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  • Armen Avanessian (Hg.)

    Realismus Jetzt: Spekulative Philosophie und Metaphysik für…

  • Marc Angelil, Rainer Hehl (Eds.)

    Minha Casa-nossa Cidade. Innovating Mass Housing In Brazil

  • Olafur Eliasson

    Eine Feier, elf Räume und ein gelber Korridor

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    Three Faces. Archive Chalayan

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    The Global Art Compass

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    Reziproke Räume. Texte zu Kulturanthropologie und…

  • Jan Verwoert

    COOKIE!

  • Martin Conrads, Franziska Morlok (Ed.)

    War postdigital besser?

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    L.A. [Ten]. Interviews on Los Angeles Architecture, 1970–…

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    The Mysticism of Money

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    Socialism and Modernity. Art, Culture, Politics 1950 – 1974

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    Materialrevolution 2. Neue nachhaltige und multifunktionale…

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    Make Shift City. Renegotiating the Urban Commons

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    Dis Continuity

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    Mapping Everything

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    Artists’ Cocktails

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    Flying Furniture

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    ReNew Marxist Art History

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    Kunst und Ideologiekritik nach 1989 / Art and the Critique…

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    Liebe ist kälter als das Kapital. Love is colder than…

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    Berlin. Eine Morphologie der Mauern. A Morphology of Walls

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    An Anthology of Concrete Poetry

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    IEMANJÁ

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    How Small? How Vast? How architecture grows

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    The Future of Architecture. What is the future of…

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    Manifesto Architecture. The Ghost of Mies

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    Rolf Müller

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    Playing at Home. The House in Contemporary Art

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    Collage and Architecture

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    Eva Hesse. One More Than One

  • Andreas Baur, Bernd Stiegler, Felix…

    Wozu Bilder? Gebrauchsweisen der Fotografie

  • Kim Gordon

    Is It My Body? Selected Texts

  • René Spitz

    A5/06. HfG Ulm

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    Begriffe des Ausstellens (von A bis Z). Terms of Exhibiting…

  • Torsten Blume, Christian Hiller (Hg.)

    Mensch - Raum – Maschine. Bühnenexperimente am Bauhaus

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    Ware und Wissen: or the stories you wouldn’t tell a stranger

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    and Materials and Money and Crisis

  • Barbara Penner

    Bathroom (Objekt series)

  • Otto Paans, Ralf Pasel

    Situational Urbanism. Directing Postwar Urbanity

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    Visualising Information for Advocacy

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    Pierre Huyghe

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    Architecture after Revolution

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    Domes, Arches and Minarets. A History of Islamic-Inspired…

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    Bedsit Disco Queen. How I Grew Up and Tried to be a Pop Star

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    Contestations. Learning from Critical Experiments in…

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    IDEA 362. Poetics of Graphic Language. Contemporary…

  • Hans Ulrich Obrist

    Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground

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    A-Typical Plan

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    Tyo-WTC

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    Protest Camps

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    Isotype. Design and Contexts, 1925–1971

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    Seeing from Above. The Aerial View in Visual Culture

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    The Ritual of the Snake

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    Wunderland

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    The Mysticism of Money. Precisionist Painting and Machine…

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    Bilderstreit und Gesellschaftsumbruch. Die Debatte um die…

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    Implosions / Explosions. Towards a Study of Planetary…

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    Das Marburger Bausystem. Offenheit als Prinzip

  • Langley, Pearce, Worth (Ed.)

    After Butler's Wharf. Essays on a Working Building

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    The Future of Architecture

  • Mark Sinclair, Tony Brook

    Type Only

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    Some Book. Graphic Expressions between Design and Art

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    Nuggets – New and Old Writing on Art, Architecture, and…

  • Ellen Blumenstein, Katharina Fichtner (…

    The World According to Patricia Esquivias. Fernando Garrido…

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    The Economy of Sustainable Construction

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    Art Is a Problem. Selected Criticism, Essays, Interviews…

  • James Guerin

    Berlin Quarterly. European review of Culture. Issue 1

  • Blexbolex

    Ein Märchen

  • Museum of Modern Art (Ed.)

    Isa Genzken. Retrospective

  • Juergen Teller

    Common Ground. In Photographs

  • Jochen Eisenbrand

    George Nelson. Ein Designer im Kalten Krieg

  • Maik Schierloh (Hg.)

    Kosmetiksalon Bar Babette

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    Transcultural Modernisms

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    Pancho Guedes. Vitruvius Mozambicanus

  • Clog

    Unpublished

  • Joanne Finkelstein

    Fashioning Appetite. Restaurants and the Making of Modern…

  • Gunnar Hindrichs

    Die Autonomie des Klangs - Eine Philosophie der Musik

  • Irénée Scalbert

    A Right to Difference. The Architecture of Jean Renaudie

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    Theorien der Gegenwartskunst

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    Serge Gainsbourg's Histoire de Melody Nelson (33 1/3)

  • Daniel Irrgang, Clemens Jahn (Hg.)

    Forum zur Genealogie des MedienDenkens 1. Siegfried…

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    Institutional Attitudes. Instituting Art in a Flat World

  • Texte zur Kunst Heft 92

    Architecture / Architektur

  • Kultur & Gespenster 14

    Radio

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    Gwangju Folly II

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    Andrea Zittel. Institute of Investigative Living. Leben und…

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    3 New York Dadas and the Blindman

  • Catherine Zuromskis

    Snapshot Photography. The Lives of Images

  • E. Bippus, J. Huber, R. Nigro

    Ästhetik der Existenz. Lebensformen im Widerstreit T:G/10

  • Chantal Pontbriand

    The Contemporary, the Common: Art in a Globalizing World

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    The Space Age. Poster Book

  • Fabrico Próprio

    The Design of Portuguese Semi-Industrial Confectionery

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    Gehen

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    China's Vanishing Worlds. Countryside, Traditions, and…

  • Pier Vittorio Aureli, Martino Tattara

    Dogma. 11 Projects

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    Mies Van Der Rohe. Neue Nationalgalerie in Berlin 1962-1968

  • Sergio B. Martins

    Constructing an Avant-Garde. Art in Brazil 1949-1979

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    Peter Fischli, David Weiss

The Benjamin Files

"The Benjamin Files" offers a comprehensive new reading of all of Benjamin’s major works and a great number of his shorter book reviews, notes and letters. Its premise is that Benjamin was an anti-philosophical, anti-systematic thinker whose conceptual interests also felt the gravitational pull of his vocation as a writer. What resulted was a coexistence or variety of language fields and thematic codes which overlapped and often seemed to contradict each other: a view which will allow us to clarify the much-debated tension in his works between the mystical or theological side of Benjamin and his political or historical inclination. The three-way tug of war over his heritage between adherents of his friends Scholem, Adorno and Brecht can also be better grasped from this position, which gives the Brechtian standpoint more due than most influential academic studies. Benjamin’s corpus is an anticipation of contemporary theory in the priority it gives language and representation over philosophical or conceptual unity; and its political motivations are clarified by attention to the omnipresence of history throughout his writing, from the shortest articles to the most ambitious projects. His explicit programme – “to transfer the crisis into the heart of language” or, in other words, to detect class struggle at work in the most minute literary phenomena – requires the reader to translate the linguistic or representational literary issues that concerned him back into the omnipresent but often only implicitly political ones. But the latter are those of another era, to which we must gain access, to use one of Benjamin’s favorite expressions.


Fredric Jameson
The Benjamin Files
Verso, 2020, 9781839765575