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  • dérive N° 90 (Jan-Mar/2023). Zeitschrift für Stadtforschung

  • Mojca Kumerdej (Ed.)

    New Extractivism

  • Alfie Bown

    Dream Lovers. The Gamification of Relationships

  • Steven Warwick

    Notes on Evil. Steven Warwick

  • Martín Ávila

    Designing for Interdependence. A Poetics of Relating

  • Rosi Braidotti, Emily Jones, Goda…

    More Posthuman Glossary

  • Malcolm Miles

    Art Rebellion. The Aesthetics of Social Transformation

  • Jennifer Kaufmann-Buhler, Victoria…

    Design History Beyond the Canon

  • Laurene Vaughan

    Designing Cultures of Care

  • Deborah Ascher Barnstone

    The Color of Modernism. Paints, Pigments, and the…

  • Craig Martin

    Deviant Design. The Ad Hoc, the Illicit, the Controversial

  • Felix Stalder, Janez Fakin Jansa (eds)

    From Commons to NFTs

  • Marion von Osten, Tyna Fritschy

    Marion von Osten: Knüppel aus dem Sack. Tyna Fritschy: Das…

  • Andreas Butter, Thomas Flierl (Hg.)

    Architekturexport DDR. Zwischen Sansibar und Halensee

  • Sabeth Buchmann, Susanne Leeb, Peter…

    Marion von Osten. In the Making: "In the Desert of…

  • Valerio Olgiati

    Built

  • Junius Frey, Yuk Hui

    Kosmotechnik und Kommunismus

  • Birgit Schneider

    Der Anfang einer neuen Welt. Wie wir den Klimawandel…

  • Dimitra Kondylatou, David Bergé (Eds.)

    Public Health in Crisis. Confined in the Aegean Archipelago

  • Redaktion Protocol

    Protocol 13. Adrenalin

  • Pavillion de Arsenal, Paris

    L'Empreinte de l'habitat / Housing Footprint

  • Nicolas Dorval Bory, Guillaume Ramillien

    Visible, Invisible

  • Michael Chanan

    From Printing to Streaming. Cultural Production under…

  • Erica Borg, Amedeo Policante

    Mutant Ecologies. Manufacturing Life in the Age of Genomic…

  • Deborah Fehlmann, Astrid Staufer (Hg.)

    Wohnen im Einklang. Strategien zum Bauen im Lärm auf…

  • Stephan Trinkaus

    Ökologien des Prekären. Zu einer Theorie des Haltens

  • Edited by Moises Puente. Introduction…

    2G 86. Arquitectura-G

  • Marie-France Rafael

    Passing Images. Kunst in post-digitalen Zeiten

  • Isabell Lorey

    Democracy in the Political Present. A Queer-Feminist Theory

  • Alexandra Schauer

    Mensch ohne Welt. Eine Soziologie spätmoderner…

  • Laura Tripaldi

    Parallel Minds. Discovering the Intelligence of Materials

  • Ashley Dawson

    Aussterben. Eine radikale Geschichte

  • Evi D. Sampanikou, Jan Stasienko (ed.)

    Posthuman Studies Reader. Core Readings on Transhumanism,…

  • Mindy Seu (ed.)

    Cyberfeminism Index

  • Maria Muhle

    Mimetische Milieus. Eine Ästhetik der Reproduktion

  • David Grubbs

    Good night the pleasure was ours.

  • Nicholas Thoburn

    Brutalism as Found. Housing, Form, and Crisis at Robin Hood…

  • Andreas Schätzke

    Verzweigte Moderne. Beiträge zur Architektur des 20.…

  • Kuba Szreder

    The ABC of the projectariat

  • Judith Butler

    What World Is This? A Pandemic Phenomenology

  • Andrew M. Shanken

    The Everyday Life of Memorials

  • Doreen Massey (Eds.: David Featherstone…

    Selected Political Writings

  • Gwendolyn Owens, Philip Ursprung (Eds.)

    Gordon Matta-Clark. An Archival Sourcebook

  • Wolfgang Thöner, Karoline Lemke (Hg.)

    Bauhaus. Sprachrohr der Studierenden. Organ der Kostufra.…

  • Carolin Overhoff Ferreira

    Dekoloniale Kunstgeschichte. Eine methodische Einführung

  • Das Synagogen Projekt. Zum Wiederaufbau von Synagogen in…

  • Ramon Amaro

    The Black Technical Object. On Machine Learning and the…

  • Magdalena Jadwiga Härtelova

    It Is: You Appeared Once. A Story about Potential…

  • Bénédicte Ramade

    Vers un art anthropocène

  • Cache

    Ware Reinheit. Cache 02

  • Brandon Labelle (Hg)

    The Listening Biennial Reader. Vol. 1: Waves of Listening

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 250.The Great Repair. Politiken einer…

  • Judith Siegmund (Hg)

    Handbuch Kunstphilosophie

  • Gleb Albert, Brigitta Bernet, Svenja…

    Im Krieg. Ukraine, Belarus, Russland. Geschichte der…

  • Hermann Funke

    Architekturkritiken 1962-2003. Hermann Funke

  • Stephanie Herold, Harald Engler,…

    Das Kollektiv. Formen und Vorstellungen gemeinschaftlicher…

  • Achille Mbembe, Felwine Sarr (eds)

    To Write the Africa World

  • Angela McRobbie, Daniel Strutt,…

    Fashion as Creative Economy. Micro-Enterprises in London,…

  • Amit Prasad

    Science Studies Meets Colonialism

  • Guillaume Blanc

    The Invention of Green Colonialism

  • IDEA Magazine

    IDEA 400. Graphic Design Recollections & Records:…

  • Nathaniel Marcus

    Breathing Room. A dialogue with Lakuti & Tama Sumo. Ein…

  • Jörg Schröder, Riccarda Cappeller,…

    Circular Design. Towards Regenerative Territories

  • Álvaro Sevilla-Buitrago

    Against the Commons: A Radical History of Urban Planning

  • Donika Luzhnica & Jonas König (ed.)

    Prishtina in 53 Buildings

  • Elena Biserna (Ed)

    Walking from Scores

  • Tsvetelina Hristova, Brett Neilson and…

    Data Farms. Circuits, Labour, Territory

  • Lenka Veselá (Ed.)

    Synthetic Becoming

  • Stavros Stavrides, Penny Travlou (Eds)

    Housing as Commons. Housing Alternatives as Response to the…

  • Christiane Rösinger

    Was jetzt kommt. Christiane Rösinger. Ausgewählte Songtexte

  • Pier Vittorio Aureli, Martino Tattara

    Dogma. Living and Working

  • Baburov, Djumenton, Gutnov, Kharitonova…

    The Ideal Communist City

  • Briana J. Smith

    Free Berlin. Art, Urban Politics, and Everyday Life

  • Hg. Oliver Clemens, Jesko Fezer, Kim…

    An Architektur Archive

  • Andri Gerber, Martin Tschanz (Hg)

    Sprengkraft Raum. Architektur um 1970 von Esther und Rudolf…

  • Christian Dehli, Andrea Grolimund

    Kazuo Shinohara: The Umbrella House Project

  • Boris Groys

    Becoming an Artwork

  • DeForrest Brown, Jr.

    Assembling a Black Counter Culture

  • George Papam, Phevos Kallitsis, David…

    The Beach Machine. Making and Operating the Mediterranean…

  • Yuma Shinohara, Andreas Ruby (Hg.)

    Make Do With Now: New directions in Japanese Architecture

  • Zara Pfeifer

    ICC Berlin. Zara Pfeifer

  • Florian Heilmeyer, Sandra Hofmeister (…

    Berlin. Urbane Architektur und Alltag seit 2009

  • CuratorLab (Ed.)

    Assuming Asymmetries. Conversations on Curating Public Art…

  • Michael Rawson

    The Nature of Tomorrow. A History of the Environmental…

  • András Szántó

    Imagining the Future Museum. 21 Dialogues with Architects

  • Hiuwai Chu, Meagan Down, Nkule Mabaso,…

    CLIMATE. Our Right to Breathe

  • Patricia Ribault

    Design, Gestaltung, Formatività

  • Martina Baum, Markus Vogl (Hg.)

    Täglich. Warum wir Öffentlichkeit, öffentlichen Raum und…

  • Stuart Hyatt, Janneane Blevins &…

    Stations. Listening to the Deep Earth

  • Anne Davidian, Laurent Jeanpierre (Eds.)

    What Makes an Assembly? Stories, Experiments, and Inquiries

  • Ingo Offermanns (Ed.) Dokho Shin &…

    Graphic Design Is (...) Not Innocent: Scrutinizing Visual…

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    Upgrade: Making Things Better

  • Christiane Sauer, Mareike Stoll, Ebba…

    Architectures of Weaving

  • Wilfried Wang (Hg.)

    On the Duty and Power of Architectural Criticism

  • Christian Sander

    Claude Parent, Paul Virilio - Architecture Principe. Formen…

  • Marie-France Rafael

    Passing Images. Art in the Post-Digital Age

  • Mohsen Mostafavi (ed)

    Manfredo Tafuri. Modern Architecture in Japan

  • Material Cultures

    Material Cultures: Material Reform. Building for a Post-…

Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €