Direkt zum Inhalt

Warenkorb

  • St. Buijs, W. Tan, D. Tunas (Hg.)

    Megacities. Exploring a sustainable Future

  • Maia Francisco

    Fontology. Free Fonts Source Book

  • Peggy Buth

    Katalog. Desire in Represention

  • Creischer, Hinderer, Siekmann (Hg.)

    Das Potosí-Prinzip

  • Juan Maria Songel

    A Conversation with Frei Otto

  • Vito Campanelli

    Web Aesthetics. How Digital Media Affect Culture and…

  • Danielle Pario Perra

    Low Cost Design

  • Alice Foxley

    Distance and Engagement

  • Marnie Fogg

    Fashion Illustration, 1930 to 1970. From Harper's…

  • Markus Miessen

    The Nightmare of Participation

  • Zbynek Baladran, Vit Havranek (Hg.)

    Atlas of Transformation

  • Mike Jay

    High Society. Mind Altering Drugs in History and Culture

  • S. Gaensheimer, S. von Olfers (Hg.)

    Not in Fashion. Photography and Fashion in the 90s

  • Francis Alys

    A Story of Deception

  • Dominique Ghiggi

    Baumschule. Kultivierung des Stadtdschungels

  • Susan S. Fainstein

    The Just City

  • Teal Triggs

    Fanzines

  • Jan Verwoert

    Tell Me What You Want, What You Really, Really Want

  • Boris Groys

    History Becomes Form. Moscow Conceptualism

  • Brian Kuan Wood (Hg.)

    Selected Maria Lind Writing

  • Artspeak / Fillip Editions

    Judgment and Contemporary Art Criticism

  • Otto Neurath

    From Hieroglyphics to Isotype. A Visual Autobiography

  • Elisabeth Blum

    Atmosphäre. Hypothesen zum Prozess der räumlichen…

  • dérive 40/41

    Understanding Stadtforschung

  • James Nice

    Shadowplayers. The Rise and Fall of Factory Records

  • Giorgio Agamben

    Nacktheiten

  • Florian A. Schmidt, Peter Lasch,…

    Kritische Masse. Von Profis und Amateuren im Design

  • TwoPoints.Net (Hg.)

    Left, Right, Up, Down. Neue Ansätze für die Gestaltung von…

  • Tony Conrad, Jutta Koether, John Miller

    XXX Macarena LP

  • Paul Le Blanc, Helen C. Scott (Hg.)

    Socialism or Barbarism? The Selected Writings of Rosa…

  • Lyle Owerko

    The Boom Box Project. The Machines, the Music...

  • Enn Ots

    Decoding Theoryspeak. An Illustrated Guide to Architectural…

  • Veit Erlmann

    Reason and Resonance. A History of Modern Aurality

  • S. Ehmann, R. Klanten (Hg.)

    Turning Pages. Editorial Design for Print Media

  • Jens Müller, Karen Weiland (Hg.)

    Kieler Woche. Geschichte eines Designwettbewerbs

  • Martino Stierli

    Las Vegas im Rückspiegel. Die Stadt in Theorie, Fotografie…

  • Andres Lepik

    Small Scale, Big Change

  • Benedict Boucsein

    Graue Architektur. Nachkriegsarchitektur

  • Harald Bodenschatz, Thomas Flierl (Hg.)

    Berlin plant. Plädoyer für ein Planwerk Innenstadt Berlin 2…

  • T.J. Demos

    Dara Birnbaum. Technology/Transformation: Wonder Woman

  • C. S. Rabinowitz, N. Kovacs (Hg.)

    Assume Vivid Astro Focus

  • Michael Merrill

    Louis Kahn. On the Thoughtful Making of Spaces

  • Bettina Götz (Hg.)

    Abstract City #04. Urbanes Hausen

  • Rainald Goetz

    Elfter September. 2010

  • Jenelle Porter (Hg.)

    Dance with Camera

  • Todd Oldham

    Joan Jett

  • Umool Umool Vol.9

    The Rejected, the Recycled, the Regenerated

  • Margit Mayer

    Civic City Cahier 1. Social Movements in the (Post-)…

  • Anne Ring Petersen (Hg.)

    Contemporary Painting in Context

  • M. van Hal, S. Ovstebo, E. Filipovic (…

    The Biennial Reader

  • Laura Meseguer

    Typomag. Typography in Magazines

  • R. Klanten, A. Mollard (Hg.)

    Los Logos. Compass

  • Carsten Nicolai

    Moiré Index

  • Pierre Guyotat

    Coma

  • Sara De Bondt, Fraser Muggeridge (Hg.)

    The Master Builder. Talking with Ken Briggs

  • K. T. Edelmann, G. Terstiege (Hg.)

    Gestaltung denken. Ein Reader für Designer und Architekten

  • Axel Sowa, Susanne Schindler (Hg.)

    Candide. Journal for Architectural Knowledge Heft 2

  • Giacomo Leopardi

    Dialogue between Fashion and Death

  • Sakamoto, Hwang, Ferré (Hg.)

    Total Housing. Alternatives to Urban Sprawl

  • Antony Hudek, Athanasios Velios (Hg.)

    The Portable John Latham

  • Nina Möntmann (Hg.)

    New Communities

  • Beyond 3

    Trends and Fads

  • Igor Marjanovic, Katerina Rüedi Ray

    Marina City. Bertrand Goldberg's Urban Vision

  • Ingo Niermann

    Solution 186–195. Dubai Democracy

  • Pedro Paiva, Joao Maria Gusmao

    On the Movement of the Fried Egg and Other Astronomical…

  • Harald Bodenschatz

    Städtebau in Berlin. Schreckbild und Vorbild für Europa

  • Andrew Lewthwaite (Hg.)

    Dead on Arrival

  • Théo Lessour

    Berlin Sampler. Le son de Berlin de 1904 à 2009

  • Jeremy Millar (Hg.)

    Every Day is a Good Day. The Visual Art of John Cage

  • Deutsche Bauzeitung

    Wohnlabor Berlin

  • ANBB (Alva Noto & Blixa Bargeld)

    Ret Marut Handshake (Vinyl)

  • Georges Didi-Huberman

    Formlose Ähnlichkeiten oder die Fröhliche Wissenschaft des…

  • Matthew Beaumont, Gregory Dart (Hg.)

    Restless Cities

  • Denis Wood

    Rethinking the Power of Maps

  • Koen Brams, Dirk Pültau

    The Clandestine in the Work of Jef Cornelis

  • Bless

    Retroperspective Home N° 30 – N° 41

  • Reinhold Martin

    Utopia's Ghost. Architecture and Postmodernism, Again

  • Architecture Words 5

    Max Bill: Form, Function, Beauty = Gestalt.

  • D. Diederichsen, C. Ruhm (Hg.)

    Utopia of Sound. Immediacy and Non-Simultaneity

  • Michael Schmidt

    89/90

  • Slavoj Zizek

    Living in the End Times

  • Mary Jane Jacob, Michelle Grabner (Hg.)

    The Studio Reader. On the Space of Artists

  • IDEA Magazine

    IDEA 341. Dialogues with Tatsuya Ariyama

  • Unit

    Design/Research 02

  • Ryoko Aoki

    Chain Ring

  • Julie Ault (Hg.)

    Show and Tell. A Chronicle of Group Material

  • Duy Nguyen

    Über Origami

  • Gustavus Stadler

    The Politics of Recorded Sound (Social Text)

  • Work AC

    49 Cities

  • Tiqqun

    Introduction to Civil War (Semiotexte)

  • Wear. Number Two

    The Journal of HomeShop

  • Tirdad Zolghadr

    Solution 168-185. America

  • Yoshiharu Tsukamoto, Momoyo Kaijima

    The Architectures of Atelier Bow-Wow. Behaviorology

  • Tara Rodgers

    Pink Noises. Women on Electronic Music and Sound

  • Frederique Bergholtz, Iberia Perez (Hg.)

    (Mis)reading Masquerades

  • Stephen Graham

    Cities under Siege. The New Military Urbanism

  • Brandon LaBelle

    Acoustic Territories. Sound Culture and Everyday Life.…

  • Helmut Höge

    Pollerforschung

Book Worm

The spirits of books are fascinating, they spread their fragrance far and wide, and good contents are like words singing and dancing in the books.It s hard differentiate books with good qualities in front of voluminous of books. However, graphic designers have more concern about books than readers do: they pay close attention to the design of books, to paper selection, to binding craftsmanship, to the printing technique, to the packaging etc., they are even concerned with procedures like folding, stacking, cropping, cutting, pressing, gilding, framing, extending and tearing. Sometimes they forget the original idea of a good book when they focused too much on these techniques. A good content is necessary for a good book, while a good design reinforces the contents of the book, however no matter how good the design is it s not possible to improve the quality of bad contents and save the book. Book Worm has seek for 56 graphic designers all around the world introducing their innovative and fine book designs. Through their extraordinary works they showed their individual understanding of books : not letting design to overwhelm the features behind the contents; it also proves the designers understandings and confidences to printing skills; fine selections to the textures of paper, warmth and color; their concerns with binding details. The dimension of Book Worm is 17x28cm, experimentally folded with 6 holes-pierced and manual binding with thread, took a long time with quality hand craftsmanships. Book Worm is eventually on shelf for all readers.
The Designers are: 2xgoldstein (Germany), 3group (Poland), Abbasi, Majid (Iran), Ahn, Sang-Soo (Korea), Andersen M Studio (UK), Atelier Poisson (Switzerland), Atelier Reinhard Gassner (Austria), Au, Benny (Kong Kong), Balius, Andreu (Spain), Bouvet, Michel (France), Brechbühl, Erich (Switzerland), Chan, Alan (Hong Kong), Chen, Bob (China), Change is good (France), Cheong, Kuokwai (Macau,China), Chihara, Kuoh (Japan), Choi, Sandy (Hong Kong), CoDesign Ltd (Hong Kong), COUP (Netherlands), de designpolitie (Netherlends), dogdesign (Finland), Faydherbe/De Vringer (Netherlands), Ferrer, Isidro (Spain), Föllmer, Christina (Germany), Fons Hickman m23 (Germany), General Working Group (USA), Guang, Yu (China), hesign (Germany/China), Hi (Switzerland), Huang, Yang (China), John Morgan Studio (UK), Kakinokihara, Masahiro (Japan), Kan, Tai-Keung (Hong Kong), Meshki, Saed (Iran), Milkxhake (Hong Kong), Mirko Illic Corp (USA), Müller, Lars (Switzerland), Park, Kum-jun (Korea), Pixelgarten (Germany), Sagmeister, Stefan (USA), Sakamoto, Siho (Japan), Sonnabend, Catrin (Germany), Sonner Vallée & Partner (Germany), Studio Alfalfa (USA), Studio Boot (Netherlands), St. Pierre et Miquellon (UK), Stripe SF (USA), Sugisaki,Shinnoske (Japan), Superbüro (Switzerland), Tommy Li Design (Hong Kong), Tsukamoto, Akihiko (Japan), Xiao Mage & Chengzi (China), Wang, Xu (China), Wang, Zhi Hong (Taiwan), Welcome to.as (Switzerland)


Jianping He (Hg.)
Book Worm
Hesign, 2011, 978-3981054491