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    Arts-Based Research

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    Damage Control. Art and Destruction Since 1950

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    The Global Art Compass

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    The Mysticism of Money

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    Materialrevolution 2. Neue nachhaltige und multifunktionale…

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    Make Shift City. Renegotiating the Urban Commons

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    Dis Continuity

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    Mapping Everything

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    Flying Furniture

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    ReNew Marxist Art History

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    Kunst und Ideologiekritik nach 1989 / Art and the Critique…

  • Yilmaz Dziewior (Ed.)

    Liebe ist kälter als das Kapital. Love is colder than…

  • Anna Kostreva

    Berlin. Eine Morphologie der Mauern. A Morphology of Walls

  • Emmett Williams

    An Anthology of Concrete Poetry

  • Michaela Melián / Thomas Meinecke

    IEMANJÁ

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    How Small? How Vast? How architecture grows

  • Pieterjan Grandry

    The Future of Architecture. What is the future of…

  • Beatriz Colomina

    Manifesto Architecture. The Ghost of Mies

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    Rolf Müller

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    Playing at Home. The House in Contemporary Art

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    Collage and Architecture

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    Eva Hesse. One More Than One

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    Wozu Bilder? Gebrauchsweisen der Fotografie

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    Is It My Body? Selected Texts

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    A5/06. HfG Ulm

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    Begriffe des Ausstellens (von A bis Z). Terms of Exhibiting…

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    Mensch - Raum – Maschine. Bühnenexperimente am Bauhaus

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    Ware und Wissen: or the stories you wouldn’t tell a stranger

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    and Materials and Money and Crisis

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    Bathroom (Objekt series)

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    Situational Urbanism. Directing Postwar Urbanity

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    Visualising Information for Advocacy

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    Architecture after Revolution

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    IDEA 362. Poetics of Graphic Language. Contemporary…

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    Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground

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    A-Typical Plan

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    Tyo-WTC

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    Protest Camps

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    Isotype. Design and Contexts, 1925–1971

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    Seeing from Above. The Aerial View in Visual Culture

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The Decision Between Us. Art and Ethics in the Time of Scenes

The Decision Between Us combines an inventive reading of Jean-Luc Nancy with queer theoretical concerns to argue that while scenes of intimacy are spaces of sharing, they are also spaces of separation. John Paul Ricco shows that this tension informs our efforts to coexist ethically and politically, an experience of sharing and separation that informs any decision. Using this incongruous relation of intimate separation, Ricco goes on to propose that “decision” is as much an aesthetic as it is an ethical construct, and one that is always defined in terms of our relations to loss, absence, departure, and death.
Laying out this theory of “unbecoming community” in modern and contemporary art, literature, and philosophy, and calling our attention to such things as blank sheets of paper, images of unmade beds, and the spaces around bodies, The Decision Between Us opens in 1953, when Robert Rauschenberg famously erased a drawing by Willem de Kooning, and Roland Barthes published Writing Degree Zero, then moves to 1980 and the “neutral mourning” of Barthes’ Camera Lucida, and ends in the early 1990s with installations by Felix Gonzalez-Torres. Offering surprising new considerations of these and other seminal works of art and theory by Jean Genet, Marguerite Duras,and Catherine Breillat, The Decision Between Us is a highly original and unusually imaginative exploration of the spaces between us, arousing and evoking an infinite and profound sense of sharing in scenes of passionate, erotic pleasure as well as deep loss and mourning.
Philip Armstrong, Ohio State University
“Through a compelling, lucid, and wonderfully suggestive reading of Nancy’s writings, we are exposed throughout The Decision Between Us to numerous scenes of seduction and abandoned existence, scenes at once erotic and funerary, intimate and desolate. An incisive contribution to the ways in which Nancy’s writings might be read today, the sense of sharing at the heart of the argument is both transformative and intensely ethical.”
Lauren Berlant, University of Chicago
“Ricco’s The Decision Between Us is a beautifully executed book on the execution and extension of being-in-relation. Its articulation of sexuality theory, deconstructive philosophy, and queer art opens up different idioms to each other the way lovers open to each other—excitedly, productively, and yet always enigmatically, pointing beyond what seems present. Ricco is also a brilliant close reader. An enrapturing read.”


John Paul Ricco
The Decision Between Us. Art and Ethics in the Time of Scenes
Chicago Press, 2014, 9780226717777
37,50 €