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    Damage Control. Art and Destruction Since 1950

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    Minha Casa-nossa Cidade. Innovating Mass Housing In Brazil

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    Eine Feier, elf Räume und ein gelber Korridor

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    COOKIE!

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    War postdigital besser?

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    The Mysticism of Money

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    Socialism and Modernity. Art, Culture, Politics 1950 – 1974

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    ReNew Marxist Art History

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    An Anthology of Concrete Poetry

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    How Small? How Vast? How architecture grows

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    Manifesto Architecture. The Ghost of Mies

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    Rolf Müller

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    Is It My Body? Selected Texts

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    and Materials and Money and Crisis

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    Situational Urbanism. Directing Postwar Urbanity

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    Visualising Information for Advocacy

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    Pierre Huyghe

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    Architecture after Revolution

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    IDEA 362. Poetics of Graphic Language. Contemporary…

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    Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground

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    The Ritual of the Snake

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    Wunderland

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    The Mysticism of Money. Precisionist Painting and Machine…

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    The Future of Architecture

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    Type Only

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    Some Book. Graphic Expressions between Design and Art

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    The Economy of Sustainable Construction

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    Berlin Quarterly. European review of Culture. Issue 1

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    Ein Märchen

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    Isa Genzken. Retrospective

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    Common Ground. In Photographs

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    George Nelson. Ein Designer im Kalten Krieg

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    Die Autonomie des Klangs - Eine Philosophie der Musik

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    A Right to Difference. The Architecture of Jean Renaudie

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    Theorien der Gegenwartskunst

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    Serge Gainsbourg's Histoire de Melody Nelson (33 1/3)

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    Gwangju Folly II

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    3 New York Dadas and the Blindman

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    Snapshot Photography. The Lives of Images

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    Ästhetik der Existenz. Lebensformen im Widerstreit T:G/10

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    The Contemporary, the Common: Art in a Globalizing World

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    The Space Age. Poster Book

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    The Design of Portuguese Semi-Industrial Confectionery

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    Gehen

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    China's Vanishing Worlds. Countryside, Traditions, and…

Dr Space Junk vs The Universe. Archaeology and the Future

A pioneering space archaeologist explores artifacts left behind in space and on Earth, from moon dust to Elon Musk's red sports car.
Alice Gorman is a space archaeologist: she examines the artifacts of human encounters with space. These objects, left behind on Earth and in space, can be massive (dead satellites in eternal orbit) or tiny (discarded zip ties around a defunct space antenna). They can be bold (an American flag on the moon) or hopeful (messages from Earth sent into deep space). They raise interesting questions: Why did Elon Musk feel compelled to send a red Tesla into space? What accounts for the multiple rocket-themed playgrounds constructed after the Russians launched Sputnik? Gorman—affectionately known as “Dr Space Junk” —takes readers on a journey through the solar system and beyond, deploying space artifacts, historical explorations, and even the occasional cocktail recipe in search of the ways that we make space meaningful.
Engaging and erudite, Gorman recounts her background as a (nonspace) archaeologist and how she became interested in space artifacts. She shows us her own piece of space junk: a fragment of the fuel tank insulation from Skylab, the NASA spacecraft that crash-landed in Western Australia in 1979. She explains that the conventional view of the space race as “the triumph of the white, male American astronaut” seems inadequate; what really interests her, she says, is how everyday people engage with space. To an archaeologist, objects from the past are significant because they remind us of what we might want to hold on to in the future.
Alice Gorman is a leader in the emerging field of space archaeology. Her work has been featured in National Geographic, the New Yorker, and the Atlantic. She is a Senior Member of the American Institute of Aeronautics and Astronautics and Senior Lecturer at Flinders University, Adelaide. She tweets as @drspacejunk.


Alice Gorman
Dr Space Junk vs The Universe. Archaeology and the Future
MIT Press, 2019, 9780262043434