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  • Claudia Mareis, Nina Paim (Hg)

    Design Struggles. Intersecting Histories, Pedagogies, and…

  • Moisés Puente (Hg)

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  • Victor Deupi, Jean-Francois Lejeune

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  • Eva von Redecker

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  • Nina Prader, John Z. Komurki (Eds.)

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  • SPACE10

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  • Anaïs Wiedenhöfer & Lena Wolfart

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  • A & P Smithson Hexenhaus-Archiv,…

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  • Emmanuelle Chiappone-Piriou (Ed.)

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  • Tim Ingold

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  • Renate Boere

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  • Christoph Herndler, Florian Neuner (Hg.)

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  • Fredric Jameson

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  • Adam Štěch

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  • Diedrich Diederichsen, Oier Etxeberria…

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  • Paul Hegarty

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  • John Beck

    Landscape as Weapon. Cultures of Exhaustion and Refusal

  • Axel Sowa, Ela Kacel (eds.)

    Candide. Journal for Architectural Knowledge / No. 12

  • Douglas Spencer

    Critique of Architecture: Essays on Theory, Autonomy, and…

  • Hansuli Matter, Björn Franke (eds.)

    Not at Your Service. Manifestos for Design

  • Brandon LaBelle

    Acoustic Justice: Listening, Performativity, and the Work…

  • Precarity Lab

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  • Céline Condorelli

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  • Annette Maechtel

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  • Mark Wigley

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  • Bradley Quinn

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  • Florian Rötzer

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  • Andreas Dornbracht (Hg.)

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  • Philipp Stamm

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  • Gemma Villegas

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  • Andreas H. Apelt, Ron Jagers

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  • Kengo Kuma

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  • Elske Rosenfeld, Suza Husse (Hg.)

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  • Lukas Feireiss, Tatjana Schneider,…

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  • Caspar Stracke (Ed.)

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  • Hendrik Weber

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  • Tibor Joanelly

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  • Thomas Moynihan

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  • Bert Rebhandl

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  • Heide Schlüpmann

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  • Rebekka Ladewig, Angelika Seppi

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  • Bonaventure Soh Bejeng Ndikung

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  • Michelle Christensen, Jesko Fezer,…

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  • Jesko Fezer, Anita Kaspar, Andreas…

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  • IDEA Magazine

    IDEA 392. Type Design Now Experimental Type Designers and…

  • Francois Laruelle

    The Last Humanity. The New Ecological Science

  • Jessica Morgan, Dorothea von Hantelmann…

    Resource Hungry. Our Cultured Landscape and its Ecological…

  • Kathrin Röggla

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  • Andreas Malm

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  • Murray Shanahan

    Die technologische Singularität

  • Nicolas Bourriaud

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    Meisterhaus Kandinsky Klee. Die Geschichte einer…

  • Beatrice von Bismarck, Benjamin Meyer-…

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  • Louise Michel

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  • Xiaowen Zhu

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  • Sebastian Schipper, Lisa Vollmer (Hg.)

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  • Sally Stein, Ina Steiner (eds.)

    Allan Sekula, Art Isn't Fair: Further Essays on the…

  • Tim Jordan

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  • Juliane Rebentisch

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  • Andrea Büttner

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  • Amelie Von Wulffen

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  • Benjamin Fellmann, Bettina Steinbrügge…

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  • Itohan Osayimwese

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  • Sharon Zukin

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  • Malcolm James

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  • AAPK – Suyoung Ko, Yeon Joo Oh, Soonam…

    Architecture as Fabulated Reality

  • Anna Bokov

    Avant-Garde as Method. Vkhutemas and the Pedagogy of Space…

  • Günter Karl Bose

    Elementum. Über Typografie, Bücher und Buchstaben

  • Lorenzo Marsili

    Planetary Politics. A Manifesto

  • Miriam Rasch (ed.)

    Let’s Get Physical: A Sample of INC Longforms, 2015-2020

In Place

In the series of works In Places Jason Kahn explores a variety of places and investigate them through their sounds. Influenced by Henri Lefebvre's theories, Kahn the musician experiences the daily rythms of life and how space is formed and reflected.
Based upon paying close attention to his surroundings, In Place documents the artist's sonorous engagement with specific locations. Spending hours at a given place within various cities, Kahn would do nothing else but listen, watch, and observe the daily life. Through such an elongated duration, sometimes up to 12 hours, a deeper and richer sense of place emerges. In Place is an elegant and thoughtful reflection on these experiences, capturing those small details that ultimately compose the world around us. Turning his ear to the daily life around him, Kahn's diaristic accounts capture an extremely tenacious form of attention—a bare listening.
Jason Kahn (born 1960 in New York, lives and works in Zürich) is a musician and artist who grew up in Los Angeles, and relocated to Europe in 1990. His work includes sound installation, performance and experimental composition. Kahn has been exhibiting his sound and visual works since the late 1990s, and has had solo and group exhibitions internationally, including Townhouse Gallery of Contemporary Art, Cairo, Diapason Gallery, New York, and Centre d'Art Neuchatel, Switzerland. Originally a percussionist, Kahn later began integrating live electronics into his playing. As a composer, his work draws on electronic and acoustic sound sources to create slowly developing compositions imbued with a sense of timelessness. His work addresses the entity of sound as both a physical and psychological factor shaping our consciousness. Kahn's sound installations seek to enhance spatial awareness through sonic intervention, focusing on expanding our perception to other dimensions of seeing, hearing and feeling a space. Kahn has given concerts at various festivals, art spaces and clubs throughout the world, traveling and presenting extensively in Europe, North and South America, as well as Asia.


Jason Kahn
In Place
Errant Bodies Press, 2015, 978-0-9889375-4-3