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  • IDEA Magazine

    IDEA 341. Dialogues with Tatsuya Ariyama

  • Tara Rodgers

    Pink Noises. Women on Electronic Music and Sound

  • Brandon LaBelle

    Acoustic Territories. Sound Culture and Everyday Life.…

  • Sara De Bondt, Fraser Muggeridg

    The Form of the Book Book

  • Adolf Opel (Hg.)

    Adolf Loos. Gesammelte Schriften

  • Christoph Schäfer

    Die Stadt ist unsere Fabrik. The City is Our Factory.

  • Tom McDonough (Hg.)

    The Situationists and the City

  • Stefan Marx

    85 Zeichnungen

  • Sandra Schaefer

    Stagings. Kabul, Film & Production of Representation

  • Steve Goodman

    Sonic Warfare. Sound, Affect, and the Ecology of Fear

  • Alex Ross

    The Rest is Noise. Das 20. Jahrhundert hören

  • Kenya Hara

    Weiss

  • Jacques Rancière

    The Emancipated Spectator

  • Bjarke Ingels Group

    Yes is More. An Archicomic on Architectural Evolution

  • Alexander Alberro, Blake Stimson (Hg.)

    Institutional Critique. An Anthology of Artists'…

  • Knut Ebeling, Stephan Günzel (Hg.)

    Archivologie. Exterioritäten des Wissens in Philosophie,…

  • Gui Bonsiepe

    Entwurfskultur und Gesellschaft. Gestaltung zwischen…

  • Claire Doherty (Hg.)

    Situation. Documents of Contemporary Art

  • Michel Foucault

    Geometrie des Verfahrens. Schriften zur Methode

  • Jacques Ranciere

    Aesthetics and Its Discontents

  • James Hennessey, Victor Papanek

    Nomadic Furniture. D-I-Y Projects that are Lightweight

  • Claire Fontaine

    Vivre, vaincre

  • Wolfram Pichler, Ralph Ubl (Hg.)

    Topologie. Falten, Knoten, Netze, Stülpungen in Kunst und…

  • Geoff Manaugh

    The BLDG BLOG Book

  • Neil Brenner, Stuart Elden (Hg.)

    Henri Lefebvre. State, Space, World. Selected Essays

  • Louis Althusser, Etienne Balibar

    Reading Capital

  • Bernd Stiegler

    Montagen des Realen. Photographie als Reflexionsmedium und…

  • John Robb

    The North Will Rise Again. Manchester Music City 1976-1996

  • Alex Farquharson, Clemens Krümmel,…

    Klaus Weber. Secession

  • Hans Ulrich Obrist

    A Brief History of Curating

  • IDEA Magazine

    IDEA 332. How does graphic design CHANGE?

  • Jean-Luc Godard, Youssef Ishaghpour

    Archäologie des Kinos, Gedächtnis des Jahrhunderts

  • Arkitip No. 0048

    Ryan McGinness

  • Rahel Lämmler, Michael Wagner

    Ulrich Müther. Schalenbauten in Mecklenburg-Vorpommern

  • Martina Löw

    Soziologie der Städte

  • Ilka & Andreas Ruby (Hg.)

    Urban Transformations

  • Ralph Heidenreich, Stefan Heidenreich

    Mehr Geld

  • Sven Spieker

    The Big Archive. Art From Bureaucracy

  • Thomas Meinecke

    Jungfrau

  • Grada Kilomba

    Plantation Memories. Episodes of Everyday Racism

  • Hadas A. Steiner

    Beyond Archigram. The Structure of Circulation

  • Susanne von Falkenhausen

    KugelbauVisionen. Kulturgeschichte einer Bauform von der…

  • An Architektur

    An Architektur 22: GAMMA Grid, 1953. Das Ende des CIAM und…

  • Felix Guattari

    The Three Ecologies

  • An Architektur

    An Architektur 19-21: Community Design. Involvement and…

  • Antonio Negri

    The Porcelain Workshop. For a New Grammar of Politics

  • Christoph Schaub, Michael Schindhelm

    Bird's Nest (DVD, 87 min.). Jacques Herzog und Pierre…

  • Felicity D. Scott

    Architecture or Techno-Utopia. Politics after Modernism

  • Birgit Schneider

    Textiles Prozessieren

  • Bruno Latour

    Wir sind nie modern gewesen. Versuch einer Symmetrischen…

  • Georges Canguilhem

    Wissenschaft, Technik, Leben. Beiträge zur historischen…

  • Stuart Elden, Elizabeth Lebas, Eleonore…

    Henri Lefebvre. Key Writings

  • Laurence A. Rickels

    Ulrike Ottinger. Eine Autobiografie

  • N. John Habraken, Arnulf Lüchinger

    Die Träger und die Menschen. Das Ende des Massenwohnungsbau…

  • Liz Kotz

    Words to Be Looked at. Language in 1960s Art

  • Guy Debord

    Comments on the Society of the Spectacle

  • Michel de Certeau

    Kunst des Handelns

  • Jacques Ranciere

    Ist Kunst widerständig?

  • Alain Badiou

    Wofür steht der Name Sarkozy?

  • Donna Haraway

    Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen.

  • Stefanie Schulte Strathaus, Florian…

    Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert?

  • Henri Lefebvre

    Writings on Cities

  • Henri Lefebvre

    The Production of Space

  • Hiromasa Shirai, André Schmidt (Hg.)

    Big Bang Beijing. Urban Change in Beijing

  • John F. C. Turner

    Housing by People. Towards Autonomy in Building…

  • Loretta Napoleoni

    Rogue Economics. Capitalism's New Reality

  • AD

    AD 174. Vol. 75. Nr. 2. Samantha Hardingham. The 1970'…

  • An Architektur

    An Architektur 18: Camp for Oppositional Architecture:…

  • An Architektur

    An Architektur 16-17

  • An Architektur

    An Architektur 15 / FFM 11: Europäische…

  • An Architektur

    An Architektur 14: Camp for Oppositional Architecture

  • An Architektur

    An Architektur 11-13: Theorie und Praxis der Kartografie

  • An Architektur

    An Architektur 10: Gemeinschaftsräume

  • An Architektur

    An Architektur 04-09: Krieg und die Produktion von Raum

  • IDEA Magazine

    IDEA 296. Books <preposition> graphic design

  • IDEA Magazine

    IDEA 293. Stanley Donwood / Vacances. DD-DDD / Dimensions…

  • An Architektur

    An Architektur 01-03

  • Pro qm

    Gutschein / Voucher

You can be a wealthy art collector in the digital age // You can be a Cash-Strapped Art Collector in the Digital Age

This book is a practical guide to collecting contemporary art using the tools available online and on any smartphone or tablet, with a special focus on digital art and the particular advantages and challenges it presents to collectors. The guide is intended for anyone who would like to collect art, regardless of their knowledge of the art market—or their budget.
The volume is divided into three parts: two separate (but related) manuals and a troubleshooting guide for collectors of digital art.  
    The first manual, titled ‘You can be a wealthy art collector in the digital age’, addresses all the basic aspects of collecting contemporary art, from finding a moti- vation to buy art and exploring the art market, to considering quantified analyses of artworks and sharing one’s collection on social media. It also provides insights and advice for collectors of software-based, web-based, and interactive artworks, as well as an analysis of the impact of artificial intelligence and blockchain technologies on art collecting.
    The second manual, titled ‘You can be a cash-strapped collector in the digital age’, turns to the possible ways of collecting contemporary art on a small budget (from $3 to $300) made available nowadays on online stores, app stores, and digital edition marketplaces. It also discusses the basic aspects of collecting, including motivation, searching for art on a budget, and understanding the type of objects on sale. This manual provides an additional focus on art in digital formats, including art apps, digital editions, and digital art frames.  
    The troubleshooting guide offers solutions to common questions and problems faced by collectors of digital art, such as digital editions, software art, interactive installations, and web-based, virtual reality (VR) or augmented reality (AR) artworks.
Each section in the book can be read independently, providing different points of entry to its content. Furthermore, in each section the main text is complemented with graphs and illustrations, as well as insets describing case studies and providing lists with additional references.
The book provides up-to-date, useful information for any kind of collector, as well as guidance on understanding the art world and navigating the art market.
About the author:
Pau Waelder is a curator, writer and researcher. PhD in Information and Knowledge Society by the Universitat Oberta de Catalunya (UOC). He teaches at the UOC, as well as in postgraduate courses at ESDi and NODE Curatorial Studies Online.
He has written extensively about digital art and the art market in magazines, journals, and books. He is also the author of $8,793 Worth of [Art] (Merkske, 2014).


Pau Waelder
You can be a wealthy art collector in the digital age // You can be a Cash-Strapped Art Collector in the Digital Age
Printer Fault Press, 2020, 978-84-09-23382-3