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    Editions 1985-2012

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    Letters from Utopia

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    Das Versprechen der Kunst

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    Damage Control. Art and Destruction Since 1950

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    Realismus Jetzt: Spekulative Philosophie und Metaphysik für…

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    Minha Casa-nossa Cidade. Innovating Mass Housing In Brazil

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    Eine Feier, elf Räume und ein gelber Korridor

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    Three Faces. Archive Chalayan

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    COOKIE!

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    The Mysticism of Money

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    Socialism and Modernity. Art, Culture, Politics 1950 – 1974

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    An Anthology of Concrete Poetry

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    Manifesto Architecture. The Ghost of Mies

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    Rolf Müller

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    and Materials and Money and Crisis

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    Pierre Huyghe

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    IDEA 362. Poetics of Graphic Language. Contemporary…

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    Wunderland

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    The Future of Architecture

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    Type Only

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    The Economy of Sustainable Construction

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    Berlin Quarterly. European review of Culture. Issue 1

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    Ein Märchen

  • Museum of Modern Art (Ed.)

    Isa Genzken. Retrospective

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    Common Ground. In Photographs

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    George Nelson. Ein Designer im Kalten Krieg

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    Kosmetiksalon Bar Babette

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    Fashioning Appetite. Restaurants and the Making of Modern…

  • Gunnar Hindrichs

    Die Autonomie des Klangs - Eine Philosophie der Musik

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    A Right to Difference. The Architecture of Jean Renaudie

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    Theorien der Gegenwartskunst

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    Serge Gainsbourg's Histoire de Melody Nelson (33 1/3)

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    Architecture / Architektur

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    Radio

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    Gwangju Folly II

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    3 New York Dadas and the Blindman

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    Snapshot Photography. The Lives of Images

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    Ästhetik der Existenz. Lebensformen im Widerstreit T:G/10

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    The Contemporary, the Common: Art in a Globalizing World

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    The Space Age. Poster Book

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    The Design of Portuguese Semi-Industrial Confectionery

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    Gehen

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    China's Vanishing Worlds. Countryside, Traditions, and…

I'm Isa Genzken, the Only Female Fool

Foreword by Nicolaus Schafhausen; texts by Joshua Decter and Tom McDonough
“The Only Female Fool” is how Isa Genzken describes herself in the self-chosen title of her exhibition at the Kunsthalle Wien. This statement is typical of the fluid boundaries between deep seriousness and the exuberant, eccentric spirit that pervades her work. Genzken’s artistic practice is characterized by a wide spectrum of media and forms, although her roots in sculpture always remain visible. The exhibition and catalogue focus on specific aspects of her oeuvre, including the mirror motif, the examination of architecture, and space as a social sphere; where early works are juxtaposed with series from later creative periods. Genzken’s collaboration with other artists and her admiration for certain artistic positions is also brought into focus, and selected works by Dan Graham, Gordon Matta-Clark, Jasper Johns, Gerhard Richter, Wolfgang Tillmans, and Lawrence Weiner are presented in dialogue with Genzken’s multilayered work.
Copublished with Kunsthalle Wien on the occasion of Isa Genzken’s exhibition “I’m Isa Genzken, the Only Female Fool,” May 28–September 7, 2014
Design by Kummer & Herrman
September 2014, English/German
14.3 x 21 cm, 114 pages, 48 color ill., softcover
out of print!


Kunsthalle Wien (Ed.)
I'm Isa Genzken, the Only Female Fool
Sternberg Press, 2014, 978-3-95679-081-2