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  • Walter Grasskamp

    Das Kunstmuseum. Eine erfolgreiche Fehlkonstruktion

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    Gender & Medien-Reader

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    Can Architecture Be An Emancipatory Project? Dialogues on…

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    Der Raum als Membran

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    Poet Fool

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    Digital Design Theory

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    Dividuum. Machinic Capitalism and Molecular Revolution

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    Dark Space. Architecture, Representation, Black Identity

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    Towards a Conceptual Militancy

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    Cartography of Exhaustion. Nihilism Inside Out

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    Scenes from the Good Life. Nine investigations into the…

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    Publishing as Artistic Practice

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    Obsolescence. An Architectural History

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    80*81: What Happened?

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    Architectural Robotics. Ecosystems of Bits, Bytes, and…

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    Sou Fujimoto. Towards a Non-Intentional Space. About Sou…

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    TESTO JUNKIE: Sex, Drogen und Biopolitik in der Ära der…

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    Das Recht auf Stadt

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    Archescape. On the tracks of Piranesi

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    Concrete Concept. Brutalist Buildings Around the World

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    Vision and Reality

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    Sensing the City. A Companion to Urban Anthropology

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    Sonorama: Listening to the view from the train

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    England's Hidden Reverse. Coil, Current 93, Nurse with…

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    Wie leben? Zukunftsbilder von Malewitch bis Fujimoto

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    Planetary Gentrification

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    The Radicality of Love

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    The Age of Collage Vol. 2: Contemporary Collage in Modern…

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    The Anatomy of the Architectural Book

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    Die Kunst der Anderen. "Weltkunst" und die…

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    Arme Gemeinschaft. Die Moderne Rousseaus

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  • Gerald Raunig, Ulf Wuggenig

    Kritik der Kreativität

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    Das leichte Haus. Utopie und Realität der Membranarchitektur

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    Migrating the Feminine

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    An Architektur 11-13: Theorie und Praxis der Kartografie

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    An Architektur 04-09: Krieg und die Produktion von Raum

  • Shinkenchiku 2014:11

    Japan Architects 1945 - 2010. Extra Edition

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    In The Realm of the Senses. A Materialist Theory of Seeing…

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    Disorientation: Bernard Rudofsky in the Empire of Signs.…

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    Bauformen des Gewissens. Über Fassaden deutscher…

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    Die Zukunft der Architektur in 100 Bauwerken

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    The Ministry of Nostalgia. Consuming Austerity

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    Better than de Kooning

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    Doppelleben. Kunst und Popmusik

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    Die Notwendigkeit von Irrtümern

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    Josef Frank. Against Design

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    Design Objects and the Museum

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    IDEA 373. Post Independent Magazine

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    And. Phenomenology of the End

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    Omniverse – Sun Ra

The Disco Files 1973-78: New York's Underground, Week by Week

In 1973, Vince Aletti became the first person to write about the emerging disco scene. His engagement with disco nightlife continued throughout the decade as he wrote his weekly column for Record World magazine, which incorporated top ten playlists from DJs across the US (such as Larry Levan, Larry Sanders, Walter Gibbons, Tee Scott and Nicky Siano) alongside Aletti's own writings and interviews.
As disco grew from an underground secret to a billion-dollar industry, Aletti was there to document it, and The Disco Files is his personal memoir of those days, containing everything he wrote on the subject (most of it between 1974 and1978) augmented with photography by Peter Hujar and Toby Old. This book is the definitive and essential chronicle of disco, true from-the-trenches reporting that details, week by week, the evolution of the clubs, the DJs, and above all, the music, through magazine articles, beautiful photographs, hundreds of club charts and thousands of record reviews.
Photocopies of Aletti's Record World columns circulated for years among DJs and music lovers, until they were finally collected in 2009 into the first edition of The Disco Files, an instant classic that quickly sold out. This new edition of The Disco Files brings Aletti's compulsively readable disco writing back into print, adding an interview with Fran Lebowitz originally published in the Village Voice in 1990.
Throughout his career, curator, writer and critic Vince Aletti (born 1945) has been at the forefront of music, culture and the arts. He wrote for Record World and Rolling Stone and covered the club scene in the late 1970s and 1980s for the Village Voice, where he would serve as art editor until 2005. In addition to curating numerous photography exhibitions, Aletti writes about photography for the New Yorker.


Vince Aletti
The Disco Files 1973-78: New York's Underground, Week by Week
DISTRIBUTED ART PUB, 2018, 9781942884309