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  • Mark Brend

    The Sound of Tomorrow. How Electronic Music Was Smuggled…

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    The Subjective Object

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    Encyclopedia of Flowers

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  • John Miller

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  • Mark Rakatansky

    Architecture Words 9. Tectonic Acts of Desire and Doubt

  • Ester Manitto

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  • Paul O'Neill

    The Culture of Curating and the Curating of Culture(s)

  • W. Thaler, M. Mrduljas, V. Kulic

    - Modernism In-between - The mediatory Architectures of…

  • Tony Brook, Adrian Shaughnessy (Hg)

    Unit.Design/Research 01. Ronald Clyne at Folkways

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    IDEA 354. Alternative History of Publishing in Japan 1923 -…

  • Alessandro Ludovico

    Post-Digital Print. The Mutation of Publishing Since 1884

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    Horst Rittel. Die Denkweise von Designern

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    Wim Crouwel

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    Who is John Cage?

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  • Markus Miessen

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    Rumored Animals

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    Drawing A Hypothesis. Figures of Thought

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    Bilder und Texte. Literatur

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    Atelier und Galerie. Studio and Cube

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    Paper Exhibition. Selected Writings by Raimundas Malasauskas

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Begriffe des Ausstellens (von A bis Z). Terms of Exhibiting (from A to Z)

This publication explores themes of the exhibition through its terms—not, however, to confine into isolated conceptual categories, but to interconnect. These terms characterize exhibiting and emphasize a “between-ness.” Examining a term lays bare its ruptures, shifts, or recreations, as well as social, societal, and cultural changes that have the power to structure through historical conjecture.
Almost fifty terms relevant to the making and discussion of exhibitions today have been compiled in Terms of Exhibiting (from A to Z), contributed by Liam Gillick, Manfred Hermes, Wojciech Kosma, Clemens von Wedemeyer, Tobias Vogt, Jochen Volz, and June Yap, among others. Six essays investigate key terms raised by the three-part exhibition series “Terms of Exhibiting, Producing, and Performing” at Kunsthaus Dresden in 2012. Jan Verwoert reflects on the division of labor in artistic production, while Anke te Heesen presents a survey of the museum, collection, and exhibition. Markus Miessen discusses the advantages of curating institutions and inventing structures rather than merely implementing or appropriating them. The book also includes essays by Kirsten Maar, Ursula Panhans-Bühler, and Lee Weng-Choy. Each of the twelve conversations with various artists places one term under scrutiny within the context of their own artistic interests and practices—with reference to the term presence, Daniel Knorr explains the significance of materialization for his own creative process, while Brian O’Doherty discusses invention in relation to his practice. Each term generates further insight and reflection into each individual art practice.
Including glossaries written by Friedrich von Borries, Hans-Christian Dany, Stefanie Diekmann, Anna-Catharina Gebbers, Liam Gillick, Manfred Hermes, Ulrike Jordan, Vera Knolle, Wojciech Kosma, Verena Kuni, Pablo Larios, Oona Lochner, Fiona McGovern, Andrea Meyer, Ana Ofak, Christian Rattemeyer, Petra Reichensperger, Dietmar Rübel, Thibaut de Ruyter, Jörn Schafaff, Lea Schleiffenbaum, Anne Schreiber, Nora Sdun, Vera Tollmann, Clemens von Wedemeyer, Tobias Vogt, Jochen Volz, Renate Wagner, Friederike Wappler, June Yap
Introduction by Petra Reichensperger; essays by Anke te Heesen, Kirsten Maar, Markus Miessen, Ursula Panhans-Bühler, Jan Verwoert, Choy Lee Weng; interviews by Dóra Maurer/ Cassandra Edlefsen Lasch, Channa Horwitz/Petra Reichensperger, Yael Davids/Adam Szymczyk, Brian O'Doherty/Dominikus Müller, Carl Michael von Hausswolff/Thibaut de Ruyter, Karl Holmqvist/Dominikus Müller, Daniel Knorr/Katharina Groth, Jaroslaw Kozlowski/Petra Stegmann, Hans Schabus/Kathrin Rhomberg, Steven Claydon/Lea Schleiffenbaum, Karin Sander/Anne Schreiber, Martin Germann/Petra Reichensperger/Renate Wagner


Petra Reichensperger (Ed.)
Begriffe des Ausstellens (von A bis Z). Terms of Exhibiting (from A to Z)
Sternberg Press, 2013, 978-3-943365-75-7