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  • Catherine de Smet, Sara De Bondt (Hg.)

    Graphic Design: History in the Writing (1983–2011)

  • Robin Kinross

    Unjustified Texts. Perspectives on Typography

  • Elke Krasny (Hg.)

    Hands-On Urbanism 1850 - 2012

  • Maria Lind (Hg.)

    Performing the Curatorial With and Beyond Art

  • Jost Hochuli

    Das ABC eines Typografen

  • M. Ziehl, S. Oßwald, O. Hasemann, D.…

    Second Hand Spaces. Recycling Sites Undergoing Urban…

  • Michael Buhrs, Hannes Rössler (Hg.)

    Terunobu Fujimori. Architekt

  • Idea 352

    Video Game Graphic

  • Emanuel Christ, Christoph Gantenbein (…

    Typology. Hong Kong, Rome, New York, Buenos Aires. Review…

  • Slavs and Tatars

    Not Moscow Not Mecca

  • Lisa Robertson, Matthew Stadler (Hg.)

    Revolution. A Reader

  • Andrew Parker

    The Theorist's Mother

  • Okwui Enwezor (Hg.)

    Intense Proximity. The Anthology of the Near and the Far

  • Quentin Meillassoux

    The Number and the Siren

  • Kenneth E. Silver

    Making Paradise. Art, Modernity, and the Myth of the French…

  • Laurenz Brunner

    Amber. Anrhem Mode Biennale

  • Institut Mathildenhöhe Darmstadt (Hg.)

    A House Full of Music. Strategien in Musik und Kunst

  • Sophie Elisabeth Hochhäusl

    Otto Neurath - City Planning. Proposing a socio-political…

  • Susan Morgan (Hg.)

    Piecing Together Los Angeles. An Esther McCoy Reader

  • Magdalena Droste (Ed.)

    Lilly Reich. Designer and Architect

  • Jan Gehl

    Leben zwischen Häusern. Konzepte für den öffentlichen Raum

  • Xavier Antin

    Printing at Home

  • Vladimir Arkhipov

    Home-Made Europe. Contemporary Folk Artifacts

  • Alexander Eichenlaub

    Umbau mit Bestand. Nachhaltige Anpassungsstrategien für…

  • Eyal Weizman

    The Least of All Possible Evils

  • Architecture for Humanity

    Design Like You Give a Damn, Volume 2

  • Théo Lessour

    Berlin Sampler. From Cabaret to Techno: 1904-2012, a…

  • Nomadisch Grün (Hg.)

    Prinzessinnengärten. Anders gärtnern in der Stadt

  • David Harvey

    Rebel Cities. From the Right to the City to the Urban…

  • Kate Fletcher, Lynda Grose

    Fashion & Sustainability. Design for Change

  • Quinn Latimer

    Rumored Animals

  • Nikolaus Gansterer

    Drawing A Hypothesis. Figures of Thought

  • Jürgen Teller

    Bilder und Texte. Literatur

  • Roberto Gargiani, Anna Rosellini (Hg.)

    Le Corbusier. Beton Brut and Ineffable Space (1940 - 1965)

  • Brian O'Doherty

    Atelier und Galerie. Studio and Cube

  • Jill Stoner

    Toward a Minor Architecture

  • Jasper Morisson

    A world without words

  • Helmut Höge

    Spatzen

  • Boris Groys

    Introduction to Antiphilosophy

  • Raimundas Malasauskas

    Paper Exhibition. Selected Writings by Raimundas Malasauskas

  • The Otolith Group

    Thoughtform-La forma del pensiero

  • Gert Selle

    Die eigenen vier Wände. Wohnen als Erinnern

  • Pierre Keller (Hg.)

    Types We Can Make. A Selection of Contemporary Swiss Type…

  • Douglas Crimp

    Our Kind of Movie. The Films of Andy Warhol

  • Simona Malvezzi, Wilfried Kuehn

    Kuehn Malvezzi. Index

  • Garry Neill Kennedy

    The Last Art College. Nova Scotia College of Art and Design…

  • Joan Ockman

    Architecture School. Three Centuries of Educating…

  • Fucking Good Art #29

    Italian Conversations. Art in the Age of Berlusconi

  • Markus Miessen, Nina Valerie…

    Expothesis No2. Waking Up From The Nightmare Of…

  • Christof Migone

    Sonic Somatic. Performances of the Unsound Body

  • Adrian Shaughnessy, Tony Brook

    Kwadraat-Bladen A Series of Graphic Experiments 1955—74

  • 51N4E (Hg.)

    Reasons for Walling a House

  • Ute Frank (Hg.)

    Eklat. Entwerfen und Konstruieren in Lehre, Anwendung und…

  • Felix Denk, Sven von Thun

    Der Klang der Familie. Berlin, Techno und die Wende

  • Walter Benjamin

    The "Berlin Chronicle" Notices

  • Gerald Raunig

    Fabriken des Wissens. Streifen und Glätten 1

  • Jane Bennett

    Vibrant Matter. A Political Ecology of Things

  • Christiane Rösinger

    Liebe wird oft überbewertet. Ein Sachbuch

  • David Harvey

    Die urbanen Wurzeln der Finanzkrise

  • Jeffrey T. Schnapp, Adam Michaels

    The Electric Information Age Book

  • Christian Naujoks

    True Life / In Flames CD/LP

  • Winy Maas

    The Vertical Village. Individual, Informal, Intense

  • Andrew Shea

    Designing for Social Change

  • Ian Bogost

    How to Do Things with Videogames

  • Deborah Schneiderman

    Inside Prefab. The Ready-Made Interior

  • Beatriz Preciado

    Pornotopia. Architektur, Sexualität und Multimedia im…

  • Marc Angélil, Rainer Hehl (Hg.)

    Building Brazil!

  • Klanten, Ehmann, Sinofzik (Hg.)

    Introducing. Visual Identities for Small Businesses

  • Dietmar Dath, Barbara Kirchner

    Der Implex. Sozialer Fortschritt: Geschichte und Idee

  • Eva Grubinger, Jörg Heiser (Hg.)

    Sculpture Unlimited

  • Montreal CCA (Hg.)

    Imperfect Health. The Medicalization of Architecture

  • Jun Igarashi

    Construction of a State

  • Jérôme Knebusch

    Notizen zu Berlin

  • Ryan McGinley

    You and I

  • Magnus Ericson, Ramia Mazé (Hg.)

    Design Act. Socially and Politically Engaged Design Today

  • Nigel Coates

    Narrative Architecture

  • Lois Weinthal

    Toward a New Interior

  • Daniel Miller

    Das wilde Netzwerk. Ein ethnologischer Blick auf Facebook

  • Mark Borthwick

    Light up Playbutton

  • William E. Jones

    Halsted Plays Himself

  • Hans Ulrich Obrist, Kazuyo Sejima

    SANAA. The Conversation Series 26

  • Helen Armstrong, Zvezdana Stojmirovic

    Participate. Designing with User-Generated Content

  • Aaron Levy, William Menking

    Four Conversations on the Architecture of Discourse

  • 2G 60

    Lacaton & Vassal. Recent Work

  • Ilka Ruby, Andreas Ruby

    Lacaton & Vassal (2G Books)

  • Max Risselada (Hg.)

    Alison & Peter Smithson. A Critical Anthology

  • Gertrud Lehnert (Hg.)

    Räume der Mode

  • Miriam Bratu Hansen

    Cinema and Experience

  • ETH Studio Basel (Hg.)

    Belgrade. Formal/Informal

  • Michael Biggs, Henrik Karlsson

    Routledge Companion to Research in the Arts

  • Chris Dercon (Hg.)

    Carlo Mollino. Maniera Moderna

  • Walter Benjamin

    Berlin Childhood circa 1900

  • Lida Hujic

    The First to Know. How Hipsters and Mavericks Shape the…

  • Archphoto 2.0

    Radical City 01

  • V. Smith, M. Taussig, I. Garcia (Hg.)

    Juan Downey. The Invisible Architect

  • Arbeitsgruppe Kunst und Politik (Hg.)

    Kunst Spektakel Revolution Nr. 2

  • Nicholas Mirzoeff

    The Right to Look. A Counterhistory of Visuality

  • John McHale

    The Expendable Reader. Articles on Art, Architecture,…

Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €