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  • Bechir Kenzari (Hg.)

    Architecture and Violence

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    Anarchitektur

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    The Story of Post-Modernism

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    Creatives in Japan. Keywords to Know

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    Beyond and Before. Progressive Rock since the 1960s

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    Paul Thek Reproduced, 1969 - 1977

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    How to Design Websites

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    Fanged Noumena. Collected Writings 1987-2007

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    Territorien des Widerstands. Eine politische Kartografie…

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    Community Art: The Politics of Trespassing

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    Project Japan. An Oral History of Metabolism

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    Loop

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    Poster Collection 23. In Series

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    The Art-Architecture Complex

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    Establishing a Critical Corpus

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    Linke Metropolenpolitik. Erfahrungen und Perspektiven am…

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    The Sympathy of Things

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    Wir sind alle Astronauten. Richard Buckminster Fuller

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    Touch Me

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    Testify! The Consequences of Architecture

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    Beyond Shelter. Architecture for Crisis

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    Valerio Olgiati 1996-2011

  • Pier Vittorio Aureli

    The Possibility of an Absolute Architecture

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    Urban Code. 100 Lessons for Understanding the City

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    I Read Where I Am. Exploring New Information Cultures

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    Notating the Cosmology 1973-2008

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    This is Hybrid. An analysis of mixed-use buildings by a+t

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    Disko 20-25 Architektur ohne Architektur

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    Utopie. Texts and Projects, 1967–1978

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    A Graphic Odyssey - Catalogue

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    Source. Music of the Avant-garde, 1966 - 1973

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    Architecture with the People, by the People

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    Civic City Cahier 5. Designing the Post-Political City and…

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    One Million Acres & No Zoning

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    Tarzans in the Media Forest

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    Destroy All Monsters Magazine 1976-1979

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    African Cities Reader II. Mobilities & Fixtures

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    On Horizons. A Critical Reader in Contemporary Art

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    All Over the Map. Writing on Buildings and Cities

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    German Fashion Design 1946-2012

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    Retromania. Pop Culture's Addiction to its Own Past

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    Landform Building

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    Representing Capital. A Reading of Volume One

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    Modell Autodidakt

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    Sanaa 2008-2011

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    Urban Asymmetries

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    Die Macht der Erkenntnis

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    Solution 214-238. The Book of Japans

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    Contemporary Art and Aesthetics

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    Njiric+ Architekti

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    World Cinema and the Ethics of Realism

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    An Introduction to Architectural Theory. 1968 to the Present

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Style and Epoch. Issues in Modern Architecture

Originally published in Moscow in 1924, Moisei Iakovlevich Ginzburg's book Style and Epoch is considered by many to be the single most important piece of writing on architecture to come out of Russia in this century.
Preface by Kenneth Frampton
Moisei Iakovlevich Ginzburg, one of the founders and chief spokesmen of the Constructivist movement in Soviet architecture, combined the talents of scholar, theoretician, writer, and practicing architect. Originally published in Moscow in 1924, his book Style and Epoch is considered by many to be the single most important piece of writing on architecture to come out of Russia in this century. It elucidates the aims and ideals of a Constructivist architecture, providing what is essentially an official manifesto of the Constructivist program and becoming the cornerstone of virtually all of the Constructivist writings that followed. Its translation makes available to English readers one of the seminal works of modern architectural theory. Style and Epoch has often been compared to Le Corbusier's Vers Une Architecture (published the year before Ginzburg's book) as a classic of early twentieth-century architectural thought.
In it, Ginzburg expresses admiration for the products of engineering and machine technology and voices dismay at the failure to apply the means of that technology to improving architecture. By virtue of his unusually broad education; Ginzburg was able to draw upon elements of Western architecture and literature in such a way as to connect the Russian avant-garde with the simultaneously evolving network of progressive European movements. The result is a cogent analysis of architectural composition from antiquity to modern times in which Ginzburg attempts to plot those universal laws that determine any work of architecture, and proposes a systematic design method that is both rational and humane. An Oppositions Book.
Moisei Ginzburg was an architect, theorist, teacher, and a leader of the Constructivist group in Soviet avant-garde architecture. Born in Minsk in 1896 into an architect's family, he went abroad to Italy and France for his architectural training. He settled in Moscow, where he taught architectural history and theory at the Moscow High Technical School and in the architecture faculty at the Vkhutemas Art School. An influential young pedagogue, Ginzburg published discerning critiques of modern architecture. His magnum opus, Style and Epoch (1924), emphasized the civilizing role of the machine and its capacity to rationalize new building types consistent with the needs of the working class. Asserting that the revolution had engendered a new constructive phase of architectural development, Ginzburg's treatise was essentially a manifesto of Constructivism as the architectural style of the new Soviet era.


Moisei Ginzburg
Style and Epoch. Issues in Modern Architecture
Fontanka, 2019, 9781906257293