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  • Matt Ratto, Megan Boler (Eds.)

    DIY Citizenship. Critical Making and Social Media

  • Gilles Rouffineau (Ed.)

    Passing On History. Design Contribution To Knowledge…

  • Zeuler R. M. de A. Lima

    Lina Bo Bardi

  • Jacques Sbriglio

    Le Corbusier et la question du brutalisme. LC au J1

  • Kaja Grobe, Karin Kreuder

    Always the Same Faces. Aus dem Alltag philippinischer…

  • Christoph Tannert (Hg.)

    Berlin Art Scene

  • Clog

    Miami

  • Andreas van Dühren (Hg.)

    TEXT Gespräche

  • Dario Azzellini, Marina Sitrin

    They Can't Represent Us! Reinventing Democracy from…

  • James Langdon

    A School for Design Fiction

  • Valentin Groebner

    Wissenschaftssprache digital. Die Zukunft von gestern

  • Deyan Sudjic

    B is for Bauhaus. An A-Z of the Modern World

  • Andy Merrifield

    The New Urban Question

  • Hans Ulrich Obrist

    Ways of Curating

  • Stine Omar, Max Boss, Andy Grier

    SMAREAZY 001 12"EASTER, Champagne 121212 / Children…

  • Anke Westermann

    Anke Westermann. Atlas

  • Nina Möntmann (Ed.)

    Schöne Neue Arbeit / Brave New Work. Ein Reader zu Harun…

  • Christiane E. Fricke (Hg.)

    Der Gang der Dinge. Welche Zukunft haben photographische…

  • Emil Ruder

    Fundamentals

  • Graham Cairns

    The Architecture of the Screen

  • Andrej Holm

    Mietenwahnsinn

  • René Pollesch

    Kill Your Darlings

  • Giorgio Maffei

    Records By Artists. 1958-1990

  • Beatrix Ruf, Julia Stoschek, Thomas D.…

    Ed Atkins

  • Helmut Lethen

    Der Schatten des Fotografen

  • Marta Kuzma (Ed.)

    Big Sign - Little Building

  • Martin Herbert

    The Uncertainty Principle

  • Andrej Holm (Hg.)

    Reclaim Berlin. Soziale Kämpfe in der neoliberalen Stadt

  • Cathy Lane, Angus Carlyle

    In the Field. The Art of Field Recording

  • Diedrich Diederichsen

    Über Pop-Musik

  • Helmut Draxler, Tanja Widmann (Hg.)

    Ein kritischer Modus? Die Form der Theorie und der Inhalt…

  • Helmut C. Schulitz

    Entfesselung der Architektur. Der Architekt: Baumeister…

  • James Haywood Rolling Jr.

    Arts-Based Research

  • Elisabeth Roudinesco

    Lacan. In Spite Of Everything

  • Claudia Quiring, Andreas Rothaus,…

    Neue Baukunst. Architektur der Moderne in Bild und Buch

  • Justus Dahinden

    Architektur - Form und Emotion. Architecture - Form and…

  • Judith Butler, Athena Athanasiou

    Die Macht der Enteigneten. Das Performative im Politischen

  • Matt Mullican

    Editions 1985-2012

  • Daan Paans

    Letters from Utopia

  • Marcus Quent, Eckardt Lindner (Hg.)

    Das Versprechen der Kunst

  • Kerry Brougher

    Damage Control. Art and Destruction Since 1950

  • Armen Avanessian (Hg.)

    Realismus Jetzt: Spekulative Philosophie und Metaphysik für…

  • Marc Angelil, Rainer Hehl (Eds.)

    Minha Casa-nossa Cidade. Innovating Mass Housing In Brazil

  • Olafur Eliasson

    Eine Feier, elf Räume und ein gelber Korridor

  • Archivist

    Three Faces. Archive Chalayan

  • Alistair Hicks

    The Global Art Compass

  • Manfred Omahna, Johanna Rolshoven (Hg.)

    Reziproke Räume. Texte zu Kulturanthropologie und…

  • Jan Verwoert

    COOKIE!

  • Martin Conrads, Franziska Morlok (Ed.)

    War postdigital besser?

  • Stephen Phillips (Ed.)

    L.A. [Ten]. Interviews on Los Angeles Architecture, 1970–…

  • Andrew Hemingway

    The Mysticism of Money

  • Ljiljana Kolešnik (Ed.)

    Socialism and Modernity. Art, Culture, Politics 1950 – 1974

  • Sascha Peters

    Materialrevolution 2. Neue nachhaltige und multifunktionale…

  • Francesca Ferguson, Urban Drift…

    Make Shift City. Renegotiating the Urban Commons

  • CTM 2014 Festival Magazine

    Dis Continuity

  • UDK, ETH (Ed.)

    Mapping Everything

  • Ryan Gander

    Artists’ Cocktails

  • Tecta

    Flying Furniture

  • Warren Carter, Barnaby Haran, Frederic…

    ReNew Marxist Art History

  • Birkenstock, Kastner, Sonderegger (Eds.)

    Kunst und Ideologiekritik nach 1989 / Art and the Critique…

  • Yilmaz Dziewior (Ed.)

    Liebe ist kälter als das Kapital. Love is colder than…

  • Anna Kostreva

    Berlin. Eine Morphologie der Mauern. A Morphology of Walls

  • Emmett Williams

    An Anthology of Concrete Poetry

  • Michaela Melián / Thomas Meinecke

    IEMANJÁ

  • Junya Ishigami

    How Small? How Vast? How architecture grows

  • Pieterjan Grandry

    The Future of Architecture. What is the future of…

  • Beatriz Colomina

    Manifesto Architecture. The Ghost of Mies

  • Jens Müller (Ed.)

    Rolf Müller

  • Gill Perry

    Playing at Home. The House in Contemporary Art

  • Jennifer A.E. Shields

    Collage and Architecture

  • Gaßner, Kölle, Roettig (Ed.)

    Eva Hesse. One More Than One

  • Andreas Baur, Bernd Stiegler, Felix…

    Wozu Bilder? Gebrauchsweisen der Fotografie

  • Kim Gordon

    Is It My Body? Selected Texts

  • René Spitz

    A5/06. HfG Ulm

  • Petra Reichensperger (Ed.)

    Begriffe des Ausstellens (von A bis Z). Terms of Exhibiting…

  • Torsten Blume, Christian Hiller (Hg.)

    Mensch - Raum – Maschine. Bühnenexperimente am Bauhaus

  • Clémentine Deliss, Yvette Mutumba (Hg.)

    Ware und Wissen: or the stories you wouldn’t tell a stranger

  • Richard Birkett (Ed.)

    and Materials and Money and Crisis

  • Barbara Penner

    Bathroom (Objekt series)

  • Otto Paans, Ralf Pasel

    Situational Urbanism. Directing Postwar Urbanity

  • Tactical Technology Collective

    Visualising Information for Advocacy

  • Emma Lavigne

    Pierre Huyghe

  • Alessandro Petti, Sandi Hilal, Eyal…

    Architecture after Revolution

  • Phil Pasquini

    Domes, Arches and Minarets. A History of Islamic-Inspired…

  • Tracey Thorn

    Bedsit Disco Queen. How I Grew Up and Tried to be a Pop Star

  • Tim Ivison, Tom Vandeputte (Hg)

    Contestations. Learning from Critical Experiments in…

  • IDEA Magazine

    IDEA 362. Poetics of Graphic Language. Contemporary…

  • Hans Ulrich Obrist

    Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground

  • Jeannette Kuo (Ed.)

    A-Typical Plan

  • Taiji Matsue

    Tyo-WTC

  • Anna Feigenbaum, Fabian Frenzel,…

    Protest Camps

  • Christopher Burke, Eric Kindel, Sue…

    Isotype. Design and Contexts, 1925–1971

  • Mark Dorrian, Frederic Pousin (Eds.)

    Seeing from Above. The Aerial View in Visual Culture

  • Gianni Politi

    The Ritual of the Snake

  • Frank Kunert

    Wunderland

  • Andrew Hemingway

    The Mysticism of Money. Precisionist Painting and Machine…

  • Karl-Siegbert Rehberg, Paul Kaiser (Hg.)

    Bilderstreit und Gesellschaftsumbruch. Die Debatte um die…

  • Neil Brenner (Ed.)

    Implosions / Explosions. Towards a Study of Planetary…

Marcel Broodthaers. Collected Writings

"I, too, asked myself if I could not sell something and succeed in life... Finally the idea of inventing something insincere came to me and I got to work immediately." With this statement, penned for his first solo show in April, 1964, Marcel Broodthaers (1924-1976) announced his death as a poet and birth as an artist. In fact, he was to transform the category of artist completely, purging the vocation of its medium-specific implications to pursue a unified conceptualism across media such as artist's books, prints, film, installation, sculpture and writings--" where the world of plastic arts and the world of poetry might possibly, I wouldn't say meet, but at the very frontier where they part." Broodthaers' "Museum of Modern Art, Eagles Department" (1968-1972) inaugurated the practice now known as institutional critique, and the linguistic foundations of his art--as well as his emphasis on printed multiples--also proved prescient for subsequent strains of Conceptual art. Edited by Gloria Moure in collaboration with the artist's estate, this momentous publication eclipses in its scope all previous Broodthaers writings collections. It gathers his early poetry, statements, critical essays both published and unpublished, open letters, interviews, preparatory notes and scripts, plus a wealth of illustrations.
Marcel Broodthaers was born in Belgium in 1924. From the late 1940s to the early 1960s he worked primarily as a poet, and was a member of the Belgian Groupe Surrealiste-revolutionnaire, which included Andre Blavier, Achille Chavee and Rene Magritte. After almost two decades of poverty, Broodthaers performed a symbolic burial of his life as a poet by embedding 50 copies of his poetry collection "Pense-Bete" in plaster. However, his art continued to be characterized by its emphasis on written text. Broodthaers died in 1976, on his fifty-second birthday, and is buried in Brussels beneath a tomb of his own design that features images from his allegorical repertoire, including a pipe, a wine bottle and a parrot.


Gloria Moure (Ed.)
Marcel Broodthaers. Collected Writings
Ediciones Poligrafa, 2013, 9788434312876