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  • Arbeitsgruppe Kunst und Politik (Hg.)

    Kunst Spektakel Revolution Nr. 2

  • Nicholas Mirzoeff

    The Right to Look. A Counterhistory of Visuality

  • John McHale

    The Expendable Reader. Articles on Art, Architecture,…

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    Vertical Thoughts. Morton Feldman and the Visual Arts

  • Craig Buckley, Mark Wasiuta

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  • Differences. A Journal of Feminist…

    The Sense of Sound

  • Annette Wehrmann

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    Architects' Journeys. Building, Traveling, Thinking

  • Hillel Schwartz

    Making Noise. From Babel to the Big Bang and Beyond

  • Eva Moser

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  • Beate Lendt

    Der Traum vom Baumhaus. Das Ökohausprojekt von Frei Otto in…

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    Forget Fear. 7. Berlin Biennale (Reader Dt. & Engl.)

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    Urban Images. Unruly Desires in Film and Architecture

  • James Langdon

    Pugin’s Contrasts Rotated

  • A+T 37

    Strategy Space. Landscape, Urbanism, Strategies

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  • Benjamin Sommerhalder

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  • El Croquis 157

    Studio Mumbai 2003-2011

  • Katja Blomberg

    Distinct Ambiguity. Graft

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    Und der Zukunft zuge­wandt. Pots­dam und der gebaute…

  • Ulrike Steglich

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  • Claire Colomb

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  • Terry Richardson

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  • Rosa Ferré

    Red Cavalry: Creation and Power in Soviet Russia Between…

  • Sevgi Ortac

    The Monument Upside Down. The City Walls of Istanbul

  • Sven-Olov Wallenstein


    Nihilism, Art, Technology


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    Freunde von Freunden. Berlin

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    Microplanning. Urban Creative Practices. Sao Paulo

  • Charles Fourier

    The Hierarchies of Cuckoldry and Bankruptcy

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  • Judith Halberstam

    The Queer Art of Failure

  • Grant H. Kester

    The One and the Many. Contemporary Collaborative Art in a…

  • Roman Hillmann

    Die erste Nachkriegsmoderne

  • Laura Oldfield Ford

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    Saul Bass. A Life in Film & Design

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    BIG Bjarke Ingels Group

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    Spangbergianism

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    To Do List Calendar 2012

  • Judith F. Rodenbeck

    Radical Prototypes. Allan Kaprow and the Invention of…

  • Hal Foster

    The First Pop Age

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    In The Space Of A Song. The Uses of Song in Film

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    Under Blue Cup

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    Architecture and Violence

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    The Story of Post-Modernism

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    Beyond and Before. Progressive Rock since the 1960s

  • Susanne Neubauer

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  • Yvonne Rainer

    Poems

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    How to Design Websites

  • Nick Land

    Fanged Noumena. Collected Writings 1987-2007

  • Raúl Zibechi

    Territorien des Widerstands. Eine politische Kartografie…

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    Community Art: The Politics of Trespassing

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    Tower and Slab. Histories of Global Mass Housing

  • Roman Ondák

    Loop

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    A Thousand Eyes. Media Technology, Law, and Aesthetics

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    Die Medien der Architektur

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    Poster Collection 23. In Series

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    Pop Song Piracy. Disobedient Music Distribution Since 1929

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    Kultur und Kritik (Heft 1, Herbst 2012) POP

  • M. Berner, A. Hoffmann, B. Lange

    Sensible Sammlungen. Aus dem anthropologischen Depot

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    Amateur der Weltgeschichte. Historiographische Praktiken im…

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    Visual Storytelling. Inspiring a New Visual Language

  • Christian Marazzi

    Capital and Affects. The Politics of the Language Economy

  • Shannon Jackson

    Social Works. Performing Art, Supporting Publics

  • Hal Foster

    The Art-Architecture Complex

  • Thomas Hirschhorn

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    Linke Metropolenpolitik. Erfahrungen und Perspektiven am…

  • Lars Spuybroek

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Against Nature

A pithy work of philosophical anthropology that explores why humans find moral orders in natural orders.
Why have human beings, in many different cultures and epochs, looked to nature as a source of norms for human behavior? From ancient India and ancient Greece, medieval France and Enlightenment America, up to the latest controversies over gay marriage and cloning, natural orders have been enlisted to illustrate and buttress moral orders. Revolutionaries and reactionaries alike have appealed to nature to shore up their causes. No amount of philosophical argument or political critique deters the persistent and pervasive temptation to conflate the is of natural orders with the ought of moral orders.
In this short, pithy work of philosophical anthropology, Lorraine Daston asks why we continually seek moral orders in natural orders, despite so much good counsel to the contrary. She outlines three specific forms of natural order in the Western philosophical tradition specific natures, local natures, and universal natural laws and describes how each of these three natural orders has been used to define and oppose a distinctive form of the unnatural. She argues that each of these forms of the unnatural triggers equally distinctive emotions: horror, terror, and wonder.
Daston proposes that human reason practiced in human bodies should command the attention of philosophers, who have traditionally yearned for a transcendent reason, valid for all species, all epochs, even all planets.


Lorraine Daston
Against Nature
MIT Press , 2019, 9780262537339