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    Perspektiven der Musikphilosophie

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    Marx ökologisch. Pariser Marxlektüren

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    M_Dokumente. Mania D., Malaria!, Matador

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    Transformative Partizipation. Strategien für den…

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    The Third Unconscious The Psychosphere in the Viral Age

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    Complaint!

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    The Ruins Lesson. Meaning and Material in Western Culture

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    Arch+ 245. Fassadenmanifest

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    A City Is Not a Computer Other Urban Intelligences

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    Feminist City. Claiming Space in a Man-Made World

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    The Auto-Ethnographic Turn in Design

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    Vanishing Berlin

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    The First Days of Berlin. The Sound of Change

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    Beautiful Evidence

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    Das Kapital ist tot

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    After Lockdown. A Metamorphosis

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    Die Schwerkraft von Ideen. Eine Designgeschichte. Band 2

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    Nonument

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    PROOF OF ART. A short history of NFTs from the beginning of…

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    TinyBE. Living in a sculpture

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    Der kleinstmögliche Eingriff oder die Rückführung der…

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    Warum ist Landschaft schön? Die Spaziergangswissenschaft

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    On Freedom

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    Räume in Veränderung – Ein visuelles Lesebuch Ein- und…

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    Dr. Smartphone: An Ethnography of Mobile Phone Repair Shops

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    Die sanfte Stadt

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    The Postresearch Condition

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    Illiberal Arts

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    Breathtaking Greenhouse Parastructures

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    IDEA 395. Designing the Digital World: Game Experience and…

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    All Incomplete

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    Art Writing in Crisis

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    The Politics of Decolonial Investigations

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    Degeyter - Architect

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    Platform Urbanism and its discontents.

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    Culture Strike. Art and Museums in an Age of Protest

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    Undoing Optimization. Civic Action in Smart Cities

Sad by Design: On Platform Nihilism

Melancholy has always been with us. Nowadays, though, it’s a design problem—its highs and lows coded into the social media platforms on which we spend so much of our lives. We click, we scroll; we swipe, we like. And after it all, we wonder where the time went, and what, other than a flat and empty feeling, we got for it.
Sad by Design offers a critical analysis of our social media environment and what it’s doing to us. Geert Lovink analyzes the problems of toxic viral memes, online addiction, and the lure of fake news. He shows how attempts to design sites to solve these problems have, in their studied efforts to be apolitical, been unable to generate either a serious critique or legitimate alternatives. But there is an answer: Lovink calls for us to acknowledge the engineered intimacy of these sites—because boredom, he argues, is the first stage of overcoming “platform nihilism,” which can free us to organize to stop the data harvesting industries that run them.
'Geert Lovink, who is expertly familiar with digital dynamics - technological as well as social - provides in this book a searing criticism of platform nihilism, considered above all as a perversion of computational design' -- Bernard Stiegler, author of 'The Age of Disruption: Technology and Madness in Computational Capitalism' 'Sad by Design: on Platform Nihilism, despite the title, is not a sad book. It dissects our digital addictions with the dynamite power of critical theory. It's a savage journey into the heart of the digital self, and a wake-up call to break free of our own enslavement' -- Donatella Della Ratta, author of 'Shooting a Revolution: Visual Media and Warfare in Syria' 'Dystopian ... a scathing indictment of a technology that transforms the very notion of self into a sharing platform.' -- Eva Illouz, author of 'Why Love Hurts: A Sociological Explanation'


Geert Lovink
Sad by Design: On Platform Nihilism
Pluto Press, 2019, 9780745339344