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  • Gabrielle Cody, Meiling Cheng (Eds.)

    Reading Contemporary Performance. Theatricality Across…

  • Andre Lepecki

    Singularities. Dance in the Age of Performance

  • M. R. Stein, L. Miller, M. Henrichs (Hg)

    Blueprint for Counter Education. Curriculum, Handbook, Eall…

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    Parrot Problems

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    The Chaplin Machine. Slapstick, Fordism and the Communist…

  • Lina Dokuzović

    Struggles for Living Learning. Within Emergent Knowledge…

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    Absolute Gegenwart

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    Slumming It: The Tourist Valorisation of Urban Poverty

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    Extrastatecraft. The Power of Infrastructure Space

  • Yuk Hui, Andreas Broeckmann

    30 Years after Les Immatériaux: Art, Science and Theory

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    Composition, Non-Composition. Architecture and Theory in…

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    Fuck Seth Price (Second Edition, Hardcover)

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    Open House 2. Gestaltungskriterien für eine neue…

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    When Attitudes Become the Norm: The Contemporary Curator…

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    Extended Caption (DDDG)

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    Friedrich Kiesler – Lebenswelten / Life Visions

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    The Politics of Design: A (Not So) Global Manual for Visual…

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    Syria, A Travel Guide to Disappearance

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    Double Negative. Ricochet 10

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    Pop. Ein Panorama der Gegenwart

  • Timothy D. Taylor

    Music and Capitalism. A History of the Present

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    Architecture Activism

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    RAVE. Rave and its Influence on Art and Culture

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    Constant. New Babylon. To Us, Liberty

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    Ordinary Landscapes. Paisajes comunes

  • Riet Wijnen (Ed.)

    abstraction creation, art non figuratif 1932

  • A. Lepik, V. S. Bader (Hg)

    World of Malls. Architekturen des Konsums

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    William Krisel's Palm Springs

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    Overheard and Interrupted

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    Design. The Invention of Desire

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    galesburg, illinois+

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    Archigrafie. Schrift am Bau

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    Housing Cairo

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    Harun Farocki. Another Kind of Empathy

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    Decolonizing Nature: Contemporary Art and the Politics of…

  • Hans Ulrich Obrist

    Lives of the Artists, Lives of the Architects

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    Behind the facts. Interfunktionen 1968-1975

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    Facebook-Gesellschaft

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    Die Mauerpark-Affäre

  • Barnabas Calder

    Raw Concrete. The Beauty of Brutalism

  • François J. Bonnet

    The Order of Sounds. A Sonorous Archipelago

  • Leon van Schaik

    Practical Poetics in Architecture

  • Pozsár Péter

    Builders. Socially engaged Architecture from Hungary

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    The Silent University - Toward a Transversal Pedagogy

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    Crossbenching: Toward a Proactive Mode of Participation,…

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    Betrachtungen einer Ungestalt. Die schönsten Schweizer…

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    Poltronova Backstage: Archizoom, Sottsass and Superstudio.…

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    Nach Kunst

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    Documentary Across Disciplines

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    Reproducing Autonomy. Work, Money, Crisis and Contemporary…

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    Formbewusstsein. Eine kleine Vernetzung der alltäglichen…

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    Roberto Burle Marx: Brazilian Modernist

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    VeryGraphic. Polish Designers of the 20th Century

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    Front, Field, Line, Plane. Researching the Militant Image

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    Residential Towers

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    The Present in Drag

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    Social Media Abyss. Critical Internet Cultures and the…

  • Tanja Seeböck

    Schwünge in Beton. Die Schalenbauten von Ulrich Müther

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    Spiritus

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    Mortal Cities and Forgotten Monuments

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    Sentiment Architectures. A Field Trip to Behaviour and…

  • Donna J. Haraway

    Manifestly Haraway

  • A. Andraos, N. Akawi (eds)

    The Arab City: Architecture and Representation

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    Nervous Systems

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    Outlaw Territories. Environments of Insecurity/…

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    Landscapes of Communism. A History Through Buildings

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    Mogadishu. Lost Moderns

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    Making Heimat. Germany, Arrival Country

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    Visual Cultures as Opportunity

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    Transparenzen/Transparencies

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    Super Superstudio

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    This Brutal World

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    Sou Fujimoto

  • P. Cachola Schmal, P. Sturm

    Zukunft von gestern - Visionäre Entwürfe von Future Systems…

  • Ina Blom

    The Autobiography of Video. The Life and Times of a Memory…

  • Timothy Morton

    Dark Ecology. For a Logic of Future Coexistence

  • Benjamin H. Bratton

    The Stack. On Software and Sovereignty

  • Nadine Barth (Hg.)

    Berlin Raum Radar. Neue Architekturfotografie

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    Active Withdrawals. Life and Death of Institutional Critique

  • Burkhardt Meltzer

    Rethinking the Modular. Adaptable Systems in Architecture…

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    Gedruckt und erblättert. Das Fotobuch als Medium…

  • Estelle Blaschke

    Banking on Images. From the Bettmann Archive to Corbis

  • Georg Windeck

    Construction Matters

  • Walter Benjamin.

    Sonnets

  • Glenn Adamson, Julia Bryan-Wilson

    Art in the Making: Artists and Their Materials from the…

  • David Toop

    Into the Maelstrom: Music, Improvisation and the Dream of…

  • Nicolas Grospierre

    Modern Forms. A Subjective Atlas of 20th-Century…

  • Slavoj Zizek

    Against the Double Blackmail: Refugees, Terror and Other…

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    How Music Dies (or Lives): Field Recording and the Battle…

  • Gustav Roßler

    Der Anteil der Dinge an der Gesellschaft. Sozialität -…

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    Visionäre der Moderne. Paul Scheerbart, Bruno Taut, Paul…

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    Das Kunstmuseum. Eine erfolgreiche Fehlkonstruktion

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    Gender & Medien-Reader

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    Can Architecture Be An Emancipatory Project? Dialogues on…

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    Der Raum als Membran

  • Patrick Joseph

    Poet Fool

Designing Media

Mainstream media, often known simply as MSM, have not yet disappeared in a digital takeover of the media landscape. But the long-dominant MSM—television, radio, newspapers, magazines, and books—have had to respond to emergent digital media. Newspapers have interactive Web sites; television broadcasts over the Internet; books are published in both electronic and print editions. In Designing Media, design guru Bill Moggridge examines connections and conflicts between old and new media, describing how the MSM have changed and how new patterns of media consumption are emerging. The book features interviews with thirty-seven significant figures in both traditional and new forms of mass communication; interviewees range from the publisher of the New York Times to the founder of Twitter.
We learn about innovations in media that rely on contributions from a crowd (or a community), as told by Wikipedia’s Jimmy Wales and Craigslist’s Craig Newmark; how the band OK Go built a following using YouTube; how real-time connections between dispatchers and couriers inspired Twitter; how a BusinessWeek blog became a quarterly printed supplement to the magazine; and how e-readers have evolved from Rocket eBook to QUE. Ira Glass compares the intimacy of radio to that of the Internet; the producer of PBS’s Frontline supports the program’s investigative journalism by putting documentation of its findings online; and the developers of Google’s Trendalyzer software describe its beginnings as animations that accompanied lectures about social and economic development in rural Africa. At the end of each chapter, Moggridge comments on the implications for designing media. Designing Media is illustrated with hundreds of images, with color throughout. A DVD accompanying the book includes excerpts from all of the interviews, and the material can be browsed at www.designing-media.com.
Interviews with: Chris Anderson, Rich Archuleta, Blixa Bargeld, Colin Callender, Fred Deakin, Martin Eberhard, David Fanning, Jane Friedman, Mark Gerzon, Ira Glass, Nat Hunter, Chad Hurley, Joel Hyatt, Alex Juhasz, Jorge Just, Alex MacLean, Bob Mason, Roger McNamee, Jeremy Merle, Craig Newmark, Bruce Nussbaum, Alice Rawsthorn, Anna Rosling Rönnlund, Hans Rosling, Ola Rosling, Paul Saffo, Jesse Scanlon, DJ Spooky, Neil Stevenson, Arthur Sulzberger Jr., Shinichi Takemura, James Truman, Jimmy Wales, Tim Westergren, Ev Williams, Erin Zhu, Mark Zuckerberg
About the Author
Bill Moggridge, Director of the Cooper-Hewitt National Design Museum in New York City, is a founder of IDEO, the famous innovation and design firm. He has a global reputation as an award-winning designer, having pioneered interaction design and integrated human factors disciplines into design practice.
Endorsements
“We often hear that mainstream media like television and print are dead. Or perhaps undead—thoughtless, empty shells of human culture and creativity that will soon be vanquished by the heroism of digital technologies. But one need not look far to see that such claims are simply wrong. People still watch TV, go to bookstores, buy CDs, and so on. In Designing Media, Bill Moggridge and his interviewees show us that something more subtle is happening: pre- and post-digital media are combining in weird and complex ways—neither one winning or losing, but each changing the other. Like this book, the future of media is not a vanquishing of monsters but a series of conversations between forms.”
—Ian Bogost, Georgia Institute of Technology, coauthor of Newsgames: Journalism at Play
“The ways in which media are conceived, formed, and distributed have long undergone change, but now they are in full revolution. There is nobody better than Bill Moggridge to shed an illuminating beam upon the people behind these changes: not the technologists, but the writers, artists, musicians, editors, publishers, and dreamers who are changing our perceptions of the possible. Moggridge is a master of the interview – getting to the core and then collecting and distilling the essence in brief, insightful vignettes. This book is fun to peruse but even more worthy of thorough digestion, rumination, and reflection.”
—Don Norman, Nielsen Norman Group, author of Living with Complexity


Bill Moggridge
Designing Media
MIT Press, 2010, 978-0-262-01485-4