Direkt zum Inhalt

Warenkorb

  • Christoph Schaub, Michael Schindhelm

    Bird's Nest (DVD, 87 min.). Jacques Herzog und Pierre…

  • gerade nicht auf Lager
    Felicity D. Scott

    Architecture or Techno-Utopia. Politics after Modernism

  • gerade nicht auf Lager
    Birgit Schneider

    Textiles Prozessieren

  • Bruno Latour

    Wir sind nie modern gewesen. Versuch einer Symmetrischen…

  • gerade nicht auf Lager
    Georges Canguilhem

    Wissenschaft, Technik, Leben. Beiträge zur historischen…

  • gerade nicht auf Lager
    Stuart Elden, Elizabeth Lebas, Eleonore…

    Henri Lefebvre. Key Writings

  • Laurence A. Rickels

    Ulrike Ottinger. Eine Autobiografie

  • N. John Habraken, Arnulf Lüchinger

    Die Träger und die Menschen. Das Ende des Massenwohnungsbau…

  • gerade nicht auf Lager
    Liz Kotz

    Words to Be Looked at. Language in 1960s Art

  • Guy Debord

    Comments on the Society of the Spectacle

  • gerade nicht auf Lager
    Michel de Certeau

    Kunst des Handelns

  • gerade nicht auf Lager
    Jacques Ranciere

    Ist Kunst widerständig?

  • Alain Badiou

    Wofür steht der Name Sarkozy?

  • gerade nicht auf Lager
    Donna Haraway

    Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen.

  • gerade nicht auf Lager
    Stefanie Schulte Strathaus, Florian…

    Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert?

  • gerade nicht auf Lager
    Henri Lefebvre

    Writings on Cities

  • gerade nicht auf Lager
    Henri Lefebvre

    The Production of Space

  • Hiromasa Shirai, André Schmidt (Hg.)

    Big Bang Beijing. Urban Change in Beijing

  • gerade nicht auf Lager
    John F. C. Turner

    Housing by People. Towards Autonomy in Building…

  • Loretta Napoleoni

    Rogue Economics. Capitalism's New Reality

  • AD

    AD 174. Vol. 75. Nr. 2. Samantha Hardingham. The 1970'…

  • An Architektur

    An Architektur 18: Camp for Oppositional Architecture:…

  • Johan Frederik Hartle

    Der geöffnete Raum. Zur Politik der ästhetischen Form

  • An Architektur

    An Architektur 16-17

  • Vera Beyer, Jutta Voorhoeve, Anselm…

    Das Bild ist der König. Repräsentation nach Louis Marin

  • An Architektur

    An Architektur 15 / FFM 11: Europäische…

  • An Architektur

    An Architektur 14: Camp for Oppositional Architecture

  • An Architektur

    An Architektur 11-13: Theorie und Praxis der Kartografie

  • An Architektur

    An Architektur 10: Gemeinschaftsräume

  • An Architektur

    An Architektur 04-09: Krieg und die Produktion von Raum

  • IDEA Magazine

    IDEA 296. Books <preposition> graphic design

  • IDEA Magazine

    IDEA 293. Stanley Donwood / Vacances. DD-DDD / Dimensions…

  • gerade nicht auf Lager
    An Architektur

    An Architektur 01-03

  • gerade nicht auf Lager
    Pro qm

    Gutschein / Voucher

Style and Epoch. Issues in Modern Architecture

Originally published in Moscow in 1924, Moisei Iakovlevich Ginzburg's book Style and Epoch is considered by many to be the single most important piece of writing on architecture to come out of Russia in this century.
Preface by Kenneth Frampton
Moisei Iakovlevich Ginzburg, one of the founders and chief spokesmen of the Constructivist movement in Soviet architecture, combined the talents of scholar, theoretician, writer, and practicing architect. Originally published in Moscow in 1924, his book Style and Epoch is considered by many to be the single most important piece of writing on architecture to come out of Russia in this century. It elucidates the aims and ideals of a Constructivist architecture, providing what is essentially an official manifesto of the Constructivist program and becoming the cornerstone of virtually all of the Constructivist writings that followed. Its translation makes available to English readers one of the seminal works of modern architectural theory. Style and Epoch has often been compared to Le Corbusier's Vers Une Architecture (published the year before Ginzburg's book) as a classic of early twentieth-century architectural thought.
In it, Ginzburg expresses admiration for the products of engineering and machine technology and voices dismay at the failure to apply the means of that technology to improving architecture. By virtue of his unusually broad education; Ginzburg was able to draw upon elements of Western architecture and literature in such a way as to connect the Russian avant-garde with the simultaneously evolving network of progressive European movements. The result is a cogent analysis of architectural composition from antiquity to modern times in which Ginzburg attempts to plot those universal laws that determine any work of architecture, and proposes a systematic design method that is both rational and humane. An Oppositions Book.
Moisei Ginzburg was an architect, theorist, teacher, and a leader of the Constructivist group in Soviet avant-garde architecture. Born in Minsk in 1896 into an architect's family, he went abroad to Italy and France for his architectural training. He settled in Moscow, where he taught architectural history and theory at the Moscow High Technical School and in the architecture faculty at the Vkhutemas Art School. An influential young pedagogue, Ginzburg published discerning critiques of modern architecture. His magnum opus, Style and Epoch (1924), emphasized the civilizing role of the machine and its capacity to rationalize new building types consistent with the needs of the working class. Asserting that the revolution had engendered a new constructive phase of architectural development, Ginzburg's treatise was essentially a manifesto of Constructivism as the architectural style of the new Soviet era.


Moisei Ginzburg
Style and Epoch. Issues in Modern Architecture
Fontanka, 2019, 9781906257293
gerade nicht auf Lager