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  • Guy Debord

    Comments on the Society of the Spectacle

  • Michel de Certeau

    Kunst des Handelns

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    Jacques Ranciere

    Ist Kunst widerständig?

  • Alain Badiou

    Wofür steht der Name Sarkozy?

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    Donna Haraway

    Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen.

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    Stefanie Schulte Strathaus, Florian…

    Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert?

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    Henri Lefebvre

    Writings on Cities

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    Henri Lefebvre

    The Production of Space

  • Hiromasa Shirai, André Schmidt (Hg.)

    Big Bang Beijing. Urban Change in Beijing

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    John F. C. Turner

    Housing by People. Towards Autonomy in Building…

  • Loretta Napoleoni

    Rogue Economics. Capitalism's New Reality

  • AD

    AD 174. Vol. 75. Nr. 2. Samantha Hardingham. The 1970'…

  • An Architektur

    An Architektur 18: Camp for Oppositional Architecture:…

  • Johan Frederik Hartle

    Der geöffnete Raum. Zur Politik der ästhetischen Form

  • An Architektur

    An Architektur 16-17

  • Vera Beyer, Jutta Voorhoeve, Anselm…

    Das Bild ist der König. Repräsentation nach Louis Marin

  • An Architektur

    An Architektur 15 / FFM 11: Europäische…

  • An Architektur

    An Architektur 14: Camp for Oppositional Architecture

  • An Architektur

    An Architektur 11-13: Theorie und Praxis der Kartografie

  • An Architektur

    An Architektur 10: Gemeinschaftsräume

  • An Architektur

    An Architektur 04-09: Krieg und die Produktion von Raum

  • IDEA Magazine

    IDEA 296. Books <preposition> graphic design

  • IDEA Magazine

    IDEA 293. Stanley Donwood / Vacances. DD-DDD / Dimensions…

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    An Architektur

    An Architektur 01-03

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    Pro qm

    Gutschein / Voucher

After the Planes. A Dialogue about Movement, Perception and Politics

Humans, data, goods, money—everything is in motion. It is not always clear what enables these processes in the first place and why they run sometimes more smoothly and sometimes less. The forces that set the world in motion seem to operate invisibly.
Against this backdrop this book, which has borrowed its title from Don DeLillo’s 9/11 novel “Falling Man,” asks seminal questions: How do new forms of power and counter-power condition the movements of humans, data, goods, money? How do movement-based powers struggle to make our high-voltage environment livable?
“After the Planes” has been conceived in the context of TACIT FUTURES, a project by Berliner Gazette e.V. encompassing research, interviews and public events.
“This is a book that, like an x-ray, makes visible today’s hidden infrastructure of movement. The images and the writing presented here have been calibrated to capture, to freeze in the frame, the light emitted by power in motion that usually exists outside the spectrum of our perception.”
Max Haiven
“The human has always been on the move throughout its history. Or is it more accurate to say that a movement of relational transformation has moved through the human?”
Brian Massumi
“Seeing with the omnipresent eyes of the observation society also enables seeing through the eyes of another subject. Here, in these openings, is where one's movements become political.”
Krystian Woznicki
http://www.diamondpaper.de/title_25


Brian Massumi, Krystian Woznicki
After the Planes. A Dialogue about Movement, Perception and Politics
Diamondpaper , 2017, 978-3-9817925-0-8
20,00 €