Direkt zum Inhalt

Warenkorb

  • Antonio Negri

    The Porcelain Workshop. For a New Grammar of Politics

  • Christoph Schaub, Michael Schindhelm

    Bird's Nest (DVD, 87 min.). Jacques Herzog und Pierre…

  • gerade nicht auf Lager
    Felicity D. Scott

    Architecture or Techno-Utopia. Politics after Modernism

  • gerade nicht auf Lager
    Birgit Schneider

    Textiles Prozessieren

  • Bruno Latour

    Wir sind nie modern gewesen. Versuch einer Symmetrischen…

  • gerade nicht auf Lager
    Georges Canguilhem

    Wissenschaft, Technik, Leben. Beiträge zur historischen…

  • gerade nicht auf Lager
    Stuart Elden, Elizabeth Lebas, Eleonore…

    Henri Lefebvre. Key Writings

  • Laurence A. Rickels

    Ulrike Ottinger. Eine Autobiografie

  • N. John Habraken, Arnulf Lüchinger

    Die Träger und die Menschen. Das Ende des Massenwohnungsbau…

  • gerade nicht auf Lager
    Liz Kotz

    Words to Be Looked at. Language in 1960s Art

  • Guy Debord

    Comments on the Society of the Spectacle

  • gerade nicht auf Lager
    Michel de Certeau

    Kunst des Handelns

  • gerade nicht auf Lager
    Jacques Ranciere

    Ist Kunst widerständig?

  • Alain Badiou

    Wofür steht der Name Sarkozy?

  • gerade nicht auf Lager
    Donna Haraway

    Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen.

  • gerade nicht auf Lager
    Stefanie Schulte Strathaus, Florian…

    Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert?

  • gerade nicht auf Lager
    Henri Lefebvre

    Writings on Cities

  • gerade nicht auf Lager
    Henri Lefebvre

    The Production of Space

  • Hiromasa Shirai, André Schmidt (Hg.)

    Big Bang Beijing. Urban Change in Beijing

  • gerade nicht auf Lager
    John F. C. Turner

    Housing by People. Towards Autonomy in Building…

  • Loretta Napoleoni

    Rogue Economics. Capitalism's New Reality

  • AD

    AD 174. Vol. 75. Nr. 2. Samantha Hardingham. The 1970'…

  • An Architektur

    An Architektur 18: Camp for Oppositional Architecture:…

  • Johan Frederik Hartle

    Der geöffnete Raum. Zur Politik der ästhetischen Form

  • An Architektur

    An Architektur 16-17

  • Vera Beyer, Jutta Voorhoeve, Anselm…

    Das Bild ist der König. Repräsentation nach Louis Marin

  • An Architektur

    An Architektur 15 / FFM 11: Europäische…

  • An Architektur

    An Architektur 14: Camp for Oppositional Architecture

  • An Architektur

    An Architektur 11-13: Theorie und Praxis der Kartografie

  • An Architektur

    An Architektur 10: Gemeinschaftsräume

  • An Architektur

    An Architektur 04-09: Krieg und die Produktion von Raum

  • IDEA Magazine

    IDEA 296. Books <preposition> graphic design

  • IDEA Magazine

    IDEA 293. Stanley Donwood / Vacances. DD-DDD / Dimensions…

  • gerade nicht auf Lager
    An Architektur

    An Architektur 01-03

  • gerade nicht auf Lager
    Pro qm

    Gutschein / Voucher

Afropessimism

Why does race seem to color almost every feature of our moral and political universe? Why does a perpetual cycle of slavery—in all its political, intellectual, and cultural forms—continue to define the Black experience? And why is anti-Black violence such a predominant feature not only in the United States but around the world? These are just some of the compelling questions that animate Afropessimism, Frank B. Wilderson III’s seminal work on the philosophy of Blackness.
Combining precise philosophy with a torrent of memories, Wilderson presents the tenets of an increasingly prominent intellectual movement that sees Blackness through the lens of perpetual slavery. Drawing on works of philosophy, literature, film, and critical theory, he shows that the social construct of slavery, as seen through pervasive anti-Black subjugation and violence, is hardly a relic of the past but the very engine that powers our civilization, and that without this master-slave dynamic, the calculus bolstering world civilization would collapse. Unlike any other disenfranchised group, Wilderson argues, Blacks alone will remain essentially slaves in the larger Human world, where they can never be truly regarded as Human beings, where, “at every scale of abstraction, violence saturates Black life.”
And while Afropessimism delivers a formidable philosophical account of being Black, it is also interwoven with dramatic set pieces, autobiographical stories that juxtapose Wilderson’s seemingly idyllic upbringing in mid-century Minneapolis with the abject racism he later encounters—whether in late 1960s Berkeley or in apartheid South Africa, where he joins forces with the African National Congress. Afropessimism provides no restorative solution to the hatred that abounds; rather, Wilderson believes that acknowledging these historical and social conditions will result in personal enlightenment about the reality of our inherently racialized existence.
Radical in conception, remarkably poignant, and with soaring flights of lyrical prose, Afropessimism reverberates with wisdom and painful clarity in the fractured world we inhabit. It positions Wilderson as a paradigmatic thinker and as a twenty-first-century inheritor of many of the African American literary traditions established in centuries past.


Frank Wilderson III
Afropessimism
Liveright, 2020, 978-1-63149-614-1_hc
gerade nicht auf Lager