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  • Kaja Grobe, Karin Kreuder

    Always the Same Faces. Aus dem Alltag philippinischer…

  • Christoph Tannert (Hg.)

    Berlin Art Scene

  • Andreas van Dühren (Hg.)

    TEXT Gespräche

  • Dario Azzellini, Marina Sitrin

    They Can't Represent Us! Reinventing Democracy from…

  • Valentin Groebner

    Wissenschaftssprache digital. Die Zukunft von gestern

  • Deyan Sudjic

    B is for Bauhaus. An A-Z of the Modern World

  • Hans Ulrich Obrist

    Ways of Curating

  • Nina Möntmann (Ed.)

    Schöne Neue Arbeit / Brave New Work. Ein Reader zu Harun…

  • Emil Ruder

    Fundamentals

  • Graham Cairns

    The Architecture of the Screen

  • Andrej Holm

    Mietenwahnsinn

  • René Pollesch

    Kill Your Darlings

  • Helmut Lethen

    Der Schatten des Fotografen

  • Cathy Lane, Angus Carlyle

    In the Field. The Art of Field Recording

  • Diedrich Diederichsen

    Über Pop-Musik

  • Helmut C. Schulitz

    Entfesselung der Architektur. Der Architekt: Baumeister…

  • Elisabeth Roudinesco

    Lacan. In Spite Of Everything

  • Claudia Quiring, Andreas Rothaus,…

    Neue Baukunst. Architektur der Moderne in Bild und Buch

  • Judith Butler, Athena Athanasiou

    Die Macht der Enteigneten. Das Performative im Politischen

  • Matt Mullican

    Editions 1985-2012

  • Ljiljana Kolešnik (Ed.)

    Socialism and Modernity. Art, Culture, Politics 1950 – 1974

  • Birkenstock, Kastner, Sonderegger (Eds.)

    Kunst und Ideologiekritik nach 1989 / Art and the Critique…

  • Yilmaz Dziewior (Ed.)

    Liebe ist kälter als das Kapital. Love is colder than…

  • Emmett Williams

    An Anthology of Concrete Poetry

  • Beatriz Colomina

    Manifesto Architecture. The Ghost of Mies

  • Jens Müller (Ed.)

    Rolf Müller

  • Gill Perry

    Playing at Home. The House in Contemporary Art

  • Jennifer A.E. Shields

    Collage and Architecture

  • Petra Reichensperger (Ed.)

    Begriffe des Ausstellens (von A bis Z). Terms of Exhibiting…

  • Torsten Blume, Christian Hiller (Hg.)

    Mensch - Raum – Maschine. Bühnenexperimente am Bauhaus

  • Richard Birkett (Ed.)

    and Materials and Money and Crisis

  • Tactical Technology Collective

    Visualising Information for Advocacy

  • Emma Lavigne

    Pierre Huyghe

  • IDEA Magazine

    IDEA 362. Poetics of Graphic Language. Contemporary…

  • Anna Feigenbaum, Fabian Frenzel,…

    Protest Camps

  • Gianni Politi

    The Ritual of the Snake

  • Andrew Hemingway

    The Mysticism of Money. Precisionist Painting and Machine…

  • Karl-Siegbert Rehberg, Paul Kaiser (Hg.)

    Bilderstreit und Gesellschaftsumbruch. Die Debatte um die…

  • Neil Brenner (Ed.)

    Implosions / Explosions. Towards a Study of Planetary…

  • Silke Langenberg (Hrsg.)

    Das Marburger Bausystem. Offenheit als Prinzip

  • Langley, Pearce, Worth (Ed.)

    After Butler's Wharf. Essays on a Working Building

  • Sven Völker (Ed.)

    Some Book. Graphic Expressions between Design and Art

  • Juergen Teller

    Common Ground. In Photographs

  • Jochen Eisenbrand

    George Nelson. Ein Designer im Kalten Krieg

  • Joanne Finkelstein

    Fashioning Appetite. Restaurants and the Making of Modern…

  • Gunnar Hindrichs

    Die Autonomie des Klangs - Eine Philosophie der Musik

  • Juliane Rebentisch

    Theorien der Gegenwartskunst

  • Daniel Irrgang, Clemens Jahn (Hg.)

    Forum zur Genealogie des MedienDenkens II. Siegfried…

  • Texte zur Kunst Heft 92

    Architecture / Architektur

  • Philipp Misselwitz, Eui Young Chun,…

    Gwangju Folly II

  • Aleksandra Mir

    The Space Age. Poster Book

  • Sergio B. Martins

    Constructing an Avant-Garde. Art in Brazil 1949-1979

  • Ali Nemerov, Emily Wei Rales (Eds.)

    Peter Fischli, David Weiss

  • Centrum Architektury (Ed.)

    For Example. New Polish House. A Book

  • John Grindrod

    Concretopia. A Journey Around the Rebuilding of Postwar…

  • Grzegorz Piątek

    AR/PS. The Architecture of Arseniusz Romanowicz and Piotr…

  • metroZones 13

    Global Prayers. Contemporary Manifestations of the…

  • Beatriz Preciado

    Testo Junkie. Sex, Drugs, and Biopolitics in the…

  • Rajan V. Ritoe (Ed.)

    Future Times Square. Compression vs. Distribution

  • Luis Burriel Bielza

    Le Corbusier. La passion des cartes

  • Douglas Kahn

    Earth Sound Earth Signal

  • Dietmar Offenhuber, Carlo Ratti (Hg.)

    Die Stadt entschlüsseln. Wie Echtzeitdaten den Urbanismus…

  • Dietmar Dath, Swantje Karich

    Lichtmächte. Kino – Museum – Galerie – Öffentlichkeit

  • Yael Bartana

    Wenn Ihr wollt, ist es kein Traum. If you will it, it is…

  • Julia Czerniak (Ed.)

    Formerly Urban. Projecting Rust Belt Futures

  • Stefan Römer

    The ups and downs of Stan Back

  • Robert Lippok

    Steady Unsteady

  • Deborah Ligorio

    Survival Kits

  • Barbara Vinken

    Angezogen. Das Geheimnis der Mode

  • Heimo Lattner

    A Voice That Once Was In One's Mouth

  • Martha Buskirk

    Creative Enterprise. Contemporary Art Between Museum and…

  • Hans-Christian Dany

    Morgen werde ich Idiot. Kybernetik und Kontrollgesellschaft

  • Turit Fröbe

    Die Kunst der Bausünde

  • IFA (Ed.)

    Future Perfect. Contemporary Art from Germany

  • Wilfried Wang, Dan Sylvester (Hg.)

    Hans Scharoun. Philharmonie

  • Chair of Prof. Dr. Josep Lluís Mateo…

    Middle East. Landscape City Architecture

  • Volko Kamensky, Julian Rohrhuber (Hg.)

    Ton. Texte zur Akustik im Dokumentarfilm

  • Anna Schober

    The Cinema Makers. Public Life and the Exhibition of…

  • von Borries, Ahlert, Fischer (Hrsg.)

    Die Berliner Weltverbesserungsmaschine. Die Rekonstruktion…

  • Friedrich von Borries, Jens-Uwe Fischer

    Die Berliner Weltverbesserungsmaschine. Die Geschichte (…

  • Sven Lütticken

    History in Motion. Time in the Age of the Moving Image

  • Kevin C. Smith

    Recombo DNA. The Story of Devo, or How the 60s Became the…

  • Bastian Lange, Gottfried Prasenc,…

    Ortsentwürfe. Urbanität im 21. Jahrhundert

  • E. Beyer, A. Hagemann, M. Zinganel (Eds…

    Seaside Architecture and Urbanism in Bulgaria and Croatia.…

  • Claudia Mareis, Matthias Held, Gesche…

    Wer gestaltet die Gestaltung? Praxis, Theorie und…

  • Jean-Luc Nancy

    Äquivalenz der Katastrophen (Nach Fukushima)

  • Rem Koolhaas, Hal Foster

    Junkspace with Running Room

  • Hilke Wagner, Axel Wieder (Eds.)

    Susanne Kriemann

  • Alison Knowles

    The Big Book

  • Lionel Bovier

    Paulina Olowska. Book

  • Anri Sala

    Ravel Ravel Unravel

  • Anne Huffschmid, Kathrin Wildner (Hg.)

    Stadtforschung aus Lateinamerika: Neue urbane Szenarien.…

  • Jonathan Crary

    24/7. Late Capitalism and the Ends of Sleep

  • Thomas Keenan, Tirdad Zolghadr (Eds.)

    The Human Snapshot

  • Between Artists

    Thom Andersen / William E. Jones

  • Heidrun Holzfeind

    Strictly Private

  • Doreen Mende, Estelle Blaschke, Armin…

    Doppelte Ökonomien / Double Bound Economies

  • Bernadette Corporation

    Reena Spaulings. A Novel by Bernadette Corporation

The Experimenters. Chance and Design at Black Mountain College

In the years immediately following World War II, Black Mountain College, an unaccredited school in rural Appalachia, became a vital hub of cultural innovation. Practically every major artistic figure of the mid-twentieth century spent some time there: Merce Cunningham, Ray Johnson, Franz Kline, Willem and Elaine de Kooning, Robert Motherwell, Robert Rauschenberg, Dorothea Rockburne, Aaron Siskind, Cy Twombly—the list goes on and on. Yet scholars have tended to view these artists’ time at the College as little more than prologue, a step on their way to greatness. With The Experimenters, Eva Díaz reveals the importance of Black Mountain College—and especially of three key teachers, Josef Albers, John Cage, and R. Buckminster Fuller—to be much greater than that.
Díaz’s focus is on experimentation. Albers, Cage, and Fuller, she shows, taught new models of art making that favored testing procedures rather than personal expression. These methodologies represented incipient directions for postwar art practice, elements of which would be sampled, and often wholly adopted, by Black Mountain students and subsequent practitioners. The resulting works, which interrelate art and life in a way that imbues these projects with crucial relevance, not only reconfigured the relationships among chance, order, and design—they helped redefine what artistic practice was, and could be, for future generations.
Offering a bold, compelling new angle on some of the most widely studied creative figures of modern times, The Experimenters does nothing less than rewrite the story of art in the mid-twentieth century.
"In this highly evocative and well-executed study, Diaz explores the innovative pedagogical practices that were developed at Black Mountain College in its heyday. Respectful of the distinct teaching methods of the College's most notable faculty, Diaz nonetheless finds a common experimental basis to the artworks and inventions produced by their students in the late 1940s and early 1950s. "The Experimenters" is nuanced, erudite, and intellectually wide-ranging. It will be essential reading for anyone interested in the development of mid-twentieth-century art in the United States."--Alexander Alberro, author of Conceptual Art and the Politics of Publicity


Eva Diaz
The Experimenters. Chance and Design at Black Mountain College
Chicago Press, 2014, 9780226067988
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