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  • Leonardo Finotti

    A Collection of Latin American Modern Architecture

  • Werner Sewing

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  • Yuk Hui

    On the Existence of Digital Objects

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  • David Blamey (Ed.)

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  • Andre Lepecki

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  • M. R. Stein, L. Miller, M. Henrichs (Hg)

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  • Owen Hatherley

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  • Lina Dokuzović

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  • Marcus Quent (Hg)

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  • Jacques Lucan

    Composition, Non-Composition. Architecture and Theory in…

  • Seth Price

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  • Stuart Bailey (Hg.)

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  • Timothy D. Taylor

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  • Nav Haq (Ed.)

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  • Borja Ballbé

    Ordinary Landscapes. Paisajes comunes

  • Riet Wijnen (Ed.)

    abstraction creation, art non figuratif 1932

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    World of Malls. Architekturen des Konsums

  • C. Menrad, H. Creighton (Eds.)

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    Overheard and Interrupted

  • Jessica Helfand

    Design. The Invention of Desire

  • Stephen Prina

    galesburg, illinois+

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  • Hans Ulrich Obrist

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  • Gloria Moure(Ed.)

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  • Roberto Simanowski

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  • Markus Miessen

    Crossbenching: Toward a Proactive Mode of Participation,…

  • Bundesamt für Kultur (CH)

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  • Francesca Balena Arista

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  • David Joselit

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    Social Media Abyss. Critical Internet Cultures and the…

  • Tanja Seeböck

    Schwünge in Beton. Die Schalenbauten von Ulrich Müther

  • Honey-Suckle Company

    Spiritus

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    Mortal Cities and Forgotten Monuments

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    Sentiment Architectures. A Field Trip to Behaviour and…

  • Donna J. Haraway

    Manifestly Haraway

  • A. Andraos, N. Akawi (eds)

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  • HKW (Ed.)

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  • Felicity D. Scott

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  • Owen Hatherley

    Landscapes of Communism. A History Through Buildings

  • Rashid Ali, Andrew Cross

    Mogadishu. Lost Moderns

  • Schmal, Elser, Scheuermann (eds.)

    Making Heimat. Germany, Arrival Country

  • Helge Mooshammer, Peter Mörtenböck

    Visual Cultures as Opportunity

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    Transparenzen/Transparencies

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    Super Superstudio

  • Peter Chadwick

    This Brutal World

  • Naomi Pollock

    Sou Fujimoto

  • P. Cachola Schmal, P. Sturm

    Zukunft von gestern - Visionäre Entwürfe von Future Systems…

  • Ina Blom

    The Autobiography of Video. The Life and Times of a Memory…

  • Timothy Morton

    Dark Ecology. For a Logic of Future Coexistence

  • Benjamin H. Bratton

    The Stack. On Software and Sovereignty

  • Nadine Barth (Hg.)

    Berlin Raum Radar. Neue Architekturfotografie

  • Biljana Ciric, Nikita Yingqian Cai (Ed)

    Active Withdrawals. Life and Death of Institutional Critique

  • Burkhardt Meltzer

    Rethinking the Modular. Adaptable Systems in Architecture…

  • Bibbl. Herzog von Bayern

    Gedruckt und erblättert. Das Fotobuch als Medium…

  • Estelle Blaschke

    Banking on Images. From the Bettmann Archive to Corbis

  • Georg Windeck

    Construction Matters

  • Walter Benjamin.

    Sonnets

  • Glenn Adamson, Julia Bryan-Wilson

    Art in the Making: Artists and Their Materials from the…

  • David Toop

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  • Nicolas Grospierre

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  • Gustav Roßler

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Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice

With a preface by Armen Avanessian, an introduction by Hannes Grassegger and Markus Miessen, and a postscript by Patricia Reed
''At the heart of this book is a simple and profound proposition: to 'do' architecture is to immerse oneself in a conflictual process of material production--participation is not a productive encounter of multiple practitioners and stakeholders, but a set of conflicts, negotiations, maneuvers, and swindles between and within a multiplicity of agents, human and nonhuman alike--equally including architects, clients, financiers, and builders, say, but also silicon, plastic, concrete, each with its conflicting aims and different material means to achieve them. Every building is thus the materialization of such encounter. So, despite the hubris of the field, none of the parties to such an encounter can ultimately control that the result architecture (unlike real estate), according to Miessen, belongs to no one but affects and is affected by everyone--and this proposition asks that we reframe questions of ethics and politics. They can no longer be the property of an individual but a collective set of interrelations--it is through such profound departure from the terms of architecture that Miessen's new book demands nothing less than to reimagine how we might finally become citizens.''--Eyal Weizman, Professor of Spatial and Visual Cultures, Director of the Centre for Research Architecture, Goldsmiths, University of London
''Miessen's new book depicts in a challenging and projective manner the problem of politics in times of conceptual indeterminacy, where 'participation' of the civil society seems to become the salvation for the political mess we are in, especially in Europe. Well, it is not! 'Participation' will not eradicate the Front National, and more transparency will not deprive Orbán of his power. Civil society will not gain power by criticizing or demonstrating loudly against the European system or chatting on the Internet. The populists have understood that if you want power, you need parties. What we risk to lose in that participatory game is representative democracy in its current shape and for no good: the majority of the street is no democracy. The post-structuralist hype for participation fuels into the mills of those who want to play la volonté de tous against la volonté generale, to go back to Rousseau: yet, the plebs killed Socrates in Athens.'' --Ulrike Guerot, political scientist, founder and director, European Democracy Lab, Berlin


Markus Miessen
Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice
Sternberg, 2016, 978-3-95679-220-5