.)

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    Urban Images. Unruly Desires in Film and Architecture

  • James Langdon

    Pugin’s Contrasts Rotated

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    Strategy Space. Landscape, Urbanism, Strategies

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    Caring Culture. Art, Architecture and the Politics of Health

  • Benjamin Sommerhalder

    Ghost Knigi

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    Investigating Sex. Surrealist Discussions

  • Museum Ludwig (Hg.)

    Cosima von Bonin. The Lazy Susan Series

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    God & Co. Beyond the Bubble

  • Brandon LaBelle, Claudia Martinho (Hg.)

    Site of Sound. Of Architecture and the Ear Vol 2

  • El Croquis 157

    Studio Mumbai 2003-2011

  • Katja Blomberg

    Distinct Ambiguity. Graft

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    Und der Zukunft zuge­wandt. Pots­dam und der gebaute…

  • Ulrike Steglich

    Universum Ackerstrasse. Berliner Geschichten

  • Claire Colomb

    Staging the New Berlin

  • Tone Hansen (Hg.)

    (Re)Staging the Art Museum

  • Terry Richardson

    Mom/Dad

  • Rosa Ferré

    Red Cavalry: Creation and Power in Soviet Russia Between…

  • Sevgi Ortac

    The Monument Upside Down. The City Walls of Istanbul

  • Sven-Olov Wallenstein


    Nihilism, Art, Technology


  • Frederik Frede (Hg.)

    Freunde von Freunden. Berlin

  • Marcos L. Rosa (Hg.)

    Microplanning. Urban Creative Practices. Sao Paulo

  • Charles Fourier

    The Hierarchies of Cuckoldry and Bankruptcy

  • Martha Wilson (Hg.)

    Martha Wilson Sourcebook

  • Judith Halberstam

    The Queer Art of Failure

  • Grant H. Kester

    The One and the Many. Contemporary Collaborative Art in a…

  • Roman Hillmann

    Die erste Nachkriegsmoderne

  • Laura Oldfield Ford

    Savage Messiah

  • L. Cavalcanti , F. Rambert (Hg.)

    Roberto Burle Marx. The Modernity of Landscape

  • Oda Pälmke (Hg.)

    Ganz gut – Quite Good Houses

  • Adolf Loos

    Hummer unter der Bettdecke

  • Jennifer Bass, Pat Kirkham

    Saul Bass. A Life in Film & Design

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    BIG Bjarke Ingels Group

  • Mårten Spångberg

    Spangbergianism

  • Ryan McGinness

    To Do List Calendar 2012

  • Judith F. Rodenbeck

    Radical Prototypes. Allan Kaprow and the Invention of…

  • Hal Foster

    The First Pop Age

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    101 Things to Learn in Art School

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    Schweizer Fotobücher 1927 bis heute. Eine andere Geschichte…

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    Cities for People, Not for Profit. Critical Urban Theory…

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    In The Space Of A Song. The Uses of Song in Film

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    Under Blue Cup

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    Moderators of Change. Architektur, die hilft

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    Architecture and Violence

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    Anarchitektur

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    The Story of Post-Modernism

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    Creatives in Japan. Keywords to Know

  • Paul Hegarty, Martin Halliwell

    Beyond and Before. Progressive Rock since the 1960s

  • Susanne Neubauer

    Paul Thek Reproduced, 1969 - 1977

  • Yvonne Rainer

    Poems

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    How to Design Websites

  • Nick Land

    Fanged Noumena. Collected Writings 1987-2007

  • Raúl Zibechi

    Territorien des Widerstands. Eine politische Kartografie…

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    Community Art: The Politics of Trespassing

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    Project Japan. An Oral History of Metabolism

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    Tower and Slab. Histories of Global Mass Housing

  • Roman Ondák

    Loop

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    A Thousand Eyes. Media Technology, Law, and Aesthetics

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    Die Medien der Architektur

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    Poster Collection 23. In Series

  • Barry Kernfeld

    Pop Song Piracy. Disobedient Music Distribution Since 1929

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    The Participation Reader

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    After the Future

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    Double or Nothing

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    It's Lonely in the Modern World

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    Lookalikes

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    Kultur und Kritik (Heft 1, Herbst 2012) POP

  • M. Berner, A. Hoffmann, B. Lange

    Sensible Sammlungen. Aus dem anthropologischen Depot

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    Amateur der Weltgeschichte. Historiographische Praktiken im…

  • Gregor Eichinger, Eberhard Tröger

    Touch Me! Das Geheimnis der Oberfläche

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    Visual Storytelling. Inspiring a New Visual Language

  • Christian Marazzi

    Capital and Affects. The Politics of the Language Economy

  • Shannon Jackson

    Social Works. Performing Art, Supporting Publics

  • Hal Foster

    The Art-Architecture Complex

  • Thomas Hirschhorn

    Establishing a Critical Corpus

  • Andrej Holm, Klaus Lederer, Matthias…

    Linke Metropolenpolitik. Erfahrungen und Perspektiven am…

  • Lars Spuybroek

    The Sympathy of Things

  • Jarett Kobek

    Atta (Semiotext(e) / Intervention)

  • Stan VanDerBeek

    The Culture Intercom

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    Aldo Rossi und die Schweiz. Architektonische…

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    Urban Prayers – Neue religiöse Bewegungen in der globalen…

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    Wir sind alle Astronauten. Richard Buckminster Fuller

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    Touch Me

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    Kunst und Design im erweiterten Feld. It's Not a…

  • Lukas Feireiss,Ole Bouman

    Testify! The Consequences of Architecture

  • Marie J. Aquilino

    Beyond Shelter. Architecture for Crisis

  • El Croquis 156

    Valerio Olgiati 1996-2011

  • Pier Vittorio Aureli

    The Possibility of an Absolute Architecture

Making Art Global (Part 2). Magiciens de la Terre 1989

With a main essay by Lucy Steeds and including 107 colour images and 28 black and white. Additional contributions by Pablo Lafuente and Jean-Marc Poinsot, previously unpublished essays by Jean-Hubert Martin and Gayatri Spivak, responses from Frédéric Bruly Bouabré, Alfredo Jaar and Barbara Kruger, and archival texts by Rasheed Araeen, Jean Fisher and Thomas McEvilley.
In 1989, an exhibition in Paris united the work of over a hundred artists and, since only half would be described as Western, it radically challenged the Western art system from within. ‘Magiciens de la Terre’ argued for the universality of the creative impulse and endeavoured to offer direct aesthetic experience of contemporary works of art made globally and presented on equal terms. Photographs and gallery plans reconstruct the exhibition in detail, and an essay by Lucy Steeds provides an extended examination of its history, context and choices. A new essay by Jean-Marc Poinsot looks at the discursive legacy, while another by Pablo Lafuente inscribes 'Magiciens de la Terre' within the wider history of exhibition practice. Additional texts include a programmatic statement by curator Jean-Hubert Martin, and an interview with Benjamin Buchloh addressing his plans right before the opening. These are accompanied by responses from the time by Rasheed Araeen, Jean Fisher and Thomas McEvilley, as well as a previously unpublished paper Gayatri Chakravorty Spivak presented at the colloquium that accompanied the exhibition. Recent reassessments of the show by participating artists Frédéric Bruly Bouabré, Alfredo Jaar and Barbara Kruger are also included. This title is a companion to Making Art Global (Part 1): The Third Havana Biennial 1989.
The Exhibition Histories series investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.
Published by Afterall Books in association with the Academy of Fine Arts Vienna, the Center for Curatorial Studies, Bard College and Van Abbemuseum. Distributed by Koenig Books, London.
out of print


Lucy Steeds and other authors
Making Art Global (Part 2). Magiciens de la Terre 1989
Afterall/Koenig Books, 2013, 978-3-86335-258-5