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  • Peter Osborne

    Anywhere or Not at All. The Philosophy of Contemporary Art

  • Richard Shone, John-Paul Stonard (Ed.)

    The Books that Shaped Art History. From Gombrich and…

  • Flora Samuel, Inge Linder-Gaillard

    Sacred Concrete. The Churches of le Corbusier

  • Unit Editions (Ed.)

    Jurriaan Schrofer (1926-90). Restless typographer

  • Kerstin Faber, Philipp Oswalt (Hg.)

    Raumpioniere in ländlichen Regionen. Neue Wege der…

  • Michael Hensel

    Performance-Oriented Architecture. Rethinking Architectural…

  • Christoph Menke

    Die Kraft der Kunst

  • T. J. Demos

    Return to the Postcolony

  • IDEA Magazine

    IDEA 357. Architecture in Print: The Development of…

  • Ronan & Erwan Bouroullec

    Drawing

  • Klaus Zwerger

    Das Holz und seine Verbindungen. Traditionelle Bautechniken…

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    Subkultur Westberlin 1979–1989 - Freizeit

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    Sonderedition Zwölf Taschen für Pro qm

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    Schriften. Erster Band

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    The Making of the Indebted Man. An Essay on the Neoliberal…

  • Folio Series

    Institutions by Artists. Volume One

  • Lucius Burckhardt

    Design ist unsichtbar. Entwurf, Gesellschaft und Pädagogik

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    Vom Publicum. Das Öffentliche in der Kunst

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    Lucius Burckhardt. Design heisst Entwurf

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    Horst Rittel. Die Denkweise von Designern

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    Wim Crouwel

  • Tacet #01

    Who is John Cage?

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    Work, Work, Work A Reader on Art and Labour

  • Susan Hiller

    Song Book (Die Gedanken sind frei)

  • Markus Miessen

    Albtraum Partizipation

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    Gallery as Community. Art, Education, Politics

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    From Conceptualism to Feminism: Lucy Lippard's Numbers…

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    Artificial Hells. Participatory Art and the Politics of…

  • Catherine de Smet, Sara De Bondt (Hg.)

    Graphic Design: History in the Writing (1983–2011)

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    Hands-On Urbanism 1850 - 2012

  • Jost Hochuli

    Das ABC eines Typografen

  • M. Ziehl, S. Oßwald, O. Hasemann, D.…

    Second Hand Spaces. Recycling Sites Undergoing Urban…

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    Intense Proximity. The Anthology of the Near and the Far

  • Quentin Meillassoux

    The Number and the Siren

  • Laurenz Brunner

    Amber. Anrhem Mode Biennale

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    A House Full of Music. Strategien in Musik und Kunst

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    Otto Neurath - City Planning. Proposing a socio-political…

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    Piecing Together Los Angeles. An Esther McCoy Reader

  • Magdalena Droste (Ed.)

    Lilly Reich. Designer and Architect

  • Jan Gehl

    Leben zwischen Häusern. Konzepte für den öffentlichen Raum

  • Xavier Antin

    Printing at Home

  • Vladimir Arkhipov

    Home-Made Europe. Contemporary Folk Artifacts

  • Eyal Weizman

    The Least of All Possible Evils

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    Rebel Cities. From the Right to the City to the Urban…

  • Brian O'Doherty

    Atelier und Galerie. Studio and Cube

  • Gert Selle

    Die eigenen vier Wände. Wohnen als Erinnern

  • Douglas Crimp

    Our Kind of Movie. The Films of Andy Warhol

  • Garry Neill Kennedy

    The Last Art College. Nova Scotia College of Art and Design…

  • Christof Migone

    Sonic Somatic. Performances of the Unsound Body

  • Felix Denk, Sven von Thun

    Der Klang der Familie. Berlin, Techno und die Wende

  • Walter Benjamin

    The "Berlin Chronicle" Notices

  • Gerald Raunig

    Fabriken des Wissens. Streifen und Glätten 1

  • Jane Bennett

    Vibrant Matter. A Political Ecology of Things

  • Christiane Rösinger

    Liebe wird oft überbewertet. Ein Sachbuch

  • Beatriz Preciado

    Pornotopia. Architektur, Sexualität und Multimedia im…

  • William E. Jones

    Halsted Plays Himself

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    Alison & Peter Smithson. A Critical Anthology

  • Miriam Bratu Hansen

    Cinema and Experience

  • Walter Benjamin

    Berlin Childhood circa 1900

  • Nicholas Mirzoeff

    The Right to Look. A Counterhistory of Visuality

  • Annette Wehrmann

    Luftschlangentexte

  • Hillel Schwartz

    Making Noise. From Babel to the Big Bang and Beyond

  • Sean Stewart (Hg.)

    On the Ground. An Illustrated Anecdotal History of the…

  • Marcos L. Rosa (Hg.)

    Microplanning. Urban Creative Practices. Sao Paulo

  • Charles Fourier

    The Hierarchies of Cuckoldry and Bankruptcy

  • Judith Halberstam

    The Queer Art of Failure

  • Grant H. Kester

    The One and the Many. Contemporary Collaborative Art in a…

  • Roman Hillmann

    Die erste Nachkriegsmoderne

  • Laura Oldfield Ford

    Savage Messiah

  • Oda Pälmke (Hg.)

    Ganz gut – Quite Good Houses

  • Adolf Loos

    Hummer unter der Bettdecke

  • Jennifer Bass, Pat Kirkham

    Saul Bass. A Life in Film & Design

  • Mårten Spångberg

    Spangbergianism

  • Ryan McGinness

    To Do List Calendar 2012

  • Judith F. Rodenbeck

    Radical Prototypes. Allan Kaprow and the Invention of…

  • Hal Foster

    The First Pop Age

  • Kit White

    101 Things to Learn in Art School

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    Schweizer Fotobücher 1927 bis heute. Eine andere Geschichte…

  • N. Brenner, P. Marcuse, M. Mayer (Hg.)

    Cities for People, Not for Profit. Critical Urban Theory…

  • Richard Dyer

    In The Space Of A Song. The Uses of Song in Film

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    Moderators of Change. Architektur, die hilft

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    Architecture and Violence

  • Roger Thiel

    Anarchitektur

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    The Story of Post-Modernism

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    Creatives in Japan. Keywords to Know

  • Paul Hegarty, Martin Halliwell

    Beyond and Before. Progressive Rock since the 1960s

  • Susanne Neubauer

    Paul Thek Reproduced, 1969 - 1977

  • Nick Land

    Fanged Noumena. Collected Writings 1987-2007

  • Raúl Zibechi

    Territorien des Widerstands. Eine politische Kartografie…

  • Paul De Bruyne, Pascal Gielen

    Community Art: The Politics of Trespassing

  • Rem Koolhaas, Hans Ulrich Obrist (Hg.)

    Project Japan. An Oral History of Metabolism

  • Florian Urban

    Tower and Slab. Histories of Global Mass Housing

  • Marit Paasche, Judy Radul (Hg.)

    A Thousand Eyes. Media Technology, Law, and Aesthetics

  • Wolfgang Sonne (Hg.)

    Die Medien der Architektur

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    Poster Collection 23. In Series

  • Andrea Cornwall (Hg.)

    The Participation Reader

  • Franco "Bifo" Berardi

    After the Future

  • 51N4E

    Double or Nothing

Flying Plaza. Work Journal. The artist practice of Studio Tomás Saraceno

How does Studio Tomás Saraceno operate, how does a work by the artist evolve? This book examines the “Flying Plaza” project as an example of the working method and offers descriptions of the studio as an artistic laboratory. This enables uniquely
in-depth insights into a contemporary artistic practice that intertwines utopian ideas and physical demands, collective co-production and the legacy of the artistic avant-garde, digital work and hand craftsmanship, expert knowledge and artistic shifts in perspectives.
The book edited by Philipp Oswalt in co-operation with studio Saraceno is attempt, to document a artistic process by different methods: A reconstruction oft he work-process based on a visual diary and interviews with the people involved, a photographic analysis oft he studio, a participatory observation, mapping, address book, chronology, glossary and a projective speculation.
Moby Dick - der weiße Pottwal aus Herman In den letzten Jahren ist der argentinische Künstler Tomás Saraceno mit seiner Vision von Cloud Cities - fliegenden, von Menschen begehbaren, quasi bewohnbaren Strukturen - international bekannt geworden. Flying Plaza stellt eine konzeptuell wichtige Werkserie vor, bei der zum Fliegen und Schweben Windkraft und Sonneneinstrahlung genutzt werden. Diese aktive Form fliegender Raumstrukturen eröffnet neue Fragen zum Verhältnis des Menschen zu Natur, Kosmos und Wetter und zielt damit auf wesentliche Themenfelder des Menschseins im Anthropozän.
Die Publikation stellt nicht nur die Werkgruppe, sondern in Form eines Arbeitsjournals auch die künstlerische Praxis im Studio Saraceno vor: die Projekte befinden sich hier in kontinuierlicher Fortschreibung, in einem dynamischen evolutionären Prozess der Realisierung. Nie abgeschlossen, aber auch nie nur bloßer Entwurf.
In recent years the Argentinian artist Tomás Saraceno has become known around the world for his vision of cloud cities - flying, ostensibly livable structures that people can move around freely in. This book presents a conceptually important series of works, in which flying and floating are powered by the wind and solar radiation. This active form of flying physical structures raises new questions about the human relationship to nature, the cosmos, and the weather and it sets its sights on major areas of interest relating to what it is to be human in the Anthropocene. This publication also gives an insight into artistic practise in Saraceno's studio in the form of a work journal: the projects find themselves being continually updated, part of a dynamic evolutionary process of realization - never finished, yet never merely draft versions.


Philipp Oswalt (Ed.)
Flying Plaza. Work Journal. The artist practice of Studio Tomás Saraceno
Spector, 2018, 978-3-95905-029-6
gerade nicht auf Lager